Revealing: When David pushes the pallets onto the car, it's obvious that there is no-one inside. Similarly, when he uses the forklift to pick up the car a few shots later, we see inside the car and there is only a badly constructed dummy-type object in the back seat, and no real people. Even if they had bent down, they should still be visible. (Timecode)

Continuity: In the two early scenes when Shuji is talking with David in the back of the limo, it's clear that they are not driving past the same section of street when the camera angle changes. For example, the buildings change from shot to shot. Also watch when Shuji hands David the bottle of whiskey in the second scene - Shuji's hand moves down the bottle between shots. (Timecode)

Continuity: When the Giant Yakuza has finished frisking Bill Jenkins, his black car is seen behind him. When he pulls out his gun and shoots into the air, however, it has moved much further away. Or to be precise, the camera and the giant have moved further away from the car. (Timecode)

Continuity: When 'Bill Jenkins' is being surrounded by the Yakuza cars in the desert, one of the cars casts a large shadow underneath him that wasn't there in the previous shot. The grass around his feet also changes. (Timecode)