Continuity: After speaking with Robbie, when Ray runs across the street to speak with Manny some are entirely different cars from the previous shots and in one case a car jumps sideways from one lane to the next. Ray also runs beside the crosswalk in the close-up, but in the next shot he’s much farther away, and the crowd differs. (Time) Submitted by Rikki

Continuity: When Ray and Rachel are in the backyard, just before the lightening starts, she says, “I don’t wanna go by myself,” and there are no leaves on the barbeque. In the next close-up, as they stand near it, there are leaves on it. (Not due to wind.) (Time) Submitted by Rikki

Continuity: When Ray is in his backyard and says, “That is so weird,” he’s standing well away from the fence that is near the female neighbor holding the baby, but in the next shot he’s right beside the fence talking to her. (Time) Submitted by Rikki

Continuity: After their long drive into the country, Robby and Ray begin arguing at the side of the road. In one shot as Robbie waves his arms, Robbie's blue boxers and pants are on so only the boxer's red waistband is seen. In the next shot, as Robbie still waves his arms, both the pants and boxers are pulled higher up, so now only a bit of the blue boxers are seen. (Time)

Factual error: When they're near the ferry, the fiery train zooms by. Passenger trains along the Hudson River run along the east bank of the Hudson, not the west bank, where the ferry was departing. (Time)

Continuity: Ray places the box of groceries down on the island counter in Mary Ann’s kitchen. In the following shots the box (and goods inside), ceramic pitcher with utensils, tray of napkins, peanut butter, bread and bag, repeatedly, and very noticeably, change positions. (Time) Submitted by Rikki

Continuity: After Rachel tells Ray that Robbie took the car, when Ray runs down the steps long shadows are cast. When Ray turns around to see what everyone is looking at, all shadows are gone, only to reappear in the next shot. Then when Ray runs to his yard, the angle of his shadow is entirely different. (Time) Submitted by Rikki

Continuity: When the hole cracks the asphalt in the first shot, the crack makes its way to Santo’s Florist cracking the side of the brick building. A few shots later, when the Portuguese restaurant windows shatter, as the camera pans toward the church Santo’s is seen on the street corner and the massive damage to the building is gone. The long crack in the asphalt leading from the hole to the florist is gone too. (Time) Submitted by Rikki

Continuity: When Ray is taking the van he’s having a heated exchange with Manny, and Robbie’s window is closed. However, just as Ray anxiously speeds away Robbie’s window is wide open, for the dramatic close-up on Robbie’s side view mirror, showing Manny’s vaporizing demise, and when Robbie ducks his window is closed again. (Time) Submitted by Rikki

Continuity: While tossing a baseball with his son, Ray calls him a "dick." If you look at his hand at that point, one can notice that his hand is closed in a fist, and he is not holding the baseball he is prepared to throw. (Time)

Factual error: Ray's family is headed north, along the west bank of the Hudson River, attempting to cross and get to Boston, but, in every scene by the river, they are travelling in the same direction as the current, which would put them on the east bank, headed south.

Continuity: Once Ray takes the piece of pita with hummus and eats some of it, the rest of the pita and the way he holds it differs in following shots. (Time) Submitted by Rikki

Visible crew/equipment: During the ferry disaster, while Ray, Robbie and Rachel are in the water, when the car heads toward them a vertical cable is visible at the left side of the car, beside the side view mirror. (Time) Submitted by Rikki

Continuity: When Mary Ann is speaking in the kids’ bedroom, her body is facing Robbie, and when she says, “It would be nice if he were done…” in the close-up of Ray her entire body is turned the opposite way, facing the TV, but in the next shot she’s turned toward Robbie again. Additionally, the amount of blue sweater visible under her grey coat changes in consecutive shots, during her visit. (Time) Submitted by Rikki

Revealing: When Robbie gets out of Tim’s car there are two chalk marks on the sidewalk – one long blue line in front of Ray and an orange arrow near the trunk of the car. They are gone when Rachel leaves the car. (Time) Submitted by Rikki

Continuity: In Boston, Ray and Rachel discover dead red weed on a statue. If you look behind them, you can see a space between two buildings that is clear, only sky. In the next shot, when the crashed tripod is being shown, the spot where there was just sky now has the tripod legs. Compositors forgot to add the tripod in the previous shot. (Time)

Continuity: The Hudson Ferry employee runs to the two soldiers and shouts, “Get that ramp up. Cast off. No more people…” In the next semi close-up of the crowd converging on the ferry, there is a large grey car on the dock at the base of the ramp. In the next shot that car is inexplicably gone. (Time) Submitted by Rikki

Continuity: As the News Producer speaks with Ray amidst the plane wreckage, her black bag, her actions, and how she hold things such as food trays, change abruptly in consecutive shots, while Max searches for food in the locker. (Time) Submitted by Rikki

Continuity: Mary Ann pulls the cord out of the iPod and holds it with the screen facing her palm, as she explains about Robbie’s Algeria report. However, in the next shot the iPod is held in her hand the opposite way. (Time) Submitted by Rikki

Continuity: On his way home, when Ray’s car turns the corner, in the first shot as he passes the parked cars across from Manny’s, the last of which is a red pickup, but in the next shot it’s a white pickup. (Time) Submitted by Rikki