When O'Neal is checking the taxi's frequency, the sheet he looks at has Scott Collins and Len Wiseman on it. They were prop assistants on this film as well as Stargate and Independence Day, all made by Roland Emmerich. See more...
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Revealing: When the two soldiers are in the subway tunnel just before Godzilla's eye opens at the end of the tunnel, check out the beams on the flashlights. When the flashlights shine on the walls of the tunnel, they are normal. When they shine FURTHER AWAY onto Godzilla, the light beams get narrower and more laser-like. The circle the light makes on a surface loses the dark circle in the centre when it shines on Godzilla too.
Factual error: The guys in BDU's (camouflage) have their sleeves rolled up with the lighter colored inside material showing. They are supposed to be Army soldiers. Only the Marines roll their sleeves this way. The rest of us can roll our sleeves up but have to fold the outer layer in a way that the darker camouflage material is still showing.
Factual error: Another CG versus physics problem: When the creature attacks the helicopters from the back, it eats one and the remaining two try to escape. However, the helicopters accelerate at least twice as fast as they would be able to in real life - they start from being still in air and they reach a circa 60kph speed in under two seconds.
Continuity: When Nick has first contact with Godzilla, he signals to the soldiers that they should not shoot. How the soldiers can see from that far and in the heavy rain what his fingers are pointing is one question, the bigger problem is that when we see a close-up of the guy's fingers, there's no rain.
Other: It's difficult to spot (it's easier on DVD, but I don't have the timecode). Godzilla has just left Central Park after suspecting the trap with the fish. As he rumbles down the street, hundreds of Apache helicopters swarm in and attack. When they begin firing their cannons at Godzilla, if you look carefully, you'll see the tracer fire from one gunship overlap over another gunship. The cannon fire is heading away from the camera and getting smaller, so it should at least go through the other helicopter and disappear on the other side, but it remains superimposed on the Apache. A little special effects mistake.
Continuity: They go into the broadcast booth in Madison Square Garden. While Audrey is broadcasting, the French guy moves the vertical blinds to his left to look out the window and sees a dinosaur raise its head. Just after that the view switches to the dinosaur's side and he is now holding the blinds to his right.
Factual error: When Godzilla first attacks New York and then disappears, we are shown the MetLife Building, which has a massive gaping hole in it. The immense structural stress of a gigantic lizard smashing through the building, not to mention most of the center supports being taken with it, should have collapsed the building, yet it still is standing.
Other: When the first fish trap is set up and Nick realises that the manhole covers need to come off, the first covers come off, with the pile of fish in the background about one block away. Nick then runs another 1/2 a block to a block to remove another manhole cover before Godzilla sticks his head up through the road. Taking into account Godzilla's size, we can assume he is about 3 blocks away from the fish. When the shot cuts to the computer screen in the command centre, it indicates that Godzilla is SIX blocks away from the fish.
Factual error: When the F-18s are inbound to Madison Square Garden, the lead pilot arms a pair of AGM-84 harpoons, but he says he is arming LGBs, which stand for Laser-Guided Bombs. Harpoons are not laser-guided, they are radar-guided sea-skimming anti-ship missiles, which make them impractical for destroying a building.