Visible crew/equipment: During the zero-gravity fight scene in the hotel room, it is possible to see a crew member's hand briefly resting against the end of the bed when Arthur and the projection are fighting on it.
Visible crew/equipment: Right before Cobb and Arthur go to the roof to find Saito having Nash in the Helicopter, Cobb and Arthur are in the Hotel Room with windows in the background. In the reflection of the windows, you can easily see the camera and the microphone.
Revealing mistake: When Ariadne is pulling the two huge mirrors close together underneath the bridge with Cobb, watch her when she is closing the second mirror. She steps over something even though there is nothing present for her to step over. There must have been a green screen frame there for her to step over.
Trivia: The song that is played to wake everyone up is Edith Piaf's "Non, je ne regrette rien". Marion Cottillard (Mal) played Piaf in the biopic La Vie En Rose and won an Oscar for it.
Question: When Cobb finally gets home to see his children at the end why don't they look any different from his memories? The story implies that he's been gone for a long time yet they don't appear to have aged.
Answer: The story really doesn't imply too heavily exactly how long Cobb has been on the run. Very few clues are given, so it could quite plausibly be less than a year since his wife's death, in which case their children would not have aged dramatically. Their voices on the phone seem compatible with children of the ages shown at the end of the film and Cobb shows no concern when reunited with them that they should be older than they are. Two sets of children are listed in the credits, of different ages.
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Answer: The answer above is solid and I agree, but there's another plausible way of looking at it. It is implied at the end that Cobb could still be dreaming (we never see if the top stops spinning). If that's the case, then he would likely dream his children to be exactly how he remembers them.
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