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Godzilla

Continuity mistake: In the scene when Victor is chasing Nick after crossing the airport sign on the road, you can see the steering wheel of the van is being held in Victor's right hand from his point of view inside the news van, but in the next shot Victor is holding the steering wheel with his left hand.

Continuity mistake: In the scene where Mathew Broderick is loading his luggage into the taxi, Hank Azaria is seen opening and holding an umbrella. When he crosses the street to steal a truck, he drops the umbrella, but on the wide shot that soon follows, there is no umbrella on the ground.

Continuity mistake: Nick and company are in a plane after leaving Tahiti. A soldier goes up to the colonel and tells him about the fishing trawlers that were pulled under. Just after that, the camera shows three guys sitting down that look up. In the following shots those guys are gone.

Factual error: When Matthew Broderick teams up with the French Commandos and they are driving into the restricted area - when the French Commando says gum chewing makes them seem more American - they stop at the guard shack. Matthew Broderick leans forward to answer the guard who tells him "I wasn't talking to you, soldier!" In a military vehicle, the highest ranking person sits in the front passenger seat (where Broderick was sitting). The driver is just the driver - usually the lowest ranking member in the vehicle. There is no way a soldier would tell who is probably an officer to be quiet so they could speak to a private driver.

Other mistake: When they are being chased in Madison Square Garden, Nick knocks over a rack of balls and a gumball machine. They show the dinosaurs slipping and sliding. Nick then runs down stairs and joins the others. Shortly, they turn around and see the dinosaurs slipping and sliding on the balls again even though they're now one level lower.

Continuity mistake: In the scene when Godzilla is attacking the three fishing trolleys, the big light posts fall over. When they hit the ship decks, the impact breaks the bulbs and the lights go out. However, a few shots later, as the ships are going under, the fallen lights are back on.

Factual error: When Godzilla first attacks New York and then disappears, we are shown the MetLife Building, which has a massive gaping hole in it. The immense structural stress of a gigantic lizard smashing through the building, not to mention most of the center supports being taken with it, should have collapsed the building, yet it still is standing.

Revealing mistake: When Godzilla's foot steps "around" Animal, then lifts, the large wall of windows in the background has no reflection of the foot, leg or any portion of the monster, yet our viewing angle would require it.

Revealing mistake: After the second attempt to capture Godzilla with the fish, she runs to the sea. You see her jump into the water, yet she makes a very small splash considering her mass.

Continuity mistake: The ground does not shake every time Godzilla comes - only in some of the first scenes. And only when approaching - not when he is walking away.

Factual error: The guys in BDU's (camouflage) have their sleeves rolled up with the lighter colored inside material showing. They are supposed to be Army soldiers. Only the Marines roll their sleeves this way. The rest of us can roll our sleeves up but have to fold the outer layer in a way that the darker camouflage material is still showing.

Factual error: Another CG versus physics problem: When the creature attacks the helicopters from the back, it eats one and the remaining two try to escape. However, the helicopters accelerate at least twice as fast as they would be able to in real life - they start from being still in air and they reach a circa 60kph speed in under two seconds.

Continuity mistake: When Nick has first contact with Godzilla, he signals to the soldiers that they should not shoot. How the soldiers can see from that far and in the heavy rain what his fingers are pointing is one question, the bigger problem is that when we see a close-up of the guy's fingers, there's no rain.

Factual error: The giant footprints in the movie are obviously dug out of the ground. If they were real, the ground would be heavy compressed in a footfrint shape. These look like they were dug with a foot-shaped shovel.

Continuity mistake: They go into the broadcast booth in Madison Square Garden. While Audrey is broadcasting, the French guy moves the vertical blinds to his left to look out the window and sees a dinosaur raise its head. Just after that the view switches to the dinosaur's side and he is now holding the blinds to his right.

Other mistake: When Godzilla goes to eat the pile of fish, it only takes about 3 mouthfuls from the top of the pile before being chased off. In the later shot, all the fish have been eaten.

Revealing mistake: When Godzilla attacks the fish market, the creature picks up the seafood/fish truck with the driver still inside. As he's being knocked out of the cab, you can see dozens of boxes set up where the truck was once parked for him to land on.

Deliberate mistake: The pile of fish in the first fish trap is much taller than the trucks. That's impossible without some sort of lifting equipment - and no such thing is around in the aerial shots.

Other mistake: When the first fish trap is set up and Nick realises that the manhole covers need to come off, the first covers come off, with the pile of fish in the background about one block away. Nick then runs another 1/2 a block to a block to remove another manhole cover before Godzilla sticks his head up through the road. Taking into account Godzilla's size, we can assume he is about 3 blocks away from the fish. When the shot cuts to the computer screen in the command centre, it indicates that Godzilla is SIX blocks away from the fish.

Factual error: The Apache gunship helicopters seen in the film have three weapons pylons under each wing. In real life, Apaches have only two pylons under each wing. It's possible the makers of the film gave them the extra pylons to make them look "cooler".

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Trivia

When O'Neal is checking the taxi's frequency, the sheet he looks at has Scott Collins and Len Wiseman on it. They were prop assistants on this film as well as Stargate and Independence Day, all made by Roland Emmerich.

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