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13 Mustangs from 1967-1968 were modified to be "Eleanor" in the movie. One was a True Shelby GT500, but this was used by Bruckheimer as a reference piece and used by him personally. The rest were run of the mill Mustangs modified with bodykits and other goodies. One was chopped up to film certain sequences (in car shots, etc.), 2 were destroyed, and the other Mustangs were modified to perform certain tasks (Chases, Jumps, etc.). See more...
Gone in 60 Seconds (2000) - 33 mistakes
Directed by Dominic Sena, starring Angelina Jolie, Christopher Eccleston, Delroy Lindo, Giovanni Ribisi, Nicolas Cage, Robert Duvall, Scott Caan, Timothy Olyphant, Vinnie Jones (add more)
Continuity: During the scene where Memphis (Nic Cage) is driving the lovely Shelby GT500 Mustang, and he knocks off the mirror, the car stalls as if it's reacting to the damage. He then leans down and tries to start the car by simply turning the ignition like he has a key, but when he first gets in the car and starts it, he uses 2 thin pieces of metal and he had to use both hands.
Continuity: During the first chat between Nicolas Cage and Angelina Jolie (she's under the car) there are a number of wrenches or tools that can be clearly seen by Jolie's character when she is on the ground. Every time the camera cuts from Jolie to Cage, then back on to Jolie, the tools are always in a different position or place than they were a second ago. First, they are together, then they are far apart, then they are in a different direction, and so on.
Continuity: You can clearly read many of the makes/names of the cars to be stolen on the blackboard in Otto's garage, yet when they radio in the cars as they are boosted they refer to them by different names, even as Otto crosses off the cars with the correct names back at the garage. Example: #13 '67 Chevy Corvette Stingray - Stacey on blackboard - is called Lindsey when boosted, and #23 '56 Ford T-Bird - Susan - is called Sharon.
Continuity: When the young kids go to steal the SUV at the party a security car chases them, with another blocking the road ahead. The shot of them racing towards the roadblock is obviously all one sequence, because their windscreen already has two bullet holes in it as it approaches the security car, long before the guard actually shoots at them.
Visible crew/equipment: When Memphis (Nicolas Cage) is speeding up to take the final jump on the bridge, you can see the camera crew on the other side of the road filming, if you look closely you can make out the shading devices used exclusively to block out the sun from the camera. Look to the left of the jump just before he hits it.
Continuity: When Memphis is leaving the restaurant where his mom works, after he has talked to her, we see that there are glass windows on either side of the door as he exits. When the angle changes to show the detectives, there is suddenly a brick wall next to him and a little drug store. Where did the restaurant go?
Factual error: When, the LAPD "Air One" helicopter contacts Long Beach Tower for permission to proceed over the airfield in pursuit of Eleanor, he is denied clearance. I am a pilot myself. Whether or not they were the LAPD, they had already violated Class "C" airspace in their pursuit. Any inbound aircraft, fixed wing or rotor, must contact approach within a three to five mile radius of the airfield. This chopper is less than half a mile from the active runway when it asks for clearance. Even if it was a national security issue, only the Secret Service could override ATC.
Continuity: After Colitri shoots the valve which burns Castlebecks hand, he drops his gun. It can be seen sliding towards the edge Colitri gets pushed over. After Colitri is pushed over, Memphis and Castlebeck stare at each other and Castlebeck retrieves his weapon, it is now only inches from the boiler, not the edge.
Continuity: When Donnie and Fred are stealing the jaguar from a parking garage the window is over half-way rolled up on the way out (it's moving in the wide shot, but has definitely stopped half-way in closeup). When the other guy comes and puts the gun in Donnie's face, the window is all the way down (otherwise he couldn't get the gun in). When Donnie opens the door, it's half-way up again.
Continuity: After the detective gets the idea of the black light in garage with the old car list, the camera cuts to the garage where they're walking in. You will notice when they walk in that one of them has a black light and the other has a White bulb. It pans down to the debris on the floor and he's now got a black light.






