2001: A Space Odyssey (1968) - 32 mistakes

Revealing: During the "Dawn of Man" sequence, the ape-man scenes were shot on an indoor stage with projected background images on a huge screen behind the stage. The screen itself was a highly reflective cloth. In most shots, it is quite convincing, but in several (especially when facing the aggressive, victorious group during the first fight, then again when facing the tool-using group in the last fight), the rear screen appears to be a patchwork of smaller pieces of cloth as very obvious puzzle-like shapes of varying reflectivity appear in the sky. Once you notice them, it's incredibly distracting.

Continuity: When Floyd and his team are heading to the Lunar excavation site, they start to eat those synthetic sandwiches. One of the shots shows a closeup of Floyd. As he is right about to take a bite, the camera cuts back to a shot of the three men. However, Floyd's sandwich is instantaneously about a foot from his mouth and he is fully chewing.

Visible crew/equipment: When the astronauts are approaching the monolith on the moon, you can see the reflection of a cameraman in the visor of the first astronaut off the ramp, in the close up of him walking around the monolith.

Continuity: Frank is running around the centrifuge. He passes the ladder with two bunks to the right and the work station to the left. When Dave comes down the ladder, the bunk is to the left. This error is caused by Frank's last two running shots (the ones where the camera stayed just ahead or just behind him as he ran) having been accidentally reversed in editting. Frank's hair is parted on the wrong side and the sleep tube layout and the body positions within are precise mirror images of the layout seen in all prior and following shots.

Continuity: When Dave gets his supper,the order of the slop from right to left are: yellow, light brown, light brown, dark brown. Later when he's eating the order is: yellow, orange brown, dark brown, light brown.

Continuity: Dave only takes one utensil on his tray, later he has two.

Revealing: When Dave Bowman is attempting to break into the Discovery after being locked out by Hal you can see, reflected in the Pod window as the Pod is spinning around, the edges and top corner of the small set of the Discovery hatch area. (Second timecode is accurate for DVD release)

Other: When Dave is deactivating HAL, he unlocks memory blocks one by one by turning a key for every one of them. When he's done the first five memory blocks, from number 6 to 2, he changes the key from right to left hand, and jumps to the logic terminal blocks, unlocking number 5 of those. However, number 1 of the memory blocks slides out.

Continuity: When Dave begins to disconnect HAL's circuits, one angle shows him unlock the first, second, then third unit. Just as he's about to remove the key from the third lock, the angle changes and he's pulling the key from the second lock and then goes for the third again. We know this is consecutive time as HAL is pleading with Dave the entire time.

Factual error: When we see the space station from the cockpit of the approaching shuttle, the station does not appear to rotate because the shuttle is rotating at the same speed. OK...except that the station IS still rotating with respect to the sun, which means that the light source and shadows on the station should be moving.

Continuity: The view of the front of the moon buggy shows the sunlight coming from the right side of the screen(Pilot's left shoulder) But when we see his view out the window, the sunlight casts shadows as if the sun was behind them.

Revealing: When the astronauts are on the way to the monolith on the Moon, there are two windows seen within the interior of the small space shuttle. During their small lunch, in the left window, the horizon is seen as the surface of the Moon is flowing back against the direction of the flight. However, although sometimes this horizon fills up to half of the window, no horizon can be seen in the right window despite being located directly beside the left window. Nevertheless, the inclination of the Lunar surface should allow for it to be seen.

Continuity: Several times during Heywood's speech to the team at the crater, his arms shift from his sides with hands in pockets to in front of him with hands on the podium.

Continuity: The Discovery's crew quarters has five beds, three for the hibernating crew, two for the Bowman and Poole. The exact beds occupied by hibernating crew changes from one scene to the next. This error is caused by Frank's last two running shots (the ones where the camera stayed just ahead or just behind him as he ran) having been accidentally reversed in editting. Frank's hair is parted on the wrong side and the sleep tube layout and the body positions within are precise mirror images of the layout seen in all prior and following shots.

Continuity: When the astronauts are approaching the monolith on the moon, the earth is clearly seen in a gibbous phase near the horizon. In the next scene, the sun passes behind the earth, which is now in a "new" phase overhead. The earth does not change its position in the lunar sky, and certainly cannot change phase that fast.

Continuity: The formation of the astronauts on the ramp to TMA-1 shifts from shot to shot.

Continuity: When Frank receives his parents' birthday message he is relaxing on the sun-bed. As the message drags on there is some intercutting with various other views about the room. One shot happens to be of the sun-bed from an alternative angle, and Frank is nowhere to be seen. In the next shot Frank is once again lying on the bed.

Other: When Dave goes to retrieve lifeless Frank the computer screen to his right which is supposed to show continuously updated data, twice displays a jagged line like those found near the end of a reel of a motion picture film.

Continuity: When Dr. Heywood is talking to his daughter, her hands shift between the first full shot on the screen and the shot over Heywood's shoulder.

Factual error: On board spaceship Discovery, the crew's living area is the spinning centrifuge, which spins about its axis to generate a gravity-like acceleration at its perimeter, the floor. When exiting the centrifuge a crewman climbs a ladder from the floor up to the hub, where there's a door leading to other parts. When Poole & Bowman climb this ladder, it's evident that they're under full body weight the whole way up. But in reality they'd get steadily lighter toward the hub. In fact, they'd be practically weightless within a few feet of it.