From Russia With Love (1963) - 48 mistakes

Other: In the title sequence, the name of actress Martine Beswick (she plays one of the gypsy fighting girls) is misspelled as Martin Beswick.

Continuity: After the scene where Klebb arrives via helicopter on Spectre island and meets Morzeny, they enter a training area and continue their conversation while walking through it. Just after Morzeny says '.we use live targets as well,' the scene cuts to a wide shot and they are entering the same training area once again, only this time from a path that is just right next to the one used before.

Continuity: Just before Klebb uses the knuckle duster on Grant watch carefully and you see the bag on her right shoulder is removed with her right hand, but is handed to the man behind with her left hand in between shots.

Visible crew/equipment: In the scene where Tatiana first meets Rosa Klebb in Istanbul, the hand of a crew member is seen closing the door behind Tatiana when she enters the room (from the other side of the door - not the side Tatiana and Rosa are on).

Continuity: When Rosa Klebb is interviewing Tatiana, she is wearing a pair of glasses, and she makes a reference to Tatiana having had three lovers, then as Tatiana answers back, Klebb is no longer wearing the glasses.

Continuity: When Bond is in the gypsy camp, the two girls Vida and Zora, who are about to fight over a man, are coming out of a caravan both wearing long skirts and scarves. When they each take their scarf to bind it around their hips, the skirts have suddenly disappeared without ever being taken off.

Continuity: When the gypsy girls start their fight they both have perfectly clean hair. A few seconds later they both have bits of straw in their hair, although neither of them has fallen onto the ground yet.

Continuity: Just before Kerim Bey overturns the table in the beginning, at the Gypsy camp fight, two bottles are visible on the table. When he overturns the table, there's only one left.

Other: When Tatiana enters Bond's room, he is about to take a shower. He never goes and turns it off.

Visible crew/equipment: Just after the helicopter explodes, you can see that the landing rails have been blown off, but in the next shot, (if you pause the picture) not only are the landing rails reattached, but you can see the helicopter being lowered on a wire.

Visible crew/equipment: In the scene where James Bond shoots down the helicopter then it crashes, he emerges from the rocks to run from the crash site to the right of picture, just as you see Sean Connery emerge from behind rocks from the right in the same scene. So for a about a second there are two James Bonds in picture. One is the stunt man and the other is Sean Connery.

Visible crew/equipment: In the boat chase, the director's waving hand can be seen reflected in the windshield of Bond's boat at several points.

Continuity: When Bond and Tatiana are in the boat chase and are being followed, they drop four cans of fuel in the sea. When Bond blows them up, there are way more than four fuel explosions in the sea.

Continuity: When JB is driving the white truck and is being bombed with grenades from the helicopter the truck gets smoke blackened, but when he arrives at the speedboat all the smoke marks have gone.

Other: When James Bond's friend gets shot at the gypsy camp, look closely, he is rubbing red paint into his own arm.

Continuity: The train is stopped because Spectre has pushed a 1950's style Dodge truck full of flowers in the trains path. Later, when James is driving it trying to avoid the grenades dropped from a helicopter, the truck has turned into a very different looking 1961 Chevrolet truck.

Continuity: Just after Grant has hit 007 on the back of his head and knocked him out, Grant searches through the pockets of 007, he takes out some money and puts it into his lower left side pocket. But when 007 kills Grant and searches his pockets, 007 takes back the money from Grant's inside top right hand pocket.

Continuity: When Bond is being led into the Bazaar in Istanbul spot the crowd being held behind a barrier.

Continuity: When Kerim Bey is making a sniper shot towards a billboard with the rifle being steadied on Bond's shoulder, check out Bond's eyebrows - they are long in one shot, short in another....obviously painted on.

Continuity: James Bond is chased by an helicopter. When seen from above, Bond carries an attaché case in one hand; when shown from the ground, the case is in the other hand. This change happens many times, as the camera point of view switches.