During the jail escape, when Jake is trying to open the locked door, there is a close-up of Mama Fratelli shouting, "Jake, up!" and we see a police cruiser parked on her left. When they leave, in the overhead shot that space is empty, but next shot a vehicle is there, though it isn't a police cruiser. See more...
Richard Donner, the film's director, has an uncredited cameo appearance as a police officer, on the beach at the end. See more...
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The Goonies (1985) - 30 with pictures
Screenshots of mistakes that have been online for less than a year are only visible to members, but the rest are available to everyone. Don't forget to check out the picture of the day, updated daily, and the top 30 screenshots too.
Continuity: At the start, when Data practices with the blue suction dart, in the close-up as the dart flies out we can see the mechanisms inside Data's invention. When it cuts to a tighter close-up, suddenly there is a spinning spool welded inside, which was not in the previous shot, that is retracting the orange string.
Continuity: In the beginning, when the Fratellis are eluding the Police, Chunk witnesses the chase. In the first shot the slice of pizza is on the window. Next shot Chunk holds it in the air, and in the third shot the pizza is back in its place where it was in the first shot, with a saucy smear on the window.
Continuity: After Chunk does the 'Truffle Shuffle' and Mikey releases the bowling ball, we see the horizontal piece of wood that is painted red and attached to the porch rail, from which the silver bucket is lowered. It's seen in many shots. What's funny is that in the first shot of the Walsh's house, after the Fratellis drive past at the bottom of the hill, that piece of wood is white, because it hasn't been painted red yet by the crew.
Continuity: When Mrs. Walsh shows Rosalita the house, the attic door is open and we see that it opens at the left, with the wallpapered wall behind it and nothing in front of it except the banister. When Brand opens that door and the boys rush up, we see the wallpapered wall behind it, only this time the attic door opens at the right.
Continuity: When Brand tells the others that the $50 bills are fake, Stef takes the newspaper with the Fratelli family mugshots off the post, from over the telephone. Then when Chunk gets the ice cream out of the freezer, the newspaper is back up on the post, but when the kids lift the dead body off the floor, the newspaper is missing from the post. Finally, in the shot just before Chunk shouts, "Guys, I'm stuck with the stiff," as the kids run into the fireplace, the tired newspaper is now lying on the printing press.
Revealing: At the Astoria Country Club, when Troy first sits down in the stall and opens the magazine, behind him are at least nine columns of small patterned tiles. In his next close-up as he looks around, the wall behind him is completely different. Now there are only six columns of larger unpatterned tiles, with a long vertical gap between the tiles (where the grout should be) - which is the track for the mechanism to lift Troy in the following shots.
Continuity: When Andy begins to lose it in the tunnel, Brand holds one lit lantern at the head of the line and Mouth holds another lit lantern at the back of the line (Mikey holds an unlit lantern). Next shot the lit lanterns have switched, just as they reach Chester Copperpot and Andy screams. Then in the next wideshot before it pans to the skeleton, the lantern Brand holds up switches yet again.