The Crow: Wicked Prayer (2005) - 183 mistakes

Revealing: When Jimmy and War are fighting over the gun near the end of the movie, you can see that many shots are reversed, as the fire behind them is not burning upwards like regular fire, but appears to be "sucking" downwards, back into the barrels.

Continuity: When Jimmy is getting ready to propose, in the shot where he pets his dog, you can see in the first shot from in front he is not moving, yet in the next shot he is walking and leaning towards the dog.

Revealing: When Jimmy hands the priest the crow, in the closeup it is really the bird, moving around and squawking, but in wide shots, it is a very stiff and motionless doll.

Continuity: When Lola is caressing Lucifer, between cuts her one hand goes from his hip to his shoulder. There is a cut where she repeats one of the rubbing motions twice soon after.

Continuity: After falling down the hill, somehow the refrigerator with Jimmy and Lily's bodies in it goes from floating in the pond, to embedded in the ground straight up.

Revealing: When Death/Satan is killed at the end, you can see the rocks that he is impaled on move with his own body movements, much like prosthetics attached to him.

Continuity: When Jimmy puts Lily's necklace around the mirror in the hearse, in the first shot he is still extending his arm to reach towards the mirror, yet when the camera cuts, his arm is fully extended.

Revealing: In the beginning, when the miners and Indians are fighting, you can tell they are all pulling punches and trying not to really hurt each other. Some of them even visibly miss punches and kicks by large distances.

Continuity: As Famine is about to pour the gasoline over the priest, in one shot he lifts the canister above his belt-line, but in the next shot, it is suddenly under his belt-line.

Continuity: When Lily is about to have her eyes cut out, Luc goes from facing them in the background to facing away, to facing away with his feat propped up on the window between a series of shots.

Other: After rising from the dead, Jimmy's dress shirt is not cut, torn or bloodied despite Lucas stabbing him THEN ripping out his heart prior.

Continuity: Lily's brother leans over to pick up his hat in the beginning, and then in the next shot, he is suddenly standing up with the hat in his hand without having time to do so between shots.

Other: In the opening scenes, when the gang is introduced, one of the members kicks three men and knocks them out, but you can see he misses all of them by at least 6 inches.

Continuity: When the priest's wife is following Jimmy's descent with the gun, in some shots she is lowering the gun to match Jimmy's level, and in other shots, it is pointed in one direction, not moving.

Visible crew/equipment: You can blatantly see lights in the water when Jimmy is brought back to life, which makes no sense at a garbage dump at a closed mine in the nighttime.

Continuity: When Luc Crash is escaping the guards in the beginning, the other prisoners all disappear in a number of shots.

Continuity: When Luc is offering War some of the deviled eggs, you can see that Lola is looking around in one shot, then in the next shot, she is in the background, facing forward, not moving at all.

Continuity: A few shots before Luc blows the match out that he is going to burn the priest with, the position of the priests head changes in one shot.

Continuity: When Jimmy is being hanged, after he grabs Luc Crash, you can see the position of his hands around Luc changes between several shots.

Revealing: When the hearse driver slams the brakes, in the next shot, it is obvious the car was already stopped and just shaken from off camera to make it look as though it stopped. No car can brake that fast.

Continuity: After Jimmy and Lily are caught by Lily's father and brother, as they walk away, Lily's brother turns his head to face forward twice between cuts.

Revealing: War manages to pick up his gun out of a barrel of burning materials, without getting physically or even visibly effected. The gun does not even have any sign of being in the fire, no smoke, no burn marks or anything.

Revealing: When Jimmy and War are fighting outside the church, the gun they have shoots bullets, which fly into the church. The only problem is that there is almost no shot where the gun is pointed towards the church, so it makes no sense there are bullets constantly whizzing around inside.

Deliberate "mistake": When War and Jimmy are fighting, you can see a brief shot of a window exploding. This same shot is shown again (but longer) later on when War explodes.

Continuity: When War is going to blow himself up, in one shot he has the fuse to the explosives in his hand in front of his face, and in the next shot it is down by his waist, and his hand is at his side.

