Continuity: When the huge water wheel rolls to the beach and falls on its side, it falls with the broken, wide, wood side of the axle facing up. However, as Will and Norrington climb out, inexplicably it's the slim side of the water wheel's axle that is now facing up. But in a following shot, it is the other way round again.

Continuity: When Jack knocks the pirate's detachable head off with the coconut, the chest drops with the lock facing the ground and the lid's two hinges facing up. However, when Jack reaches the chest, it is the lock's side actually facing up now, before he turns the chest upright - with the lock facing him.

Continuity: When Governor Swann and Will go to see Elizabeth where she is imprisoned, Will and Elizabeth hold hands through the square bars of the cell. Their hands are actually in different openings depending on the shot.

Continuity: During the Kraken attack on the Pearl, Jack sneaks away in the long boat at the Pearl's port side. However, when Elizabeth walks over to the deck rail, sees Jack and says, "Oh, you coward!" she is actually standing at the Pearl's starboard side, and it would be quite impossible to see Jack. Take note of the rail rigging and mast.

Continuity: When Jack sneaks away on the long boat, during the Kraken attack on the Pearl, there is a close-up of Jack looking back at the land, then picking up and dramatically opening the compass. However, in the previous shot showing the Pearl, the compass is actually seen at the bottom of the shot - already being held open.

Continuity: When paprika-seasoned Jack is tied and bound, hanging over the wood pile, the soles and heels on his boots are visible. Later, when Jack is shackled and then faces the kracken, the heels are higher - actually twice the height. Also, note the boots when he reaches the top of the building with Will and Norrington.

Continuity: When Pintel, Ragetti and the dog are aboard the row boat, extra rowlocks (wooden posts attached to the gunwale) appear behind Pintel when the dog jumps overboard, and then they disappear when the wave flips them over.

Continuity: At Tia Dalma's, when Jack says, "Look, an undead monkey," and shoots the monkey, the flame of the candle above the monkey is extinguished from the gunfire. However, in the next shot that candle is burning brightly.

Continuity: After Jack opens the lid of the large chest, there is a close-up of the filled interior, which lies nearly a foot below the top edge of the large chest, with the smaller inner chest well hidden below. However, in the next shot the lid of the smaller inner chest is way up higher, actually level with the top edge of the large chest - before Jack lifts it.

Continuity: When the cannibal women throw fruit at Jack, the first fruit skewered is the papaya, which ends up near Jack's face, in the close-up. After Jack vaults to the other cliff-top, when the papaya slides towards his face, the fruit is completely different, and the position of its hole differs. Additionally, the watermelon also differs (note stripes) between shots, as do other skewered fruit.

Continuity: When Elizabeth is playing puppeteer with her wedding dress in order to get to Tortuga, she sweeps the dress past the captain's widows first, in order to get their attention. No way could she have done this from the mast on which she was standing. One, the distance between her position and the area through which the dress passed by were too far. Two, even if the were close enough, the wind was blowing at least partially against their sails, and the dress would have been blown closer to the windows. Three, Even if she just stood on the deck above the captain's windows, she would not have had enough time to move from that position to the mast considering that the men in the captain's quarters rushed out to see the "spirit."

Visible crew/equipment: At Tia Dalma's, two large white rectangles - either a light fixture or the reflector screen - are reflected in the glass bottle, which hangs beside Jack's head.

Continuity: The cloth with the key drawing changes greatly throughout the film. This includes the actual drawing itself, the tears on the cloth, shape of the cloth, etc.

Deliberate "mistake": After Jack is hung up over the kindling, to be "roasted and eaten", a cannibal carries a torch across the bridge and shouts. In the cannibal's close-up, the painted black/white sticks pierce his left ear, whereas in the previous and following shots the sticks actually pierce his right ear. The close-up is a flipped shot for continuity of face position.

Continuity: Johnny Depp's wig changes subtly throughout the film. Most of the time he has many dread locks. Other times, he has many fewer dreads and more stringy curly pieces.

Continuity: Whilst Elizabeth puppeteers her wedding dress, in the close-up Captain Bellamy stands up and says, "Over there," as he points with his left arm extended. However, in the next overhead shot, it is his right arm that is extended as he points.

Deliberate "mistake": When Will is bound and brought before "Chief" Jack, Will says, "The compass!" and there is a close-up of the compass, as it hangs to the right of the long striped cloth. However, in all other shots the compass hangs to the left of the red and white striped cloth. This is a flipped shot - note the large buckles.

Continuity: When Jack, who is tied up, skewers the coconut in the wide shot the coconut is vertical. However, in the close-up of the coconut, before he spins around, the coconut is horizontal.

Revealing: when Pintel is running up to Ragetti during Elizabeth's rant on Isle Cruses, you can see the path in the sand where Pintel has run up in previous takes.

Continuity: When everyone is fighting on Isle Cruses, Jack is standing behind Will and he hits Will in the head with an oar. In the shot right after that, Jack is no longer standing behind Will. Will is reacting to getting hit so you know it was right after, and Jack wouldn't have time to move.