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Older And Far Away - S6-E14

Visible crew/equipment: When the Scoobies are attempting to leave Buffy's house by using magic, we see a close up shot of the house's front door knob. None of the Scoobies are reflected in the door knob even though they're standing right in front of it. There is also a fairly large black object reflected in it. A film crew perhaps?

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Spiral - S5-E20

Visible crew/equipment: As Spike drives everyone off in the Winnebago, the shadow of a stage light can be seen on the side of the Winnebago as it moves off screen.

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Smashed - S6-E9

Visible crew/equipment: When Tara and Dawn arrive home and start watching TV, the shadow of the camera filming them can be seen on the inside of the front door as they enter the house.

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Gone - S6-E11

Continuity mistake: After Doris from Social Services leaves Buffy's house and Spike leaves after her, he takes his lighter out of Buffy's pocket. But earlier in the episode when everyone was packing away all of Willow's magic stuff, Buffy finds Spike's lighter and puts it in one of the boxes.

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Visible crew/equipment: As Eamon is getting ready to leave with his children after Jason kills The Professor, a cameraman's legs are reflected in the back of his car just before he says the line "I'm not waiting, Marie". (01:30:35)

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Visible crew/equipment: At the beginning of the film, the top of a crew member's head is reflected in the mirror of the bathroom cabinet as Jason closes it. (00:02:15)

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Life Serial - S6-E5

Revealing mistake: In Jonathan, Warren and Andrew's van, whenever they're watching something on the monitors fed from their security cameras, you can see that the footage is actually pre-recorded due to the fact that the footage is being played through QuickTime media player.

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To the Lighthouse - S2-E20

Other mistake: Season 2, Episode 20: "To the Lighthouse" - In the flashbacks to the jungle, John is considerably younger. Sarah however, is not. Adults don't change nearly as much as a child would in the same time period, but this is a pretty big jump back in time. John is only a child in the flashbacks, putting Sarah in her mid to late 20s. Yet she still looks 35 and even has the exact same skin and facial structure.

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Tabula Rasa - S6-E8

Continuity mistake: When Buffy and Spike (as Joan and Randy) are fighting Bro'os vampires, Buffy kicks down a post box to stake one of them. The pole supporting the post box breaks away at a jagged angle. But when she uses it to stake one of the vampires the end that she uses has suddenly changed to the traditional triangular point, only to return to its original jagged angle immediately afterwards. The shot of her staking the vampire is not a side angle of some uneven ends. Watch as she backs away from the vampire after he's been staked, it is a fully triangular point.

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Once More, With Feeling - S6-E7

Visible crew/equipment: When Buffy kicks the front door of The Bronze down to confront Sweet and save Dawn, a cable can be seen attached to the door used to pull it down.

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Life Serial - S6-E5

Visible crew/equipment: When Xander is talking to Buffy about blacking out and evil lint before introducing her to the foreman at the construction site, a crew member can be seen walking behind them holding up an anti-glare screen. (Only visible in widescreen.)

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Intervention - S5-E18

Revealing mistake: When Spike, Xander, Anya and the Buffybot are attacked by vampires in the cemetery, the grass for the cemetery moves underneath the vampires' feet as if it were a carpet. The cemetery was a sound stage and not an actual cemetery.

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Bargaining (1) - S6-E1

Visible crew/equipment: At the beginning of the episode after the Buffybot kills the remaining vampires and the rest of the gang is grouped together, the shadow of a boom mic can be seen below a tall gravestone behind Giles, far right of the screen.

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Bargaining (2) - S6-E2

Continuity mistake: In the alleyway scene after the real Buffy kills all the Hellions (biker demons) and runs off, one of the Hellions can be seen getting up behind Xander. We then see a closeup shot of the Hellion opening its eyes while still lying on the ground and then they stand up and sneak up behind Xander again.

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Home Is Where the Heart Stops - S1-E7

Visible crew/equipment: When Castle and Beckett step into the elevator whilst talking about The New York Review of Books, a cameraman is reflected in the left door of the elevator as it closes and the scene ends.

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Intervention - S5-E18

Revealing mistake: When Spike is playing with the Buffybot in his crypt and has her throw him onto his bed to stake him, the shot of him landing on the bed and the Buffybot climbing on top him is portrayed by stunt doubles. The shot is then interwoven with another shot of the actual actors. But it's very obvious due to the poor editing.

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Epitaph 2: Return - S2-E13

Continuity mistake: In the scene at Priya's house when everyone is sitting round the kitchen table, a grey streak in Echo's fringe switches sides between shots.

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Continuity mistake: After Jason kills The Professor, we see Eamon walking to his car with his children and opening the right side passenger door. We then cut to a shot of Marie and then back to Eamon. His car's boot is now suddenly open as well as the right side passenger door, but we never hear him open it during the shot of Marie. (01:30:20)

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Bargaining (1) - S6-E1

Visible crew/equipment: After Giles' heavy machinery joke, the shadow of a boom mic is visible on a gravestone behind Tara on the far left of the screen.

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Intervention - S5-E18

Continuity mistake: When the gang are fighting Glory's minions, one of them knocks Giles to the ground and then tries to choke him. As Giles hits the ground he lands facing downwards so we can't see his face. But when the minion is chocking him in the shot immediately afterward, he is suddenly facing upwards.

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