Revealing: When the refrigerator is pushed into the pond at the dump site, it is floating around the the flammable water. When it is set ablaze, it is perfectly still, as if it is on some sort of platform, not floating around like it should be.

Revealing: When Jimmy attempts to kill himself, the bullet hole on his back is far above where he shot himself in the chest. At least 4-6 inches higher, AND the gun was slanted downward.

Visible crew/equipment: When War is blasting the fence in the beginning, you can see wires for the squibs running along the metal fence.

Continuity: When Lilly's brother is arresting Lola at the end, in one shot he walks up to her, but in the next few shots he is standing several feet away, where he was before he walked up to her.

Continuity: When we see dead Pestilence laying on the ground, there is shattered glass all around, yet not that much glass was broken in the previous scene so this makes no sense.

Audio problem: When Pestilence puts the bug in his mouth, we hear a crunch as if he is chewing it, yet a few seconds later he spits it out and it is not chewed up at all.

Continuity: When Pestilence drives up and gives war the "Rock on" sign in the beginning, he is driving by some debris and junk in the first shot, but during his closeup in the next shot, he is suddenly in front of a metal fence that wasn't around in the previous shot.

Continuity: When he is killing Jimmy and Lilly, the amount of Death's cigarette that is burnt up changes between some shots.

Continuity: When the scorpion is crawling over Jimmy in the beginning, the amount of his shirt that is open changes between shots.

Continuity: The Open/Closed sign on the door at Lily's shop appears and disappears once or twice throughout the torture and execution scene.

Continuity: The barrel in the back of Pestilence's truck is leaking badly through a hole when it first pulls up. Then a few moments later, the hole and leak are gone and the truck bed is perfectly dry. Then he kicks the barrel and the same hole reappears.

Revealing: When Luc and Jimmy fly about at the end, in some shots you can easily tell it is stunt doubles and not the actors.

Revealing: The bug-zapper that is supposedly electrocuting Pestilence doesn't actually touch him.

Revealing: After War blows up, not all of the movement of the smoke in the church matches. Some of it is flowing the wrong direction, even though it all came from the same area.

Continuity: When Luc/Lucifer jumps up after coming back to life, in the first shot he is laying on the ground, but in the next shot, he is standing, lunging towards Lola.

Continuity: When Priests' wife hugs Jimmy, in the first shot, her hand is flat, and unfolded, yet in the next shot, it is folded into a fist.

Continuity: The opacity of the blood on the knife Lucifer pulls from his side changes from translucent to completely opaque as he hands it to Lola/Shorty.

Continuity: As Lily's brother drives away, Jimmy goes from checking his bike, to checking the flowers he has between shots.

Continuity: Jimmy's bike goes from being on the ground to standing up perfectly on it's own as Lily's brother drives away.

Continuity: We see two groups of children throwing things at each other in the beginning. Then in one shot (Through the scope of a gun) we see one group run off. Then a few shots later, they are back exactly where they were before.

Factual error: Luc Crash holds the match unreasonably close to the gas-soaked priest, whom he intends to play with and not actually burn alive. At the distance he held the match, the fumes from the gas would have caught fire.

Continuity: When Jimmy goes to find Lily's dead body in the freezer, in one shot he is walking slowly, and you can hear him splashing lightly through the water. Then in the next shot he is suddenly stumbling forward rather quickly, splashing water all over.

Other: When the priest is having "gasoline" poured over his body, you can easily tell it is really just water. The liquid is clear, and not tinted yellow, and he doesn't react realistically (as if the strong fumes are burning his eyes and nostrils).

Revealing: In the wideshot of Death/Satan impaled on the rocks at the end, you can tell the image onscreen is using a split-screen effect, as both sides of the picture wobble slightly in different directions, independent of each other.

Continuity: We see Jimmy paint the iconic "Crow" black makeup on his face, (around his eyes) but if you look he does not yet have the white makeup on. In the next shot he has both the white and black makeup on, which makes no sense, as the white would cover the black and he would have to reapply it.

