Other mistake: One visual that has always bothered me that I could not find in your list were the scenes when the mother ship first appears. It's enormous scale appears to dwarf Devil's Tower and the whole surrounding area actually, but when it moves over to the "landing strip" area and begins to rotate 180° (right-side up?), it suddenly seems to shrink to a much smaller size and mass during the slow revolution. On its originally-seen scale above/behind the tower, one would think that either the great ship's outer prongs would have been torn off, or more likely the impromptu landing site and most of Devil's Tower would have been destroyed as the huge craft rotated itself. The visual scales just do not stay consistent throughout the film's climactic final act.
Close Encounters of the Third Kind (1977)
Directed by: Steven Spielberg
Starring: Lance Henriksen, Richard Dreyfuss, Teri Garr
Factual error: The aliens broadcast a series of pulses which are decoded by the scientists to be a longitude and latitude. In degrees:minutes:seconds, the longitude is 104:44:30 and the latitude is 40:36:10. These numbers are what the computer display shows and are what the scientists say (except for one slip-up in the hallway early in the scene where 104:40:30 is said). The scientists grab a globe and declare these coordinates are in Wyoming. Everybody and his brother (and the aliens) then proceed to show up at Devils Tower, Wyoming. However, Devils Tower is at around longitude 104 deg 44 min and latitude *44* deg 36min, not the *40* deg 36 min pulsed out by the aliens. If everyone had gone to 40 deg 36 min, they would have ended up in Colorado, more than a couple hundred miles south of Devils Tower, Wyoming. (00:46:23)
Continuity mistake: The film starts in Muncie Indiana. There is a scene in the hills near the town. There are NO hills near Muncie, it's flat as a board. (00:24:30)
Trivia: After this movie, young Cary Guffey got to play the part of an alien himself - in the Italian movies "Uno Sceriffo extraterrestre - poco extra e molto terrestre" (English title: "The Sheriff and the Satellite Kid", 1979) and its sequel "Chissà perché. capitano tutte a me" ("Everything Happens To Me", 1980); both with the Italian actor Bud Spencer.
Trivia: The aliens that come out of the ship at the end of the movie were played by 7 year old girls and the scene had to keep being re-shot because their fake alien heads weighed 5 pounds each.
David Laughlin: We didn't choose this place! We didn't choose these people! They were invited!
Claude Lacombe: They belong here more than we.
Project Leader: He says the sun came out last night. He says it sang to him.
Project Leader: If everything's ready here on the Dark Side of the Moon... play the five tones.
Question: Why were the aliens abducting people and why did they bring them back?
Question: I would really like some insight on a burning question I have had since seeing this movie as a child in 1978, when it came back around in theaters in eastern Canada, where I grew up. Not knowing much about American history in school, I didn't know at the time that there even was a Devil's Tower, or that it had been made the first US National Monument in 1906, and as such would have been famous to all American citizens. I still remember loving the psychic element in the film where our heroes agonize internally about the strange mound shape seen only in their heads, to be finally rewarded and deeply relieved with news footage later in the film which solidified their visions into something tangible and concrete (igneous rock actually!) Thus, as a boy knowing nothing about the tower in Wyoming, this part of the film played perfectly into the fantasy for me-it sold me all the way. But why or how did this work for Americans at the time the film was new? In the film, we are to believe that our adult heroes knew nothing of the tower before their initial close encounters, and were shocked to discover that it actually existed. Again, for me, Devil's Tower was an absolutely incredible and awesome choice, and made me love the film all the more for it. But I would like to know how Americans felt about it during the film's 1977 and later 1980 re-release? Was it just as awe-inspiring for them as well, or was it more like: "Duh-you're driving your family crazy making models of a natural rock formation everyone knows is less than 90 miles away from Mount Rushmore?" I would really appreciate an answer, because for me, the tower's news-footage "reveal" was a huge moment in the film, and really does provide the kick-start that launches the entire third act of the film. For American audiences, why was it not the same as if Roy had struggled to attach a garden hose under a hastily-built plywood model with a hole in the middle, because the aliens implanted a vision of "Old Faithful" in his head?
Answer: Devil's Tower really is out in the middle of nowhere, and in one of the least populated states (it's "only" 90 miles away from Mt. Rushmore, but it's an incredibly boring 90 miles of mostly empty plains) so it didn't make for a convenient tourist attraction like other landmarks and thus didn't garner as much fame (it's actually much more famous nowadays, thanks to this movie). That said, the movie seems to have cleverly provided two separate "reveals" for this plot turn: those familiar with Devil's Tower will recognize it when Richard Dreyfuss knocks the top off his sculpture, giving it the distinctive "flat top" shape; then, only minutes later the rest of the audience will discover it along with the characters during the news broadcast. It wouldn't surprise me at all if this was set up deliberately keeping in mind the landmark's status of "kind of famous but not really THAT famous."
Your explanation (and the other answer) helps makes the overall plot more understandable. The French scientist, Lacombe, mentions that there were probably hundreds of people who were implanted with the Devil's Tower image in their minds. As pointed out, it is not a particularly recognizable landmark, which would explain why many never made the connection to it.
Answer: "Devil's Tower" is, indeed, a national landmark. However, it isn't one of the most famous, nor most iconic. It isn't nearly as widely known as, say, the Grand Canyon, the Mississippi River, Niagara Falls, or the landmarks you mentioned - Mount Rushmore and Old Faithful Geyser. But, as you stated, its imposing form does fit so nicely into the aura of the film's alien encounter. Devil's Tower isn't something everyone knows by shape. And for those of us who do, it doesn't require much suspension of disbelief to posit that the characters in the film wouldn't have put it together prior to the news footage.
Question: Did anyone else see the reflection of an alien's face in the window of the pickup truck as Dreyfus puts up a map against the window right before all the electrical stuff goes out in the car?
Chosen answer: I own the original (not special edition) DVD and I can always freeze the film and point out to people where the alien is and they see it too, but I can never see it when it's on TV or on my friends VHS copy, maybe it's just a 'gift' for the DVD owners?
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Answer: It wasn't definitively answered, but it appears the aliens took people in order to learn more about humans. It's unclear if all those who were returned had originally gone willingly, but the intent was not to keep them indefinitely or harm them, and they were returned to Earth, albeit many decades later. At the end, after the aliens had made contact, a new group of humans, including Roy, went with them voluntarily.
raywest ★