Spider-Man 3 (2007) - 148 mistakes

Continuity: When Mary Jane brought the newspaper, the main picture was dark and with a bit hidden on the folded side. When she leaves and picks the paper, the picture is very light and has no part folded.

Continuity: The first time Peter is out and about as black Spidey, Eddie Brock runs up behind him and raises his camera. We then cut instantly to a shot of just Eddie, and he no longer has his camera raised, with no time to move it between shots.

Continuity: In the scene where Gwen sees Peter in the restaurant she places one hand on his shoulder. The camera cuts to Gwen's face and she has both hands clasped together in the shot. The shot cuts back out and her hand is instantly down on Peter's shoulder. It cuts back to Gwen one more time and both of her hands are back up near her face.

Continuity: When Venom blows the cab's roof, there's a back shot of the cab from above and MJ is nowhere to be seen. The shot is clear and long enough to show the back seats. Furthermore, MJ is wearing a white shirt and, since it's night time, there's enough contrast to show that she is not crouching, nor hiding, but is simply missing from the CGI shot.

Continuity: The news reporter is looking upwards and has no camera in front (if she did, a big beam of light would've been on her face). However, when half a second later the angle changes to the news host, the woman is looking down with a camera focusing directly at her.

Continuity: During the very last fight, the bruise on Peter's right cheek keeps increasing and decreasing its redness.

Continuity: During the fight between Harry and Peter at Harry's mansion, just after Peter kicks Harry through the glass window to outside, if you watch closely there is nothing on his right shoulder, then in the following shot a piece of glass appears on his shoulder.

Revealing: When Spidey is placing the tubes around Venom, his face is obvious CGI except for some shots of him shouting. Here, a real face (twice as big as it should) has been pasted on the CGI body, looking quite ridiculous.

Continuity: Inside JK's office, from the back shot the glass of water disappears and the empty mug gets filled with pencils.

Continuity: JK's cigar when shouting at his secretary disappears from his hand.

Continuity: When Spidey makes Venom explode and watches the metal bars around melted, the one in front is really twisted. Couple seconds later, from another angle, the bar is just sightly bent.

Continuity: When Harry's laying on the alley, his legs swap from bent to straight between shots.

Continuity: When the cop is about to stab the shovel on the sand, the front shot shows a huge jet of sand rising. In the following back shot, for half a second we can see that the cop is standing there and the sand has not risen yet.

Continuity: When the two models stare at the steel beam, there's an employee sitting next to the model with the green shirt. In the wide angle he dissapears. If he had run away he would've been seen because he was standing very close to her.

Continuity: At the end of the movie MJ is holding onto Harry's hand with both of her hands. There's a quick cut back to a view from farther away. Peter and Harry are in the same positions, but one of MJ's hands has instantly moved down around Harry's chest.

Continuity: When Venom hits Spidey away from the cab, Spidey holds onto the edge of the trunk. In the close-up his hand is almost on the center part.

Continuity: Flint raises his right arm to protect himself against the huge flood of water coming. His movement is not continuous in the two different angles that follow.

Continuity: When the black cop hands Flint's file to the Captain, the wide shot shows no one walking nearby. In the immediate close-up, a woman passes by really close to them.

Continuity: When the bank truck crashes, a yellow cab appears and disappears through shots.

Continuity: In the scene where there is a crane accident and they can't shut down the power, the police chief arrives on the scene, watch closely behind him, the police car that pulls up has its back window down, we can see this because a cop has his hand on the doorframe, yet in the following shot the window is up.