Plot hole: Even though he has lost most of his power, Jimmy is somehow able to grapple and stop War, who is covered in dynamite and explodes, presumably while being restrained by Jimmy. Jimmy doesn't even appear hurt or marked at all after the ordeal.

Continuity: When the Tribe takes Jimmy down from the cross, in one shot he is laying down with three large metal spear-heads and ropes sticking into his chest. Yet in the very next shot as he rises, they are gone, without him having any time to have pulled them out.

Revealing: When Jimmy and War are fighting over the gun outside the church, a series of shots is fired, and you see impacts of the bullets inside of the church, yet there are no bullet holes in the walls or doors. The only sign is a single window which blows up, but there is no way all the bullets could have gone through that window.

Revealing: When "War" explodes close to the end of the movie, you see a window being blown apart, but you can see there is nothing behind it and that is was just an on set window blowing up, and wasn't caused by the explosion outside.

Other: When Jimmy jumps over Pestilence, you can see he is right above him, yet Pestilence is pointing his gun forward, not upwards as he should be doing.

Continuity: When Luc is kicking Jimmy at the end, in one particular shot, Jimmy is on the ground, on his stomach, but in the next shot, he is on his side.

Continuity: When the crow comes back to life, Jimmy leaps up twice between cuts as he attacks Luc.

Revealing: After Luc says "God is finally paying attention" at Rave-N-Fest, you can see an extra in the background, smiling in the next shot, which makes no sense after all the chaos that just ensued.

Revealing: When Lola is cutting out Lily's eyes, you can tell from her movements that she is not really cutting them out.

Continuity: When Pestilence kicks the barrel of toxic chemicals in the beginning, in the first shot a little liquid shoots out then it stops, but in the next shot it is suddenly shooting out again at a constant pace.

Revealing: You can see devices under the water where the flames are when Jimmy first awakens.

Continuity: When Jimmy and Lily meet in the beginning, the people in the background change in some of the shots.

Continuity: Several of Luc's cronies have blood on their bodies/faces back at the hideout despite nothing happening to get blood on them earlier.

Revealing: When Luc stabs Jimmy and removes his heart, you can easily tell from the distance between Luc's arm and Jimmy's torso that he stopped the knife before it got close to Jimmy.

Revealing: When Luc pushes Lola into the totem pole at the end, as they begin to have sex, the totem pole, supposedly heavy, sturdy wood, shakes pretty heavily when Lola hits it.

Continuity: When the crow flies up to the bar, before the fight begins, in the first shot there are no cars parked around it. But in the above shot there is a car parked right next to the entrance.

Continuity: When the bartender leaps over the counter at Jimmy, in the first shot, Jimmy has his back to him, but when it cuts, he is suddenly facing the bartender coming at him.

Continuity: When Jimmy meets Pestilence at the bar, when he starts to cough, in the first shot, his whole body moves, but in the second shot, he is perfectly still, and we just hear the coughing.

Revealing: The body of the virgin sacrifice (The black guy) moves when they set Jimmy down after taking him off the cross. His hands move up slightly. And it is not the camera movement.

Continuity: When Pestilence opens the refrigerator at the dump, his cigarette goes from being in his hand to in his mouth between cuts.

Revealing: When Jimmy flies out of the church, you can see his coat being pulled by a wire that was later taken out.

Continuity: After bringing the priest back to life, in the first shot his wife's head is pointed down, crying, and in the second shot it is suddenly pointed up, and then looks down again.

Continuity: When Lily's father starts crying, before his son comes to him, in one shot he is holding the bible and it is slanted forward, yet in the next shot, it is pointed straight up.

Continuity: At "Rick E. Raven's" pizzeria, when Lily's father is giving his speech, as he says, "I said, 'Stay away from them, stay on your side of the road.'" He goes from his head pointed forward in one shot, to his head pointing slightly upward in the next shot.

Deliberate "mistake": When Jimmy punches the man trying to rape Lily in the flashback, it is obvious the blow was missed, and also, such a blow would not have as much power as illustrated in the film. Nowhere near enough to knock someone back off a table onto the ground.

