Audio problem: When Bud White meets Captain Dudley for a drink in the bar, he says, "What do you want, Captain?" but his mouth moves to a different sentence.
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Ed Exley: A hooker cut to look like Lana Turner is still a hooker.
Johnny Stampanato: Hey!
Ed Exley: She looks just like Lana Turner.
Jack Vincennes: She is Lana Turner.
Ed Exley: What?
Jack Vincennes: She IS Lana Turner.
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LA Confidential (1997) - 29 mistakes
These mistakes are currently being ordered by time. Entries without times will appear at the end.
Directed by Curtis Hanson, starring Guy Pearce, James Cromwell, Kevin Spacey, Kim Basinger, Russell Crowe (add more)
Continuity: In the scene where Lt. Exeley resets the clock, the first time you see the clock it is exactly 5 minutes after 2. When Exeley puts on his glasses to see the time, it is clearly only 3 minutes after 2 oclock!
Revealing: When the body of Miss Lefferts is being viewed, the 'dead' girl blinks slightly.
Continuity: When Bud White pulls into the driveway at Pierce Patchett's house to question him about Susan Leffert's murder, the wind is causing a tree top (top center of the frame) to sway. Before Bud opens the car door, you can see the tree come to a sudden stop in a position different than that of the last frame.
Factual error: When Kim Basinger is watching the film of Veronica Lake in her house, we hear the dialogue... but the projector is not a sound projector. It can't be a separate audio tape because she only turned off the projector, but the sounds stopped at the same time.
Continuity: Lynn gives Bud White a glass of scotch at her house but it disappears and reappears again.
Continuity: When Kevin Spacey is alone in the bar looking at the $50 bill (quite a close up), it's a bill dated from the 80's or 90's.
Other: When Jack Vincennes goes to the hotel to stop actor Matt Reynolds from sleeping with the DA, he finds Matt's dead body on the floor with his throat slit. In the closeup of Matt's face, you can clearly see the living actor's pulse in the left side of his throat.
Continuity: Mrs. Lefferts' glasses move from being under her handkerchief that's on her head to on top of it without her taking them off. This is when Bud White interviews her in her home.
Revealing: When Exley talks to Vincennes about Rolo Tomassi, Guy Pearce's Australian accent accidentally slips when he says, "I just wanna solve this thing."
Continuity: When Bud White beats up on Exley the light on the desk gets blown out. Later in the scene it's back on again.
Continuity: When Exley ends up at the boxes at the end the fight, they are in a different position than at the beginning of the scene. The third row of boxes are now pushed in so that there is a place for Bud White to put Exley's head.
Other: In the fight scene, Exley hits all the soft boxes, but he rams his head into his hands so he doesn't hit the hard file cabinet.
Revealing: In the scene where Bud is holding the DA out of the window you can see a wire attached to the DA's legs to stop him from falling.
Continuity: Exley has gauze or cotton stuffed on the left and right side of his upper lip (a la The Godfather). It's supposed to look like swelling from the unbelievable beating he just took. If you look at him closely in these several shots, the amount of cotton in his lip changes. Then later the bruises are only on his left cheek, with no swelling of his lip.
Visible crew/equipment: The shadow of a boom mic moves on the bookcase, above Bud White's head, in DA Lowe's office.
Continuity: Exley's little cow lick bangs, on the left side of his forehead, changes a lot throughout this scene.
Continuity: The stunt double's hairline is quite different than the actor's, when Bud White holds him over the balcony.
Continuity: The extras out on the road below the ledge of DA Lowe's office are trying to be inconspicuous, but you can see that they are aimlessly walking in one direction, then the other, each time you see them.
Continuity: It's the scene where Russell Crowe is holding the D.A. out of a window. On the wide shot, he is holding only one of his legs, and the other is flailing about. But in the tight shot, he is holding on to both of his legs.
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