The Godfather

The Godfather (1972)

15 mistakes since 9 Jan '17, 00:00

(25 votes)

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Continuity mistake: Michael shoots McCloskey in the throat with a black plated gun. The shot following shows Michael pointing a silver plated gun against a black background, so they probably needed something to stand out. Michael then finishes McCloskey with a black plated gun.

Continuity mistake: When Michael is sitting with Sollozzo and McCluskey, the owner (presumed owner) of the restaurant (shown from the rear, walks behind the bar to ring up and put a check in the register, he is smoking a pipe. (in his mouth) But yet a split-second later from a front angle there is no pipe in his mouth, hand, or anywhere near him.

Revealing mistake: When being transferred to another room the supposedly unconscious Don pulls his left arm up so it won't hit the door frame.

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: He's shown to be awake when Michael is talking too him moments later, albeit weak. He was probably woken up by the movement before this point, so he was conscious enough to move his hand.

Other mistake: As the camera pans in on Woltz's mansion right before the horse's head scene, his bedroom is on the second floor. However, the windows in his bedroom show a courtyard in the background. The horse's head scene was filmed in a dining-room-turned-bedroom at a Guggenheim mansion on Long Island. The Guggenheim dining room is located on the first floor, as shown in a February 2022 episode of Antiques Roadshow.

Factual error: In the establishing shot of the movie producer's mansion, a car in the driveway is suppose to be a 1937 Cord, but actually it is a replica produced between 1968 and 1972. Real Cord cars had bug eye headlights that cranked out of the fenders. The replicas had fixed glass covered headlights in the fenders.

Other mistake: When Michael arrives in Las Vegas at the Hotel Continental and exits the car two men are visible through the window inside the hotel who are dressed in 1972 contemporary attire, despite this scene being set in the 50s. The man on the left in a blue jacket looks as though he could be David Geffen. (02:19:38)

Visible crew/equipment: During the meeting between the Corleone family and Sollozzo to discuss drug dealing you can see a boom microphone reflected in the glass window when Don Corleone stands up to pour Sollozzo a drink, it can be seen moving around. A little later in the same scene when Don rejects Sollozzo's offer you can see a crew member reflected in the same set of window's moving around (above Sonny's head). (00:37:20 - 00:38:44)

Jack Vaughan

Other mistake: While Michael is talking with the Sicilian father, requesting to meet his daughter, the camera jostles twice, between the close shots of both men. (01:40:00 - 01:46:00)

eaglegrad16

Continuity mistake: When Woltz shows Tom Hagen his horse, Khartoum in the stables, the horse has a prominent white star on his head. The horse's head in Woltz's bed later that night has no such star, the head is all black.

kaevanoff

Continuity mistake: When Tom is walking down the alley between buildings at Woltz Studios before he meets Mr. Woltz, the bag he is carrying looks like a travel bag and is almost equilateral triangle shaped. When he meets Mr, Woltz, his bag is a much thinner (isosceles triangle) shaped briefcase. In almost every shot the hand carrying the "bag" is switched. (00:27:45)

Continuity mistake: At the end of the shot where Al Neri shoots Emilio Barzini's bodyguards, the one on the right is still in the process of falling and hasn't hit the ground yet before it cuts, but in the next shot, he's already on the ground and not moving.

MikeH

Other mistake: When Al Neri shoots Emilio Barzini's bodyguards, they're both only shot in the torso, but when they're on the ground, there's only blood coming out from under their heads.

MikeH

Continuity mistake: When they leave to kill Pauli it's light outside, when they are driving and Clemenza says that they to get more mattresses it's dark outside, when they stop to kill Pauli it's light again.

Audio problem: When Vito Corleone is brought back from the hospital and he is upstairs in his bedroom with his other family members, after his grandson Frank gives him his gift, the baby who was just crying has his mouth completely closed while the audio has him still crying as they leave the room. (01:33:00)

QuantumGames

Michael: My father is no different than any powerful man, any man with power, like a president or senator.
Kay Adams: Do you know how naive you sound, Michael? Presidents and senators don't have men killed.
Michael: Oh. Who's being naive, Kay?

More quotes from The Godfather

Trivia: Marlon Brando won a Best Actor Oscar for his role as Vito Corleone. Robert DeNiro, who played the role via flashbacks in Part II, won a Best Supporting Actor Oscar. They remain the only two actors to win Oscars for playing the same character. Heath Ledger and Joaquin Phoenix both won for playing the Joker, but not really the same character, given the very different films and portrayals.

More trivia for The Godfather

Question: Why did Don Corleone send Luca Brasi to gather intel on Sollozzo? Wouldn't it have been obvious to the Don that sending his bodyguard, who was widely known to be unquestionably loyal, wouldn't fool his adversaries, which would eventually, with Brasi dead, lead to his own death?

Answer: Luca wasn't Vito's bodyguard, Paulie Gatto was. In Mafioso circles the bodyguard is also usually the chauffeur which was the other part Paulie played. Luca was an independent who had loyalty to Vito. Unlike other members of the family, Luca had his own operation and his own scams. He was usually only called into service by the Don when some particularly nasty piece of business needed to be taken care of for which Luca was paid handsomely. Few people knew why Luca was loyal to Vito, it had to do with a bit of trouble Luca got into with a young girl, Luca was looking at some hard time and Vito was able to get him out of it. As explained in the books, Luca didn't care if he lived or died, he didn't even care if he was killed, but he cared very deeply that he wouldn't be killed by Vito. That was the hold Vito had on Luca which made his loyalty so deep. So far as the rest of the underworld was concerned Luca was just an independent contractor who worked for the Corleone's from time to time. If you'll recall when Kay sees Luca Michael tells her "he helps out my father sometimes." Barzini was probably the only other one who truly understood how deep Luca's loyalty went. So, why did Vito send Luca: Vito thought he was dealing with the Tataglias. Ten years prior to the Sollozo meeting there had been a Mafia war. Vito planned the strategy of the war while Sonny handled the tactics. The war was bloody and costly but the Corleone's were able to out maneuver the other families and come out on top. After that war Vito was top dog of all the 5 families. Had Vito been correct that Philip Tataglia was behind Sollozo, sending Luca would have been a smart move. As Vito mentions after the meeting of the commission "Tataglia is a pimp, he never could have out fought Santino." Tataglia would have seen getting Luca as a huge win, not only would he have Vito's special muscle, but he'd probably also believe he'd be able to get information from Luca. Where Vito made the mistake was not seeing Barzini pulling the strings, had he believed Barzini was involved he'd have handled it differently.

The line in Goodfellas seems illuminating here where Henry Hill explains that the Mafia is essentially an organisation that offers protection for those who can't turn to the legitimate law of regular society. This suggests that these "family" ties are not as strong as we imagine. These criminals are not a definite part of an orderly corporation, like head of HR at IBM, but a loose confederation of connections and loyalties that are rather more fluid. This is a theme also explored very well in the book and film, Donnie Brasco. Therefore, it wouldn't be totally unthinkable that someone in Luca Brasis position could turn to another "family" if he felt it expedient. However, these kind of guys have a tendency towards mistrust.

Answer: Luca was instructed by Don Corleone to act as if he was unhappy with his current situation within the Corleone family. In the book, this mission was planned more thoroughly and was spread out over a longer period of time with Luca frequenting the Tattaglia family's bars and bordellos, where he (falsely) bitterly complained to the prostitutes and anyone who'd listen about how he was underpaid and undervalued by the Godfather. Either this ploy did not fool Sollozzo or, if he did believe it, he didn't care and used it to send a message to the Corleones by killing Luca.

raywest

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