Continuity: Jimmy comes out of his trailer in the beginning with two bags. He kicks one aside and starts to walk away. Then a few seconds later, he is carrying one bag, has some object in his other hands that we have never seen, and is wearing sunglasses he did not have on before.

Continuity: When Jimmy is on the bike, Lily's brother (driving the police car), who is following him, disappears in one of the shots.

Other: There are several large pools of flammable liquid that are about to explode as War leaves the mine at the beginning, yet they never do explode.

Revealing: During the bar-fight, the bartender flies back and hits a table, and you can blatantly see the table is a breakaway prop, because there are no screws/nails or anything holding the top on. (You can see it easily just after the top gets knocked off.).

Deliberate "mistake": When the tribe does the ceremonial dance to bring the crow back to life, you can see the same shot of the bird leaping up twice.

Continuity: After first being brought back by the Crow, Jimmy looks at a reflection of himself in a metal toaster. In the wide shots he is moving all around, flinging the toaster about through the air, but when it cuts to closeups, it is always perfectly still, on the ground.

Continuity: The necklaces that Luc throws onto Jimmy at the end disappear after the first few shots.

Plot hole: All of the miners and protesters run because War has the shotgun, yet moments later, they are back as if nothing happened.

Audio problem: When El Nino is laughing after meeting Satan, when the camera cuts, you can see he is no longer laughing out loud, although his laugh is still heard.

Continuity: During the climax, when Jimmy says "Don't you have any respect for the dead?" In the first shot he is behind the totem pole, but in the next shot, he is standing next to the totem pole.

Revealing: When Lily starts bleeding from the eyes at the end of the movie, you can tell the blood is not really coming from her eyes and was really just applied by a makeup artist.

Revealing: When the bugs are flying into the bug zapper in the bar, the sparks on the bug zapper are far too big to be real, and are obviously small squibs set up on the zapper.

Continuity: When Pestilence is being soaked with toxic chemicals in the beginning, in the shot where it does a freeze frame, his body is soaked in the chemicals, but he has not been exposed to the spraying chemicals enough for so much to have covered him.

Continuity: When the guys are spray-painting words on Jimmy's trailer, as they run away the man on crutches is suddenly much farther away when the camera cuts.

Continuity: When Jimmy is looking at his reflection in the toaster, in one shot, he is looking with his hands on the ground, but in the next shot, he is suddenly touching his face with his hands while looking into it.

Continuity: The things in front of Jimmy's trailer change throughout the movie.

Revealing: When Luc cuts out Jimmy's heart, you can tell it is not really beating and that Luc is just manipulating the prop with his fingers to make it look so.

Continuity: At Rav-N-Fest, Famine can be seen destroying the same decorations several times between cuts.

Revealing: During the bar fight, after Jimmy knocks the gun out of Pestilence's hand, he hits him with the stick-weapon, but you can tell he missed Pestilence by quite a distance.

Continuity: When Lola is washing her hands, the position of her hands and head changes position between shots. In some shots her head is pointed forwards and her hands are up, in others her head is down as are her hands.

Continuity: When Luc and Lola pull up outside the church, as War is strapping explosives to himself, in the first shot he is ripping tape with his mouth, but in the wide shot, he is not strapping more explosives to his body.

Continuity: Luc walks up to War twice between cuts when he first arrives at the church near the end of the movie.

Visible crew/equipment: When Luc shows El Niño his "666" marks and Niño says: "Well, all right", you can see a camera shadow move across El Niño.

Revealing: When Lily hits the mirror with her hand, shattering it, the amount of blood on her hand in the next shot is too much to be realistic.

Continuity: When Luc kicks Jimmy for the first time at the end of the movie, the position of his body kicking Jimmy changes a bit between cuts.

Continuity: The glass cup/bottle that Jimmy smashes against the bartender's face is not in his hand in any previous shot.

Continuity: Jimmy's sunglasses suddenly disappear as he is walking with the Indians in the beginning of the movie.

Continuity: Lily's brother points the gun at Jimmy in the beginning and pulls the trigger to reveal there are no bullets in it, then he lowers it. But in the next shot it is still up and he lowers it a second time.

