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starring Melanie Griffith (add more)
Genres: Action, Adventure, Sci-fi
Continuity: During the movie, the amount of dirt and mud platsered on E. Johnson's car windshield changes. Between shots from looking outside to inside the screen, more dirt evidently appears. It changes multiple times.
Continuity: When Sam and Cherry hug, after Sam gets home from work, the direction that Cherry's head is as they kiss changes, and the position of their arms around each other changes too.
Continuity: During the opening dinner scene, between shots the wine glass beside Sam's placing keeps on disappearing between shots. In frontal shots the wine glass is not there, in reverse shots it is.
Audio problem: When E. Johnson grabs, flips Sam to the floor, and holds him at gunpoint, she audibly says to him "better be good," although her mouth remains shut all the time.
Continuity: When E. Johnson and Sam get hauled into the huge water chute, they get out of the car and begin to descend down, when they slip, and slide down. Sam's suitcase opens as they fall. In the next shot as it slides down, it is closed.
Continuity: After Cherry malfunctions in the kitchen, in following shots afterwards, the amount of bubbles on Sam's ear and forehead, and also in his hair changes a few times between the shots.
Continuity: During the opening credits, we see Cherry apply a very dark shade of red lipstick on. When Richard gets home, her lipstick is a much lighter shade of red; almost a pale pink.
Continuity: When Sam lays in bed, he listens to Cherry's voice on the player. As he puts the player down on the table, the angle of the clock and other items on the table change position.
Continuity: When Johnson is fixing the plane at the garage, she wipes her face, and gets a big blue smear left on her face. Between the two shots before we see her wiping the smear off, the appearance of the smear completely changes between shots.
Visible crew/equipment: During the shots when E. Johnson and Sam leave Glory Hole, to travel to Zone 7, there are two shots from the side of road showing Johnson's car fly past. In both, you can see the cameramans shadow on the ground.
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