Continuity: From the truck, Sandman boosts some cars away. One of them goes zooming straight against a corner on the left side of the street. When the angle changes, not only has the car changed positions to the center of the street, but a man and a car appear perfectly intact and calmed on the same spot where the car was before.
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Harry: Looks like I came just in time.
Spider-man: Yeah, few seconds ago wouldn't have been so bad either.
Trivia
Stan Lee, the creator of Spider-Man, makes a cameo appearance when Peter Parker was reading about Spider-Man getting the key to the city. He is the man that walks up and talks to him. See more...
Spider-Man 3 (2007) - 148 mistakes
These mistakes are currently being ordered by time. Entries without times will appear at the end.
Directed by Sam Raimi, starring Bryce Dallas Howard, Elizabeth Banks, James Cromwell, James Franco, Kirsten Dunst, Rosemary Harris, Tobey Maguire, Topher Grace (add more)
Continuity: During Venom and Spidey's final battle, the amount of tubes on the floor diminishes drastically between shots.
Continuity: When Peter visits Harry at the hospital, Harry says: "The doctor says I had an accident". then he turns his head to the right, facing upwards. In the immediate angle he is still facing left.
Continuity: When Gwen stares at the extremely close steel beam, its size is about 2 window panels wide and you can even see both edges. From the outside shots it's size is humongous, about 8 panels wide.
Continuity: From a back shot, when Peter Parker is watching the screen with the promo about his life, the kids are standing still next to him. From the immediate front shot, the kids are arriving and taking positions.
Continuity: The Bank truck appears full of things in the inside shots but empty on the wide ones during the chase.
Continuity: At the jazz bar, the amount of people by the bar and their positions (close together/apart, seated/standing up) is inconsistent in every single shot.
Continuity: When the steel beam first crashes, Gwen lays very close to the side where it strikes. From the outside, she has moved way to the opposite side.
Continuity: In the scene just after Harry regains his memory and his father tells him "first we attack his heart", we see MJ at the door of her apartment, in the first shot you can see that her handbag is on her left shoulder but in the following shot from a distance her handbag is now on her left forearm.
Continuity: When Peter exits the theater, a woman with a bouquet of flowers disappears in the wide shot.
Continuity: The Hawaiian doll on the hanging cab moves around between the first and second shot.
Revealing: When the Sandman's huge head explodes not a single inch of sand splatters on the people standing couple meters away.
Continuity: Before Sandman falls down to the sewer, he lets go a bunch of dollar wads. When he is free falling the money disappears.
Continuity: At the end of the final battle involving all 4 superheroes, Sandman destroys the building's iron structure with a blast of his hand, but in further shots it appears undamaged.
Continuity: When Sandman is down in the sewer, the stack of dollar bills on the right has no plastic wrap around. When the angle changes its green colour has faded and you can notice plastic securing the wads.
Continuity: During the whole Harry-in-the hopsital scene the tube on his chest keeps changing positions all the time.
Continuity: Near the beginning of the film just after Peter has knocked Harry off of his jetboard, Harry falls onto the alley floor where you can see large amounts of puddles where Harry lands, yet in the following shots where Peter is trying to revive Harry, some of the puddles have vanished.
Continuity: When Peter surprises MJ in the park, just before he receives the key to the city, MJ says "no, I'm proud of you" at this point they hug, MJ hugs Peter on his left shoulder and when the camera angle changes she's hugged him on his right shoulder.
Deliberate "mistake": When the cops are chasing Flint, they are 10 metre's away. Then he stops by the fence, gets attacked by the dog and fights it off. He then looks at the ways to escape. And yet, though the guards have kept running all that time, the point of view of Flint shows them at the same distance as before.
Continuity: When Venom kicks Spiderman's mask off, Spidey's fringe swaps from messy to combed between shots.
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You may also like: Spider-Man 2 | Spider-Man | The Dark Knight | Transformers | Transformers: Revenge of the Fallen
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