Continuity: When Jimmy is talking to Lily's brother in the beginning, in one shot he is wiping dirt from his sleeve, and in the next shot, you can tell from his movement that he is no longer doing so.

Audio problem: When War gives his first "epic" quote at the beginning of the movie, there is a period of about a second and a half when his lips are not moving, then there is a cut, and they are suddenly moving.

Revealing: The scorpion Jimmy puts in the bag is obviously fake. It's arms and legs do not move at all, and it bobbles around like a rubber toy.

Deliberate "mistake": When Luc Crash is attacking the guards at the beginning, once or twice one of his blows is repeated twice from different angles, and it does not appear to be for effect.

Continuity: When War cocks the shotgun in the beginning, one of his hands goes from being at his side, to holding the shotgun between cuts.

Continuity: When Jimmy and War are fighting with the burning sticks, in several shots the sticks go from being on fire, to put out, to partially on fire, etc.

Plot hole: After the bird is hurt, Jimmy is shot several times and wounded very badly. Yet just seconds later, he is able to save the young boy, and mysteriously use many of his "crow powers" despite being hurt very badly.

Plot hole: "Death" tells his cronies to burn the bodies of Jimmy and Lily, yet when they get to the junkyard, they put the bodies in a very heavy refrigerator, and then push it into a pool of flammable liquid, which they burn. But it could never burn through the thick metal and plastic of the fridge before it burned the bodies.

Continuity: When Jimmy and Lily embrace in the beginning, their arms change position in almost every shot.

Plot hole: Why would Pestilence let himself be soaked in toxic chemicals in the beginning of the movie when he is out for revenge? It makes no sense that he could possibly be killing himself then and there when he wants to live a little longer.

Continuity: When Jimmy first awakens, after he crawls out of the water, his body is in a different position and much further away from the water in the next shot.

Continuity: There is a barrel of burning material outside the church that goes from burning to put out, to burning again between several shots.

Continuity: Lola's hands are stained with wet, dripping blood at the end of the movie for no apparent reason, as nothing happened to bloody them up before that.

Revealing: When Lilly's brother is firing at Luc and Lola, you can see the bullets hitting on the church behind them are too big and spark too much to be real, revealing squibs were used.

Revealing: When Jimmy breaks Pestilence's neck, it is very obvious he really isn't doing so, because he just bends the neck slightly to the side, in a very safe position.

Continuity: When Luc and his gang barge in on the wedding, in one shot the bride is facing forward, but in the next shot, her head is turned to look back, and then turns back forward.

Revealing: While at the wedding chapel, a shot is fired off camera in the other room, and we see the flash of the gun light up much of the chapel. But gun flashes aren't big enough to emit such light.

Continuity: When the crow lands on the ceiling-fan in the bar, its position changes between shots. It goes from being about halfway down the fan-blade to near the end.

Plot hole: Why would so many toxic chemicals be used in coal mining, and used as close to the miners as illustrated in the film?

Audio problem: The mine workers are chanting "Save our jobs" in the beginning, yet their mouths never match what they are saying.

Continuity: When Pestilence kicks the barrel in the beginning, in one shot it is falling over and rolling a little bit, but in the next shot it is suddenly perfectly still.

Deliberate "mistake": You can tell the miner uniforms and prisoner uniforms are exactly the same wardrobe, the prisoner uniforms are simply marked "Prisoner" to make them seem different.

Continuity: When Luc is first endowed with Satan's powers, he is pushed backwards, and the heart he was holding in the previous shots disappears briefly. And this is not because it turns to dust, because you can see he has nothing in his hand.

Continuity: When Cara Mia pats down Lola, her head suddenly gets much higher that it was when the camera cut.

Continuity: When Jimmy wakes up at the beginning of the movie, he is covered with feathers and "fluff" from a pillow. However, the amount of material on him changes between shots and even disappears in some shots.

Continuity: When Lily's brother gets into his car in the beginning, he turns his head away from Jimmy twice between cuts.

Continuity: When they walk up the stairs of the church and pause, Luc and Lola's head get much closer after the camera cuts.

