Declan Mulqueen: This man is no clown. He knows all your moves, back to front. Right now you've got a name; that's all you've got. The Jackal has got a target: you. He's got a timetable. And as to making mistakes, he's spent twenty years in a trade that doesn't forgive error. And he's prevailed. You think he's the one up against it? It's the other way around.
When the Jackal shoots Lamont, only the lower arm is shot off. Then we cut to the Jackal, who says 'I told you it was off', and when we cut back to Lamont, the arm is cut way up at the shoulder. See more...
Because the Jackal and Mulqueen don't meet until near the film's climax, Bruce Willis and Richard Gere were never together for the majority of filming. They have both since described principal photography as resembling production of two separate movies. See more...
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The Jackal (1997) - 7 with pictures
Screenshots of mistakes that have been online for less than a year are only visible to members, but the rest are available to everyone. Don't forget to check out the picture of the day, updated daily, and the top 30 screenshots too.
Continuity: When Bruce Willis is driving his car to the abandoned warehouse to get the "gun" to commit the assassination on the first lady, the vehicle does not have a license plate... You can see that it is missing, plain as day... In the next scene, he pulls a switch, removing a once non-existent plate and replacing it with another.
Factual error: On the ferry boat ride, which should have been from Canada to the United States, they were aboard a North Carolina ferry... The North Carolina flag was flapping in the wind next to the US flag. There was a closeup, and you could even see the name of the boat, which is named after a North Carolina Governor.
Continuity: Toward the end of the movie, the assassin (Willis) fatally shoots the female Russian agent (Venora). As Willis is advising Venora that she will die within twenty minutes, he draws a picture on her cheek with her own blood (a grim pictogram of a love heart). When Gere arrives on the scene a few minutes later, there is no sign of blood anywhere on Venora's face. Obviously, the authorities would not have washed away such a vital clue. Neither would emergency personnel have transferred the victim from the floor where she was lying, onto the living room couch; rather, they would have put her on the ambulance stretcher.
Continuity: Near the end of the film, as Willis is about to shoot the First Lady, we see a close up of him wearing sunglasses (part of his cop disguise) and looking through his binoculars. We then switch to the binocular view of the podium, but the shot is not given a darkened tint - it looks as if he is looking through the binoculars without the sunglasses. When we switch back to the first view of his face, however, the sunglasses are back in place.
Continuity: As the FBI and Richard Gere rush to the hospital to save the First Lady they are flying in a helicopter. You see a shot of the helicopter flying over buildings then it cuts to dialogue inside then back to the landscape shot. However in the first shot the helicopter carries the number "28" on the side. When it cuts back after the dialogue it has "29" on the side of it.