Continuity: When Ray heads home after work, he speeds past Manny’s shop, and in the first shot there is a large white sign on the brick wall, to the left of the door (not the one over the door), which is seen later as well. However, in the next shot as Ray pulls into his driveway and when Mary Ann carries Rachel’s backpack up the steps, Manny’s is at the end of the street and that white sign is gone.

Continuity: In the overhead shot when Robbie (Justin Chatwin) is helping people get over the top of the ramp of the ferry the water in the back of the ferry is calm. A few seconds before the captain had gone all ahead full, created a water spray and even ripped off the moorings. The water should have been churned by the screws.

Continuity: When Ray steals the van the front windshield is dirty and has water spots all over. Then in the following shots, it alternates between being entirely clean, or clean only in the area that wipers swipe clean.

Continuity: When Ray runs into the street he realizes that everyone is looking behind him, towards his house, so he turns to the right and looks over his right shoulder, but in the next shot facing his house, he’s turning to the left and looks over his left shoulder.

Continuity: When Ray and Robbie are throwing the ball near the start, check the wall behind Robbie. In closer shots of him there's sunlight on the wall and the shadow of a nearby satellite dish is visible, but in wider shots the whole wall's in shadow.

Continuity: As the tripod is attempting to have Ray sucked up, the soldier begins pulling Ray’s arm down, trying to free him while he himself is being raised in the air. In the following shots, Ray’s rescue is shown from three different angles, and each angle is distinctly different from the others.

Continuity: When Robbie shouts at the soldiers driving by, puddle water splashes all over him, and the pattern and/or amount of water all over Robbie's jacket varies shot to shot. For example: when Ray shouts, "You're in charge now, you tell me..." there are many water spots on both sides of Robbie's jacket, but two shots later as Robbie shouts, "We get back at them!" only his left side is wet. Quick drying.

Continuity: When Ray runs to catch the ferry, Sheryl loses her grip of him and when the soldier abruptly stops her the green hat falls behind her. Yet as the ramp rises, when Ray shouts, "There's room on the boat," Sheryl's hat is back on her head.

Continuity: When Ray is outside at the beginning of the movie during the lightning storm, he says to himself that the wind is moving in the direction of the storm. Yet when he calls to Rachel to come outside and take a look, her hair is blowing away from her face, in the opposite direction it should be blowing.

Continuity: In the scene right after Ray kills Ogilvy, Rachel finishes singing her song and as she's taking off her blindfold you can see that her hair is all messy and dry. In the very next shot her hair is all wet and neat.

Continuity: When Rachel's still in the back seat of the van, while everyone is attacking Ray and Robbie in order to steal the vehicle, a large shard of glass hanging in the backseat window-frame disappears between shots.

Continuity: In Ogilvy's cellar, in the close-up of Ray's hand, he holds it up to the red mist blowing through the two broken windows. In the next shot however, as Ray looks at his hand and realizes it's blood, the right window is suddenly blocked with a broken shutter and two pieces of wood.

Continuity: As Ray heads to the 26 strikes spot, while speaking with the two guys, he passes many stalled cars, some of which change entirely between shots. For example: In the close-ups he passes a red car in front of the restaurant, with a grey double parked car, and a white car at the street corner in front of the red, yet in the overhead shot a red car is at the street corner, with a grey car behind, in front of the restaurant.

Continuity: When Ray runs across the street shouting, “Manny! Manny!” a guy with a hat and plaid jacket passes by, as the shot ends. At the start of the next shot, the same guy is now near Manny’s garage door and air hose.

Continuity: After speaking with Robbie, when Ray runs across the street to speak with Manny some are entirely different cars from the previous shots and in one case a car jumps sideways from one lane to the next. Ray also runs beside the crosswalk in the close-up, but in the next shot he’s much farther away, and the crowd differs.

Continuity: After Ray finds out that Robbie took the car, he runs into the street. In the first shot he stops at least 6-8 ft away from the solid double street lines to turn, yet in the next shot he’s standing right on the double lines.

Continuity: In the beginning of the film, when the first tripod began to rise from the earth, there is a cut showing two men standing on top of their scissor lift, which is swaying dangerously back and forth because of the earthquake the tripod is causing. In the very next cut, showing the entire area, the scissor lift is very apparent in the foreground, not only is it not swaying (while everything else in the area is shaking dangerously) , but one of the men is suddenly in a kneeling position, whereas he had just been standing up.

Continuity: Ray places the box of groceries down on the island counter in Mary Ann’s kitchen. In the following shots the box (and goods inside), ceramic pitcher with utensils, tray of napkins, peanut butter, bread and bag, repeatedly, and very noticeably, change positions.

Continuity: While in his bed Robbie watches TV, as he leans against the wall behind him. Yet, in the close-up of the TV when Ray clicks it off, Robbie is clearly reflected on the TV screen leaning near the window, which is a good few feet away from where he was in the previous shot. In the next shot he’s back to where he was in the first shot.

Continuity: When Ray and Rachel are in the backyard, just before the lightening starts, she says, “I don’t wanna go by myself,” and there are no leaves on the barbeque. In the next close-up, as they stand near it, there are leaves on it. (Not due to wind.)