Revealing: When War shoots the fence, making the sparks ignite the liquid, you can tell in the shot from above the sparks were way above the liquid, and there is no way it would have ignited.

Continuity: When Luc's cronies beat up Jimmy after he enters the store, in one shot War kicks him and then the camera cuts and he is suddenly helping Famine lift Jimmy.

Revealing: When Jimmy gets kicked by Luc the first time at the totem-pole yard, the kick misses him by quite a distance.

Continuity: When Luc and Lola are starting to have sex on the totem pole, Luc and Lola's position changes between several cuts. For example, Luc goes from kissing Lola's neck, to sort of sniffing her, back to kissing her neck between cuts.

Continuity: When Jimmy meets Lola and Luc at Rave-N-Fest, the position of the hands Lola is eating grapes with changes between shots behind and shots facing her.

Continuity: When Jimmy is jumping in a straight line over the tables, he somehow passes Pestilence twice.

Continuity: When Jimmy rescues the young boy, in the first shot he under the side of the large cloth tarp, but suddenly about two shots later, he is in the center, without having time to get there.

Other: After the big fight at Rave-N-Fest, several people are just staring at Jimmy, unsurprised, like nothing happened.

Other: The junkyard at the mine is supposed to have materials just from the mine, yet there seems to be junk from all over town there, which doesn't make sense.

Revealing: When War blows himself up, you can see a reflective material inside of the burning "crow symbol" likely to help contain the fire.

Other: Jimmy walks away from his trailer to find Lily quite a distance, yet when they sneak behind a building, you can see the graffiti the kids drew on the side of Jimmy's house right behind them, as though Jimmy has walked in a giant circle for no reason.

Continuity: The scorpion on Jimmy's chest moves around in some close-ups, but in wide-shots it is always perfectly still in the same spot.

Continuity: The position of the protesters changes in almost every shot in the very beginning.

Continuity: When Jimmy's trailer explodes, in the first shot, the air is full of sparks and debris. Then the camera cuts, and almost all the debris in the air is gone, and the building is simply on fire.

Continuity: When the car explodes in the beginning, in the first shot it is actually exploding, but in the next shot, you can tell it is simply on fire, and not exploding as in the previous shot.

Audio problem: Upon finding Lily's dead body, there is a wideshot of Jimmy carrying her, and he is sobbing "Oh my god. Oh my god." But his lips are not moving.

Revealing: Right after Luc Crash becomes Lucifer, he combs his hair, but you can see he just lightly runs the wrong side of the comb through his hair, as so not to mess it up.

Deliberate "mistake": Many shots of the crow flying are taken directly from "The Crow: Salvation", the third film, or the first film in some cases.

Revealing: When there is the flash-montage of single-frame images at the bad-guy's hideout, you can tell many images are being repeated, and if you go through frame-by-frame, you can see some of them are actually behind the scenes photos of the cast interacting with the director/crew. (Smiling at the director off-camera, etc.).

Audio problem: When Lucifer runs the comb along his tongue, you hear the clicking of the "spines", yet he is running the other side of the comb along his tongue, so you should hear nothing.

Continuity: When the hearse stops, you can briefly see the reflection of the driver in the mirror, and you can see he is not wearing a hat, yet in the next shot in the car, he IS wearing a hat.

Revealing: When War executes the wedding witnesses, we can see several people behind Lola, cowering behind a table, and they don't react at all when the shots are fired.

Continuity: During the fight at the bar, when Jimmy and the bartender are fighting, the stances and position of their bodies change between several cuts.

Continuity: When Famine is about to punch Jimmy in the stomach in the beginning, he starts to put his hand on Jimmy's shoulder, but in the next shot it is already on his shoulder and he is swinging his arm to punch Jimmy.

Continuity: When Pestilence says: "Long enough to see the injuns burn." the position of the gun in his hand changes between shots.

Continuity: The position of the deviled eggs on the plate Luc is holding in one scene changes between shots.

Continuity: When Luc and Lola are getting married, they get closer together/farther apart throughout the shots from the front and back.

