Continuity: Down in the sewer, the wad of dollar bills moves away from the puddle between the close and wide angles. Submitted by Sacha

Continuity: The first time Peter is out and about as black Spidey, Eddie Brock runs up behind him and raises his camera. We then cut instantly to a shot of just Eddie, and he no longer has his camera raised, with no time to move it between shots.

Continuity: Peter opens his shirt wide to see his evil Spidey suit underneath. When the angle changes, a frame later to a close-up of his neck and face, his shirt is closed. Submitted by Sacha

Revealing: When Harry and Spidey fly to save MJ from Venom, Harry's face gets replaced by a (very) obvious CGI. Submitted by Sacha

Continuity: When Mary Jane halts the cab, there's a couple walking behind her, who disappear in the close-up of her opening the door. Submitted by Sacha

Continuity: During the sexy Peter scene, three men are in the news stand: An old man, a black man and a guy with a hat. This last one is replaced by a woman in the close-up angle. Submitted by Sacha

Continuity: When the steel beam is sweeping the floor underneath the destroyed office, the model in pink disappears from the wide angle. Submitted by Sacha

Continuity: In the middle of the film when Ursula tells Peter that MJ called back, when she first enters Peter's apartment he is sitting at the computer, look closely here, there is no framed picture of MJ standing against the computer, yet in the following shot a framed picture of MJ has appeared standing up against the computer.

Continuity: At the end of the final battle involving all 4 superheroes, Sandman destroys the building's iron structure with a blast of his hand, but in further shots it appears undamaged. Submitted by Sacha

Continuity: Before MJ throws the chunk of concrete at Venom, she has her arms raised holding the chunk in the air. In the close-up of Venom's face MJ can be seen in the background, resting calmly in the cab. Then, when back to a close-up of her, she is holding the chunk as before. Submitted by Sacha

Continuity: When Peter exits the theater, a woman with a bouquet of flowers disappears in the wide shot. Submitted by Sacha

Continuity: Before the cop climbs on the truck, he shields himself on the truck's cabin and you can easily notice the tarp is perfectly tied by a dozen strings. When he climbs up, all the knots magically untie and he manages to pull the tarp away. His buddy couldn't have done it because he always appears with the gun in his hand, covering him. Submitted by Sacha

Continuity: At the jazz bar, the amount of people by the bar and their positions (close together/apart, seated/standing up) is inconsistent in every single shot. Submitted by Sacha

Continuity: During the crane scene, a cop tells the Capt. that the crane is out of control. The captain turns his head completely to talk to the cop, but in the next shot it's partially turned, looking somewhere else, instead of staring at the cop's face. Submitted by Sacha

Continuity: When the steel beam destroys the office, it breaks a window and a pillar. From the outside, the pillar is intact. Submitted by Sacha

Continuity: During Venom and Spidey's final battle, the amount of tubes on the floor diminishes drastically between shots. Submitted by Sacha

Continuity: When Sandman is down in the sewer, the stack of dollar bills on the right has no plastic wrap around. When the angle changes its green colour has faded and you can notice plastic securing the wads. Submitted by Sacha

Continuity: A box appears in front of Harry's feet when he is unconscious in the alley. Submitted by Sacha

Continuity: When the symbiote is trapped around the metal bars, its wild movement produces air that moves Peter's hair. However, in a couple of shots his hair is still, turning stirred a frame later from a new angle. Submitted by Sacha

Continuity: During the hanging cab scene, when Venom ties Spidey to a web. A shot shows his back naked. However, when Spidey kills the symbiote, Eddie is wearing a t-shirt. Submitted by Sacha