Patrick Melton and Marcus Dunstan, the writers of both "Saw IV" and "Saw V", have a cameo in the flashback of Hoffman being kidnapped and meeting Jigsaw for the first time. When Hoffman is about to get on the elevator right before getting kidnapped, Dunstan is the second man to exit the elevator (he is in black and has a beard), right after the snobbish woman. Melton is the tall man who exits the elevator last before Hoffman enters.
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Jigsaw: Hello, Agent Strahm. If you're hearing this, then you've finally found what you've been looking for. But is the discovery of my body enough? Or will your insatiable hunger to uncover the truth push you deeper into the abyss? Heed my warning: do not proceed. For this room can either be you sanctuary, or it can be your grave. The choice is yours.
Agent Strahm: Fuck you.
Mistakes
When Strahm looks at his phone while locked in the sick room, the signal bar is on the right and the battery signal on the left. When Hoffman plants Strahm's phone in his hideout to frame Strahm, the signal bar is now on the left and the battery on the right. See more...
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Patrick Melton and Marcus Dunstan, the writers of both "Saw IV" and "Saw V", have a cameo in the flashback of Hoffman being kidnapped and meeting Jigsaw for the first time. When Hoffman is about to get on the elevator right before getting kidnapped, Dunstan is the second man to exit the elevator (he is in black and has a beard), right after the snobbish woman. Melton is the tall man who exits the elevator last before Hoffman enters.
(Spoiler) Strahm is killed by the walls of the final room crushing him. However, in the original script, rather than the walls crushing, the room was supposed to fill with water, thus mirroring that trap that nearly killed Strahm in the beginning of the movie. Due to practicality reasons, this idea was dropped, though it does explain the air-tubes coming of the glass box. (Which would have been for Strahm to breath.)
The coffin trap at the end of the movie, in which the walls move in, is based on a drawing done by director David Hackl's young son. (DVD extras)
At the end of the movie when Strahm is chasing Hoffman into a house, Hoffman uses a trapdoor on the 2nd floor to lead into a basement. This proves that Hoffman's personal house is actually the nerve-gas house from Saw 2, only refurbished. This also could mean that the fire that is discussed by the five victims was a fire that cleaned out the Saw 2 house. The eight victims that died in the fire were most likely: Jonas, Xavier, Obi, the prostitute, the man who got his head shot off, the blond girl. The last two bodies found have to have been Adam and Gordon's bodies. This means that the fire was set to get rid of the corpses and then Hoffman bought the home and refurbished it to live in.
At one point, Strahm's head-trap was going to be featured at the end of "Saw IV", but it was eventually decided by the filmmakers that the trap was strong enough that it could be one of the featured traps in "Saw V."
The elderly couple who notices Jill Tuck in the waiting room near the beginning are actually the parents of the film's casting director, and the receptionist in the scene is played by a receptionist who works for Twisted Pictures (which produces the "Saw" films) in real life.
In the beginning of the movie, Seth's trap consists of a bladed pendulum swinging towards him. We are told Seth is also a criminal. Agent Strahm's trap consists of a room closing in towards him. These are elements of the story "The Pit & the Pendulum," written by Edgar Allan Poe, who is widely considered to be the father of the horror genre and detective genre, both of which are used heavily in the film. Another of Poe's stories, "The Murders in the Rue Morgue," is also similar to the film. Ashley is decapitated, while a character in the story suffers near-decapitation. The characters in this story are also in a room locked from the inside.
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