Teddy: You don't know who you are anymore.
Leonard Shelby: Of course I do. I'm Leonard Shelby. I'm from San Francisco.
Teddy: No, that's who you were. Maybe it's time you started investigating yourself.
The blood pattern splattered on the tile wall and grout, shown in the photograph that Teddy holds in the opening shot, differs from the pattern that is seen in the reverse shot while Teddy is still lying on the ground, before he even moves. See more...
In the scene where Lenny is on the phone describing how Sammy Jenkis ends up in a home due to the death of his wife, it shows Sammy sitting in a chair looking towards the camera. Sammy is temporarily blocked from our view by someone walking in front of him. As the person passes by, it is not Sammy that re-appears, but Lenny. To see it well, you will have to use the frame-by-frame mode. There are about 5 visible frames of Lenny in the home, and then it cuts back to him inside the motel room talking on the phone again. See more...
Popular blog posts:
Other great sites
Screenshots of mistakes that have been online for less than a year are only visible to members, but the rest are available to everyone. Don't forget to check out the picture of the day, updated daily, and the top 30 screenshots too.
Continuity: In the first close-up Teddy's eyeglasses are upside down, lying near the tile wall, the next wide shot it's upright, further away from the wall, next close-up it's near the tile wall again, lying on the grout just as it's moving in reverse, then in the next wide shot it's further away from the wall once again, lying on the tile, just before it reverses to go back up onto his face.
Revealing: At the 'beginning' when Teddy and Leonard drive up to the abandoned building with the old truck out front, inside the truck Leonard handles a number of .357 revolver calibre bullets that have apparently not been fired, but you can clearly see the indented primers in the base of the bullets, indicating that they are just inert movie props.
Continuity: At the beginning of the movie, Leonard looks outside his window and sees room 304 (which will be given later to him on top of his current room) - it is on the same floor he is currently on. Still, when he learns from the clerk that he has been ripped off, we see them both coming out of room 21, which probably is room 221 with the first 2 missing, because it's next to the reception, itself located on the second floor (we know that because from room 304, Leonard only needs to go down one flight of stairs to reach it). Both his rooms, 304 and 221, could not possibly have been on the same floor.
Continuity: In the scene in which Leonard writes on the back of his picture of Teddy, "He is the one. Kill him," we see a shot of Leonard placing the picture on top of his tan jacket on the bed as he goes to write on it. Then, it goes to a close-up of the picture in which the jacket has disappeared and the picture is lying directly on the blue bedspread. It actually happens twice within that same scene.
Visible crew/equipment: Teddy, Leonard and Jimmy leave Jimmy's motel room and Leonard tells Teddy, "Take your own car." In the next shot as Teddy reaches for his door, a crew member, plus another one under his arm/elbow, are very clearly visible in the door mirror. Then as Teddy closes the door a crew member's face is seen on the left, in that mirror.
Deliberate "mistake": The license plate on Teddy's car is constantly changing. When Leonard reads his card of the plate number, it could end either with 7IU or 71U since his I's and his 1's are written in the same way. When Natalie gives him the information, the car's registration ends in 7IU. Even the car's plate is both 7IU and 71U. Leonard's tattoo of the number ends in 71U, but he says 7IU.
Trivia: In the scene where Lenny is on the phone describing how Sammy Jenkis ends up in a home due to the death of his wife, it shows Sammy sitting in a chair looking towards the camera. Sammy is temporarily blocked from our view by someone walking in front of him. As the person passes by, it is not Sammy that re-appears, but Lenny. To see it well, you will have to use the frame-by-frame mode. There are about 5 visible frames of Lenny in the home, and then it cuts back to him inside the motel room talking on the phone again.