Continuity mistake: When Buddy is lying in the roll-out bed in the living room of his father's house and asks to be tucked in, his father does so. His father comes back up and ends up having a red thread on his shirt. The shot switches to Buddy, then back to him and the thread is now on his right arm.
Plot hole: How does the little girl Nina know Ferdinand's name if only the animals can communicate with each other? They're all calling him Ferdinand before she "names" him that.
Revealing mistake: While Poe leads the aerial assault on the oscillator, in the closeups of Poe and other X-wing fighter pilots, note the cockpit windows at the pilots' left and right have identical marks and scratches in their individual X-wings. It's particularly noticeable when one closeup follows another.
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The Funeral - S1-E3
Deliberate mistake: Though it serves the drama and black comedy of the scene, it's highly unlikely a modern, let alone future broadcasting network would neglect the importance of delay (usually around 30 seconds) between recording and "live" broadcast. Specifically, to prevent unexpected gruesome incidents like the exploding head seen in this episode from making it to air.
Factual error: When the action moves to England after the failed award ceremony, the British Union Flag hanging from the wall is upside down. The broad white band should be at the top left (nearest the top of the flag pole).
Plot hole: Joy and Sadness are stuck outside of the control center. They are trying to figure out how to get back, and encounter maintenance workers who are discarding old memories. The maintenance workers show that they have the power to send memories back up to the control center to be played. Why couldn't they send the core memories that Joy had back up the same way? Better yet, why not use that method to send Joy and Sadness back up to the control center? The director of the film is even aware of the plot hole, and said "Yeah, well then we wouldn't have a third act," before explaining how the idea of recalling memories was added in later, "box[ing] [the screenwriters] in a corner a little bit."
Suggested correction: Even if they do send the core memories up to headquarters, they wouldn't be able to get joy and sadness through the tiny gap that the workers send the memories up. Joy has to be in headquarters for Riley to be happy.
This mistake is large enough that the director is aware of it. I think that more than qualifies it to be on this site.
Suggested correction: Joy is a control freak, she wants to return the memories herself. She doesn't even imagine that the workers can do such a thing.
Col. Nathan R. Jessep: Son, we live in a world that has walls and those walls have to be guarded by men with guns. Who's gonna do it? You? You, Lieutenant Weinberg? I have a greater responsibility than you can possibly fathom. You weep for Santiago and you curse the Marines; you have that luxury. You have the luxury of not knowing what I know: that Santiago's death, while tragic, probably saved lives and my existence, while grotesque and incomprehensible to you, saves lives.
You don't want the truth because deep down in places you don't talk about at parties you want me on that wall, you need me on that wall. We use words like honor, code, loyalty. We use these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it. I would rather you just said "thank you, " and went on your way. Otherwise, I suggest you pick up a weapon and stand a post. Either way, I don't give a damn what you think you are entitled to.
What movie is this quote from? Might be obvious, might be obscure... Take your pick and see how others did!
Question: Several other answers and corrections state that the reddish liquid sprayed by the tripods was what essentially grew the red vines. However I thought I heard someone in the film say something along the lines of "using us (i.e. blood) as fertiliser". Can someone please clarify?
Answer: Since the tripods tended to spray the red fluid shortly after pulling a human into themselves, it seems a good assumption that the red fluid is essentially blood. Given this, it seems likely that the "spore" of the vines is spread in the red fluid.
Continuity mistake: When Finn is going to an escape pod to run away, he puts his pack down in front of it, seen again in a later shot. When Rose realises he's trying to run away, his pack has moved itself inside the pod.
Continuity mistake: In the beginning scenes, where Milo Thatch is practising his proposal, he slides over (face forward, chest against the board) a chalk drawing of a map detailing the location of Atlantis. When he realises he wiped off the drawing, and sees it on his clothes, he stands in front of the blank part of the chalkboard, "filling in" the space with the map that rubbed off on his shirt - the only problem is, that the image should have rubbed off backwards as he was facing the board when it transferred to his clothes. He could not simply stand in the place of the missing map face forward and have it read properly.
Trivia: Brodie says "Would you like a chocolate covered pretzel?" He said the same thing in Mallrats.
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