Continuity mistake: When Buddy is lying in the roll-out bed in the living room of his father's house and asks to be tucked in, his father does so. His father comes back up and ends up having a red thread on his shirt. The shot switches to Buddy, then back to him and the thread is now on his right arm.
Continuity mistake: Hooper wears rimless eyeglasses, with the arms either attached at the upper corners of the lenses or at the sides of the lenses. If this didn't happen between shots within the same scenes, it could be presumed that Hooper has two different pairs of glasses and switches between the two, but they do indeed change between shots, such as when Mrs. Kintner slaps Brody, or even later, on the Orca. (00:36:05)
Visible crew/equipment: At Hoover Dam, after the salute, when Defense Secretary Keller speaks with Lennox and Epps, the reflection of the white reflector screen is visible on Keller's glasses. What's more, the boom mic's reflection is actually visible within the reflector screen's reflection. Two for the price of one. (01:35:30)
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The Funeral - S1-E3
Deliberate mistake: Though it serves the drama and black comedy of the scene, it's highly unlikely a modern, let alone future broadcasting network would neglect the importance of delay (usually around 30 seconds) between recording and "live" broadcast. Specifically, to prevent unexpected gruesome incidents like the exploding head seen in this episode from making it to air.
Prologue: A gun, like any other source of power, is a force for either good or evil, being neither in itself, but dependent upon those who possess it.
What movie is this quote from? Might be obvious, might be obscure... Take your pick and see how others did!
Continuity mistake: Darth Maul's neck is black, but when he is talking to Darth Sidious on Coruscant, his neck is flesh-toned. (00:38:45)
Other mistake: In the intro to the Pastoral Symphony, the narrator identifies the deity who cloaks the world with Night to be Morpheus, who is the Greek god of sleep and dreams. However, the character in the animation is fairly obviously female, with long hair, eye shadow, and lipstick. My theory is that the character was intended by the art team to be Nyx, the Greek goddess of Night. Night would be a more likely candidate to be making it nighttime across the world, while Morpheus would be more likely to put people to sleep or send them dreams.
Suggested correction: Without further evidence/proof, this theory remains just that. A theory.
Factual error: Druig leads several warriors outside Tenochtitlan as it was sacked by the Spanish conquistadores, and they live peacefully in the nearby forest, for 500 years. The forest is of course the virgin Amazon forest, as captions say. Small problem; Tenochtitlan was in Central Mexico.
Suggested correction: It never says that the people who live with Druig in the Amazon in the present day are descendants of the people from Tenochtitlan. Nor does it ever say that the forest outside Tenochtitlan is the Amazon. He's probably been moving around for the last five centuries just as the other Eternals have.
Never ever? He literally says "Do you remember this forest? Beautiful. It's the last place we all lived together. I've protected these people for 20 generations." They split after their argument during the sack of the town. If their base of operations exterminating the mutant space dogs in Mexico was in the Amazon forest, their logistic could use some work.
Just because the last time they fought together was in Tenochtitlan doesn't mean that was the last time they lived together. They may have spent some time living peacefully in the Amazon before moving north to do their business in Tenochtitlan. And just because he's protected the people for twenty generations doesn't mean they're descendants of the people from Tenochtitlan. He may have found them later. We don't know every detail of the Eternals' history. You're just making assumptions.
You are assuming the presence of a third party stranded for 500 years that the movie never showed before, different from the people that he led out of the city and that we have then to postulate he let go, in a location far off from the one of their last encounter. It's an assumption on entirely new details that you had to make up. My only assumption is to think that what is shown in the movie had purpose and fits, and someone just borked a caption.
Who says they're stranded? He just said he had protected them for twenty generations. They'd probably always lived there. You're making the assumption that they must be the same people because nobody said they weren't. But nobody said they were either. Nobody in the film ever made a connection between the people in Tenochtitlan and the people in the Amazon. No mistake has therefore been made in either the dialogue or the captions.
I noticed the same problem, the scene indicates the location as "Amazon" (it could be any of the Spanish speaking countries that have part of this forest), but then, Druig comes with the affirmation you pointed. It's obviously a geographical inaccuracy.
They don't speak Spanish in the Amazons.
Question: In reality, do orcas actually understand English? Willy seems to understand Jesse when Jesse teaches him tricks.
Answer: While sounds and words can be used to alert orcas and dolphins, they recognize the hand signals and movements as to what to do.
Answer: Dogs can learn words up to the level of a 3 yr old, and whales are smarter than dogs, so definitely.
Dogs don't learn words, they start to recognize the sound that comes with a certain word like "stay" or "fetch", it's got more to do with the intonation than the actual word. They don't know what the word actually means. They can't imitate it nor can they recognize it in a sentence.
Plot hole: Joy and Sadness are stuck outside of the control center. They are trying to figure out how to get back, and encounter maintenance workers who are discarding old memories. The maintenance workers show that they have the power to send memories back up to the control center to be played. Why couldn't they send the core memories that Joy had back up the same way? Better yet, why not use that method to send Joy and Sadness back up to the control center? The director of the film is even aware of the plot hole, and said "Yeah, well then we wouldn't have a third act," before explaining how the idea of recalling memories was added in later, "box[ing] [the screenwriters] in a corner a little bit."
Suggested correction: Even if they do send the core memories up to headquarters, they wouldn't be able to get joy and sadness through the tiny gap that the workers send the memories up. Joy has to be in headquarters for Riley to be happy.
This mistake is large enough that the director is aware of it. I think that more than qualifies it to be on this site.
Suggested correction: Joy is a control freak, she wants to return the memories herself. She doesn't even imagine that the workers can do such a thing.
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