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Dean Charles Stanforth: We seem to have reached the age where life stops giving us things and starts taking them away.
Trivia
This was the first Indiana Jones film without Pat Roach. Roach appeared in the first three films and even played two different characters in 'Raiders of the Lost Ark'. He died in 2004. See more...
Indiana Jones and the Kingdom of the Crystal Skull (2008) - 117 mistakes
Directed by Steven Spielberg, starring Cate Blanchett, Harrison Ford, Jim Broadbent, John Hurt, Karen Allen, Ray Winstone, Shia LaBeouf (add more)
Continuity: Right at the start when the Russians pull Mac out of the car, they throw Indy's hat on the ground and there is a close-up shot of it where you can see Mac's feet right next to it. It then cuts to a relatively wide bird's-eye shot over the car as it is surrounded by Russian soldiers and there is nobody near the hat - Mac isn't even in the shot.
Factual error: In the warehouse when Indy and the Soviets open the crate with the alien's body, all the overhead lights are pulled towards it. If the magnetic field was that strong, the lights also would have been pulled towards the box before it was opened. (Put a toy car on top of a table and pull it with a magnet from under the table to see the field in action).
Continuity: When Indy is held captive in the Soviet's tent, Mac enters and they have a conversation. Indy then turns his head to his left, looking straight at Mac. Just before Indy makes his threat about what he'll do to Mac when he gets loose, there is an angle change, and Indy is suddenly staring straight ahead, with no time to turn his head in between shots. He then turns his head back to look Mac in the face again.
Continuity: Throughout the whole movie, Irina's hair seems to be kept absolutely pristine, even when she is flung from cars. This is very noticible at the car chase in the military base when she is thrown from the car by Indy. One minute, a few strands of hair are slightly messed, then they are fixed again. It is likely, however, given the many other nods to films of that period, that the "concrete hair" effect is a deliberate decision.