Continuity: The position of the skull logo on the barrel behind Pestilence changes as he kicks the four men in the beginning.

Continuity: The first time Jimmy gets shot in the bar, he almost falls to his knees, and we see a quick cutaway to the guy reloading. But in the next shot Jimmy is standing up straight, without having enough time to get back up.

Continuity: When Lucifer turns and says "Honey, I'm home." in the first shot his arms are open, but in the next shot they are closed.

Continuity: When War is going to blow himself up, as he says "I know your soft spot, Injun lover." his hand goes from being at his side, to up and pointing at Jimmy between shots.

Plot hole: If the protesters and miners had to simply wait for War to come through and open the fence to get at each other, they should have been able to do it themselves.

Other: Luc Crash is wearing his normal outfit under his prison clothes.

Continuity: Death's one thug puts baseball gear on but in the next series of shots, he goes from wearing it all, to wearing none, to wearing some of it between shots.

Deliberate "mistake": At the end of the movie, the sun rises way to fast to be realistic. All we see is a sped up shot, and suddenly, it looks to have been up for at least an hour, all the while Jimmy and Luc fight in "real time." It makes no sense.

Continuity: When Jimmy is electrocuting Pestilence, in some shots he has both hands on Pestilence's neck, and in others he has only one hand around his neck.

Continuity: When War's truck drives out of the mine in the beginning, at first there are protesters a good ten feet away waving signs, but in the closer shot one of the protesters is waving a sign just about a foot or so away from his truck, without having any time to get closer.

Continuity: When Lily's brother threatens Jimmy with the gun towards the beginning, in the first shot he still has the flowers and ring in his hand, but in the next shot they are suddenly gone, and he is getting his gun.

Continuity: When Lola says "a sacrificial virgin to seal our wedding vows" she is reaching towards the cake and putting her finger into the frosting, but in the next cut, he hand is by her face, and there is already frosting on her finger.

Continuity: When Luc says "Tonight, Satan is gonna walk in my shoes." Lola is facing him then turns away, but in the next shot she is suddenly facing him again.

Revealing: When the man gets whacked by the fence in the very beginning, you can see it comes nowhere near actually hitting him.

Continuity: The hearse driver is high and weaving all over the road in the wide shots. Yet inside the car, we can see his hand is fairly steady on the wheel, not moving anywhere near enough to make it swerve around as it does.

Revealing: You can tell the spears Lucifer throws at the crow are already stuck in as they supposedly hit him.

Continuity: When "El Nino" says "Is that really you, original gangsta?", Lucifer/Death's head goes from pointing upwards to pointing downwards between shots.

Revealing: When Pestilence kicks the barrel, liquid starts shooting out, which makes no sense, as the contents are not under pressure.

Plot hole: Everyone considers Jimmy to be evil because he accidentally killed one of the Natives, who was trying to rape Lily. Yet, you see the ordeal and there are other witnesses, so it makes no sense that nobody believes him about not doing it on purpose, and unprovoked.

Revealing: When War is firing the shotgun, the sparks from the bullets hitting the fence are ridiculously huge, revealing squibs were used.

Revealing: When there is the quick zoom-in on Pestilence, you can tell they cut between to a different shot, as the skull logo on the barrel behind him goes from being sideways to right behind him.

Continuity: When Jimmy first applies the black crow makeup, you can quickly see he draws a straight line, then a few shots later, it is a curved line.

Deliberate "mistake": When Lola frees Luc Crash in the beginning of the movie, he hits a guard, making him flip forward and fly through the air, even though this is impossible and it has nothing to do with magic or any other elements used in the story.

Deliberate "mistake": When Pestilence kicks the barrel of flammable material, the impact of his shoe makes the barrel spark and shoot liquid all around. But the size of the sparks and smoke from his shoe hitting the barrel is ludicrous, and would in reality, ignite the liquid, which is already pouring out.

Continuity: When the bad guys first go to their hideout, War walks up to Lola. She goes from pulling gloves/bandages off her hands, to suddenly washing her hands between cuts.

Continuity: Almost everyone in the bar disappears, even though it was full moments earlier.