Other: In the scene where Carrie is reading bits of love letters to Big, she reads from a letter from Napoleon to Josephine and uses the line "I awake consumed with you".
In Napoleon's actual letter he wrote "I awake filled with you" and for a brief moment you see the book Carrie is reading from, which shows the correct text.
Continuity: When Samantha is lying on the table covered in sushi and the phone rings, she moves and the piece of sushi on her shoulder falls down. There is a visible piece of double sided stick tape there to hold the sushi in place. In the scene time elapses, but it is understood Samantha never leaves the table and remains covered in sushi. When the shot returns to her close up, the piece of tape has been removed from her shoulder.
Other: In the first half of the movie, Carrie had blonde highlights with some roots showing. When Carrie comes back from her "honeymoon" with the girls she dyes her hair a dark brown. Then, toward the end of the movie, Carrie visits Charlotte in the hospital after she has her baby she has highlighted hair with some roots as she did in the first half of the movie.
Visible crew/equipment: Early into the film, the girls walk on the street next to a white window shop. The reflection of the opposite sidewalk is that of a wooden barrier with hundreds of people (fans? Crew members?) behind; but when the angle changes, the barrier is gone and the sidewalk is filled with passers by.
Continuity: When Carrie is feeling depressed in Mexico and is being fed food in bed by Samantha, there is a tea pot on the tray on the bed. The scene changes back and forth between Samantha and Carrie and each time it changes, the style of the tea pot completely changes. When it's a shot of Samantha, it's a regular tea pot with a lid, and when it's a shot of Carrie, it changes to an art deco style pot with no lid whatsoever.
You may also like: Sex and the City | Friends | Indiana Jones and the Kingdom of the Crystal Skull | Titanic | 27 Dresses





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