Continuity: When the TV producer says to George, " Of course their grotty you wretched nit" his hands are out in front of him. In the previous shot his hands were behind his back.

Continuity: Ringo hangs out in a bar and accidentally ruins a game that two guys are playing as he spills some change from his coat onto their board. The coins are rearranged on the board between shots.

Continuity: Sitting in the lunch car Norm gives Paul's grandfather the pictures and the old man says, "Hey Paulie would you sign one of them for us" as he puts the pictures on his plate. In the next shot the plate is not there.

Visible crew/equipment: Someone's shadow goes across Ringo's face while he's taking a picture in their train car.

Continuity: In final performance sequence watch for Ringo's mysterious moving bongo drums. They're on his right and disappear, then reappear, disappear and then reappear several times.

Audio problem: When Ringo turns on the transistor radio, he plays with the volume control, but the sound on the radio doesn't change until after he lifts his finger.

Continuity: Wilfrid Brambell asks Paul to sign a Beatle picture and he uses a ballpoint pen. Later, he copies them over using the master copy that The Beatles signed with ballpoint pens. Their signatures are now different (done with a thick felt marker) so they can stand out better in the black and white shot.

Continuity: When George is showing Shake how to shave in the hotel bathroom, he puts shaving cream on the mirror. In the next shot the bathroom door opens, Norm enters and the mirror is completely clean.

Continuity: Upon their return the TV producer says to The Beatles, " You don't know what this means to me, if you hadn't come back it would have meant The Epilogue or News in Welsh" as they get ready for the show. Norm is standing behind the producer but then in the next shot as he talks to him he's on his right.

Continuity: After "She Loves You" they bow and the sign behind them is lit up and says "Beatles". The editor made a mistake here and inserted a shot from earlier in the movie with the stage background from the song "Tell Me Why".

Factual error: After the TV producer talks to Norm and Shake, three Beatles (minus Ringo) appear singing the theme song of the movie "A Hard Day's Night". Not only are their lips not moving, but they couldn't possibly have been playing "A Hard Day's Night" because it wasn't written until after the movie was completed.

Continuity: In the intro credits, John, George and Ringo jump onto several stacks of newspapers and John is sitting on them to the right. In the next shot he is crouching with both hands in front him ready to jump off.

Continuity: When John sings "I Should Have Known Better" there's an extreme close-up of his face as he sings, "That when I tell you that I love you, oh " and he's obviously sweating. In the next shot they show a close-up of his face on the control room monitor and there isn't a drop of sweat on him.

Continuity: As Paul sings, "Bright are the stars that shine" from "And I Love Her" they show a close-up of his face on the TV monitor entirely lit up by the stage lights. In the next live shot there's a shadow on the right side of his face.

Continuity: Paul's grandfather sits in the basement of the TV studio and pulls out a white ballpoint pen to sign the phony autographs on The Beatles' pictures. In the next shot he has a different silver pen that can be seen as it reflects the studio lights.

Continuity: When Paul's grandfather pulls the elevator lever he throws the pictures down in a messy pile. In the next shot when he pops up on stage the pictures are in a neat pile.

Audio problem: John stops strumming his guitar on the intro to "If I Fell" but we still hear the guitar playing.

Audio problem: In the back of the train as his grandfather sits locked up Paul says, "Well you've got to admit you've upset a lot of people," and Paul's voice sounds natural. His voice in the next line sounds entirely different as he says, "At least I can keep my eye on you while you're stuck in here," and is an obvious over-dub done in another place.

Continuity: When John talks to the woman by the staircase if you look at the clock above his head it reads 3:25. In the very next shot of George going into the TV producers office the same clock now reads 6:20.

Continuity: In the lunch car as Paul signs the picture for his grandfather he's holding it with his right hand. In the next shot his hand has moved and he's holding in with his thumb.