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Quotes

Carl Denham: Bring the tripod and all of the film.

Herb: Want to switch to the six-inch lens?

Carl Denham: The wide-angle will be fine.

Trivia

During the first moments when Kong is outside in Manhattan, when he picks up the first girl and throws her, you can see a Universal Studios billboard on the wall behind him. See more...

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Movie Mistakes blog

King Kong (2005) - 14 major mistakes

Directed by Peter Jackson, starring Adrien Brody, Andy Serkis, Jack Black, Jamie Bell, Naomi Watts, Thomas Kretschmann (add more)

Genres: Adventure, Drama, Romance

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Continuity: When Ann meets Kong on NYC street, the camera flashes back and forth between them. When it shows Kong, he is surrounded by snow, but when it shows Ann, the street doesn't have so much as a snowflake.

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Other: When Ann Darrow is awaiting sacrifice to Kong she is hanging from tight thick ropes around her wrists. However, when Kong shows up he just grabs her and tears her from the plinth. Either the ropes should still be around her arms having been torn from their mounts, or her arms should have been ripped off.

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Visible crew/equipment: On Skull Island, when Carl says, "No one has lived here for hundreds of years," the distinctive reflection of the reflector screen is visible in the lens of Preston's glasses, as he looks down; there are other moments in the film where this happens with characters' eyeglasses.

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Continuity: When Anne comes out of the lake after fighting with the T-Rexes her hair is all wet, but after Kong has defeated the last Rex and puts her on his shoulder to start running, her hair is totally dry. Same happens after she and Jack crash in the river after letting go of the bat. Next shot you see them running towards the temple and her hair is, once again, completely dry.

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Continuity: When Bruce Baxter tries to wiggle his way out of having to get closer to the brontos so Carl Denham can get his scene on film ("Shouldn't there be a stand-in for this?"), the gun he holds that can be seen pointing up over his left shoulder keeps appearing and disappearing between shots from the front and back.

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Continuity: When Ann is tied up as a sacrifice, waiting for Kong to appear, the position of the skull necklace round her neck differs between the close-ups and wideshot.

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Continuity: When Kong holds Ann in his hand, as he sits near the top of the Empire State Building, the way she is positioned in his palm changes repeatedly, depending on the various camera angles.

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Revealing: Near the end of the film, when people are running in terror out of the theater and into Times Square, you can see that the people are not leaving any footprints in the snow. The snow must have been digitally added to the scene.

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Continuity: When Ann is with Kong on the cliff, her robe and belt repeatedly change position in consecutive shots, before, during and after she dances, somersaults, etc, to amuse Kong.

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Continuity: When Carl films in the valley, Bruce has multiple lines of rope round his shoulder which change position in the following consecutive shots.

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Continuity: In the scene where Ann Darrow is brought to the Venture, there is a wide shot where she is walking and observing the ship. On one of the ramps (the closer one to her), there is a man who is carrying something up the ramp. In the next shot, if you look at the ramp he was on, he has disappeared.

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Continuity: Note the chrome centers on the wire wheels of the taxi that Jack commandeers towards the end of the film. Initially the left rear one is missing, but it magically reappears later on.

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Revealing: When Ann is juggling for Kong on the cliff edge she starts juggling at one point. If you look closely, you can see that she is simply moving her hands, and the rocks have been added digitally. This is most obvious when she leans right back, and the rocks don't match her hand movements at all.

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Continuity: Soon after Kong grabs Ann for the first time and is playing with her the wide shots show him violently shaking her around, enough to snap her neck or at least render her unconscious, but the close-up shots during the shaking show her being much more gently rocked from side to side.

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