Continuity: Near the beginning of the film, as Thornton has arrived at The Plaza and is opening the door of the taxi to exit it; visible through the rear window is a red and white Ford taxi, parked behind Thornton's taxi. Instantaneously, in the next shot taken from the sidewalk, he is shown completing his exit from the cab. Now however, there is a light colored Dodge taxi cab parked directly behind them.
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Quotes
Roger Thornhill: The moment I meet an attractive woman, I have to start pretending I have no desire to make love to her.
Eve Kendall: What makes you think you have to conceal it?
Roger Thornhill: She might find the idea objectionable.
Eve Kendall: Then again, she might not.
Trivia
In the scene when Cary Grant is going up the steps to the UN, Alfred Hitchcock shot it from a rug truck across the street. He wasn't allowed to shoot the front of the UN. If you look closly, you can see a security guard in the left corner. See more...
North by Northwest (1959) - 43 mistakes
These mistakes are currently being ordered by time. Entries without times will appear at the end.
Directed by Alfred Hitchcock, starring Cary Grant, Eva Marie Saint, James Mason, Martin Landau (add more)
Continuity: When Thornhill is talking to the maid in Kaplan's hotel room, right after she identifies him as Kaplan, his arm changes from bent over his stomach to straight at his side.
Continuity: While Thornhill and his mother are investigating Kaplan's hotel room, he decides to try on one of the man's suits from the closet to see if he and Kaplan are similar in stature. He tries on a navy or dark colored suit coat and then holds the pants up against himself to check the length. In the close up of the trousers, they are now a light gray in color. The camera returns to a full shot and, once again, he has the darker trousers in his hands. You can also see the light gray suit in the closet behind him.
Continuity: As Thornhill backs away from murdered Townsend, the knife in his hand changes from point down to point up.
Continuity: The first scene that they show of the train going up the Hudson River is wrong. The hills in the background are much further up the river past Croton NY. When they are eating the train is back down near the wider part of the Hudson around Tarrytown NY.
Continuity: In the very first scene when the train pulls out of Grand Central Station you can see that the sun is setting. Then when they sit down to eat it's the middle of the day again.
Continuity: Cary's position was close to Eva and he almost kissed her, but then his position is farther away when he asks, "Shall I?" Also, in the kissing scene, when Cary is shown he is kissing her near an open door, but then they are against the wall again.
Continuity: In the last scene before Chicago the train is going through the tunnel at Breakneck Pass north of Cold Spring NY. When they're going back home at the end of the movie theoretically they should be going the same way but they're not. The final tunnel shot in North by Northwest is the Southern Pacific railroad tunnel between Santa Susana and Chatsworth California.
Continuity: At Prairie Stop 21, after the second man arrives, shots on Thornhill show that his left arm is bent (the sleeve is folded), but the wide shot on both of them shows his arms at his sides.
Revealing: Thornhill & the "Professor" have a chat on the airport tarmack, in which it's revealed to Thornhill that Eve is a secret agent and in danger. At that moment the camera dollies in on Thornhill for dramatic effect. As it does, the distant airplane in the background gets closer very nearly as fast as does actor Cary Grant, revealing that the background in this scene is, in fact, a rear projection on a screen just beyond the actor.
Audio problem: When Thornhill and Kendall reunite after the shooting, they are obviously on a soundstage and not on location in the wilderness. There is absolutely no background noise, which is impossible in the outdoors: leaves rustling, birds calling, water trickling, wind gusting, etc. prevent the complete silence depicted by the movie. The quality of the actors' voices also sounds like indoors rather than an open space.
Continuity: When Cary Grant writes a message on a matchbook and Eve Marie Saint reads it, the number of lines in the message changes. He writes 3 lines, she reads 4 lines.
Audio problem: Near the end of the movie when Cary Grant says, "Come along Mrs. Thornhill." If you read lips he's actually saying, "That's it."
Revealing: In the shooting scene in the Mount Rushmore cafe, a boy in the background puts his fingers in his ears, because he knows the gun is about to be shot.
Visible crew/equipment: Cary Grant is crouching in his bunk bed in the train. The lights of the studio get reflected on his broken sunglasses when he shows them to Eve.
Factual error: When Cary Grant is attacked by the crop duster, he is supposed to be between Chicago and Indianapolis. Unfortunately, northwest Indiana looks nothing like this. The scene in the movie has miles and miles of treeless landscape. Even in the flattest farmlands of Indiana, there are many visible groves of trees.
Other: When the plane hits the gas truck and it catches on fire, instead of getting out on the passenger side, the passenger crawls out the driver's side.
Continuity: When in James Mason's house in South Dakota, Cary Grant writes a message to Eva Marie Saint on a matchbook from which several matches are missing. When Ms. Saint subsequently reads the message the matchbook is full.
Continuity: In the scene where Cary Grant is hanging off Mount Rushmore, and Eva Marie Saint falls and grabs Cary's back pocket, she rips it but in the next scene the pants are un-ripped.
Continuity: When Eva Marie Saint grabs the statue from James Mason and bolts, the spies chase after her. They had no way of knowing she would do such a thing, and yet they are suddenly equipped with long, heavy-duty flashlights.
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