Continuity: When Jake enters the living room to bring the drinks to Emily, the
magazine and remote sitting on top of the two books moves
between shots.
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When Rachel is talking to Dr. Temple, the name 'Dr. Kôji' is cited as someone who treated Rachel for PPD. This is an in-joke, because the author of the original book, Ring, as well as its sequels Spiral and Loop, is called Kôji Suzuki. See more...
The Ring Two (2005) - 38 mistakes
These mistakes are currently being ordered by time. Entries without times will appear at the end.
Directed by Hideo Nakata, starring David Dorfman, Elizabeth Perkins, Gary Cole, Kelly Stables, Naomi Watts, Simon Baker, Sissy Spacek (add more)
Continuity: At the beginning of the movie when Jake sits down next to Emily
with a bottle of drink and two empty glasses, after he sets them
down on the table the two glasses are suddenly filled with drink,
instantly between shots.
Visible crew/equipment: In the shot of Rachel driving up the street with Aidan just before
they arrive at their new house, the car breaks right in front of the
camera for a few seconds. In this shot you can clearly see the
camera reflected in the left corner of the car.
Continuity: Near the beginning, Hayden is sitting at the desk in his room and his shirt collar is wide open. His neck shows, but that's it. A moment later, when he leaves his room, and comes into the Kitchen, he wears a light grey t-shirt under the other shirt.
Continuity: After Aidan comes downstairs and sits at the table for dinner, he is
flicking through his photography folder. In the shot when Rachel
walks away from him and goes back to the oven, there is no plate
at Aidan's placemat, yet it is there in every other shot before and
after. His drink also moves without him touching it.
Continuity: When Rachel is talking to Aidan at dinner, the position of her hair
changes a few times and then in one shot she pushes her hair
behind her right ear, yet in the next shot her hair is pushed behind
her left ear instead.
Factual error: The Daily Astorian office where Rachel works has the Columbia River in the background, however the real Daily Astorian office is located well off the waterfront.
Continuity: When Rachel is working in her office and Max comes in to talk to
her, during the scene the direction that the coffee mugs handle
faces (on Rachel's desk) keeps changing.
Visible crew/equipment: When Rachel pulls up to the crime scene where Jake was killed,
as she gets out of the car you can see a grid of set lights reflected
in the car window door.
Continuity: Rachel climbs into the ambulance so that she can witness Jake's
dead body. When she unzips the bodybag, his face is angled
toward her (laying to his left.) In the next shot his face is facing
straight up to the ceiling.
Continuity: When Rachel is trying to get Emily to speak to her at the police
station, near the end of her attempt the shots alternate from
closeups to wider views. In the closeups, Emily's hair is very
messy and tangled but in wider views it is much neater and
straightened.
Continuity: When Rachel is burning the videotape in the canister out in the
field, she throws the tape on the fire with all of the reel pulled out
and sitting on top of the case. In the next shot the reel is no
longer visible on top of the video.
Continuity: When Aidan is in the bathroom at the fair, he turns a faucet and
then he walks across and turns another. After turning the second
one, the faucet changes position from the wide view to the
closeup, evident by the ridges on it.
Audio problem: When the deer are all grunting at Rachel and Aidan, the whistle of an elk can be heard despite the fact there are no elk in the scene.
Continuity: When Rachel begins to brake her car after seeing the deer on the
road, as the shots keep changing the markings on the road also
keep changing. In overhead shots the markings are a single
broken yellow line, but in closeups of the wheels, the markings
are solid double yellow lines.
Continuity: When Rachel finds Aidan standing at his bedroom wall and the
image of a tree begins to burn in the wallpaper, she runs over and
tries to pull him away. As she does this, the globe sitting on the
desk beside them rotates itself between shots.
Continuity: When Rachel is talking to Aidan at her Daily Astorian office, when
she asks him if he knows why Samara is back, she puts her hand
on his face. In the very next shot it's down in her lap.
Continuity: When Rachel is tucking Aidan into the bed at Max's house she puts
a red blanket on him and then a brown blanket on top. Then
during the next shots the red blanket goes from slightly visible to
completely covered by the brown one and back again to being
slightly visible.
Continuity: As Rachel is trying to get Aidan to get in the bath at Max's house,
she removes the blue towel from him and throws it on the towel-
rack. Then during the rest of the bathroom scene, everytime we
see the blue towel in shot it is in a different position each time.
Continuity: During the scene where Rachel puts Aidan into the bathtub at Max's house, he is wearing very light white boxer underwear as he is being put into the water. A little while later when Rachel pulls Aidan out of the bathwater, he is suddenly wearing very dark blue/navy colored boxers. Although water would darken the color somewhat, this is far too dramatic a change to be natural. The lighter color couldn't have possibly darkened to that extent. They are two different pairs of boxers.
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