Continuity: After Chef looks over the papers handed to him by the people on the Vietnamese sampan, he hands them to Chief Phillips, who puts them under a brown flak jacket tied around a metal roof pole on his left. This brown flak jacket appears, then disappears between shots. (Time) Submitted by ????

Continuity: As Chief Phillips orders Chef to, "Check what's in that vegetable basket," the Vietnamese woman runs past and hands him papers that he takes with his right hand. In the next shot as he pushes the woman the papers are in his left hand. (Time) Submitted by ????

Continuity: The Vietnamese fishermen hand Chef the two small pieces of paper that they had in their hands. He reads the first one for a while then grabs the second one from the guy in the middle, leaving them with no papers in their hands. The next time we see Chef two shots later he has only one piece of paper in his hands and is now grabbing a new large identification paper that none of the three had before. (Time) Submitted by ????

Visible crew/equipment: Just before the Playboy helicopter takes off from the stage the first stuntman who hangs off the skid runs up, taps on the window to signal the pilot, than reaches down for several seconds as he attaches a cable to himself. You can see the second stuntman as he holds onto this cable with his right hand when he pulls the first stuntman's pants down. (Time) Submitted by ????

Continuity: As they pull up next to the Vietnamese sampan, Chief Phillips moves the spotlight on top of the PBR with his left hand so it's pointing at Chef as he takes the papers from the fishermen. Thirty seconds later there's a wide shot of both boats as Chef reads the papers and we see the spotlight back to where it was before facing away from Chef even though Chief Phillips doesn't touch it again. (Time) Submitted by ????

Continuity: Lance's Playboy bunny gets up and runs around after she's startled by Clean when he taps on the window. She accidentally knocks over a casket with a body in it. The first time we see the body there's nothing behind it in the casket but some dried blood. When we see it again four shots later the blood is gone and the body has some bandages or tape lying behind it's left arm. (Time) Submitted by ????

Continuity: Clean hammers on the helicopter door and says, "I got my rights, man." He's in direct sunlight when you see him from inside the helicopter and not in the shot of him on the outside. (Time) Submitted by ????

Continuity: Captain Willard reads Kurtz' file and narrates, "Late Summer, Autumn 1968" as Clean drums in front of him. At first Clean has both sticks on the helmet than in the next shot the right stick is on the helmet and the left is hitting the boat. (Time) Submitted by ????

Visible crew/equipment: Inside the helicopter Chef says to Miss May, "Miss December has black hair". As the camera pulls back it's shadow can be seen on the rear seat. (Time) Submitted by ????

Continuity: After Captain Willard grabs him the sergeant says, "Would you guys like some seats". If you look at the sergeant's desk one of the two flashlights has fallen and the pencils in the pencil holder are rearranged without anyone going near them. (Time) Submitted by ????

Continuity: Clean tunes in his transistor radio to AMVN and we hear it continuously playing in the background as Captain Willard goes from standing with his shirt on looking at Chief Phillips as he pilots the boat, to sitting shirtless looking at pictures of Colonel Kurtz between shots. (Time) Submitted by ????

Continuity: When Lazaro's boat initially approaches, the guy on the front has a flare in both hands that he's just about to ignite. When they cut to the next shot he doesn't have anything in his hands. (Time) Submitted by ????

Continuity: The day after the USO show at Hau Phat, the boat leaves and there are five men working on the stage. In the next shot there are three. (Time) Submitted by ????

Continuity: As Colonel Kilgore flies over looking for his surfboard the boat is docked with it's bow towards the shore in some shots and it's stern towards the shore in others. (Time) Submitted by ????

Continuity: Chief Phillips gives the helm of the boat over to Chef as Clean continues with his story. Lance takes the plastic covering off of the top water-ski then in the next shot it's covered again then uncovered in the shot after that. (Time) Submitted by ????

Continuity: As Captain Willard sits in the boat looking at pictures of Colonel Kurtz the shadow of a metal bar slowly goes from left to right across the pictures indicating that the boat is turning. In the next shot of Clean dancing to Satisfaction we can tell by looking at the sky that the boat is not turning but going straight ahead. (Time) Submitted by ????

Continuity: Chef and Clean pull Lance entirely into the boat. Than Captain Willard says, "Don't leave without me "as he runs to steal the colonel's surf board and we see Lance's legs dangling over the side as he is pulled into the boat a second time. (Time) Submitted by ????

Continuity: There are four shots of the fighters that drop the napalm. The first time we see the jets there's only three of them and the part of the nose in front of the cockpit is painted black. The second time we see them there are five planes, the third time we see them there are four without black paint and the last time we see them there are three. (Time) Submitted by ????

Continuity: As the chopper pilot circles the courtyard he says, "We've got wounded down there" and a yellow flair is in the center of the courtyard. In the next shot of the soldiers running around down below we see the center of the courtyard but the yellow flare is not there having been replaced by a Vietnamese hat. (Time) Submitted by ????

Visible crew/equipment: In the helicopter after Colonel Kilgore talks to Lance he says, "My boys love it" and you can see the silhouette of the crouching cameraman in his sunglasses. (Time) Submitted by ????