Continuity: Rachel prepares some peanut butter and jelly sandwiches, then brings them into the lounge. She then takes a bite out of it. Then, when she takes the second bite, then first bite she took has gone.
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When Rachel is talking to Dr. Temple, the name 'Dr. Kôji' is cited as someone who treated Rachel for PPD. This is an in-joke, because the author of the original book, Ring, as well as its sequels Spiral and Loop, is called Kôji Suzuki. See more...
The Ring Two (2005) - 38 mistakes
Directed by Hideo Nakata, starring David Dorfman, Elizabeth Perkins, Gary Cole, Kelly Stables, Naomi Watts, Simon Baker, Sissy Spacek (add more)
Continuity: When Rachel goes in to Max's bathroom, all the water falls down from the ceiling drenching everything, but then Max comes in, and takes a dry brown towel off the rail to wrap around Aidan. Also, the white towels behind them are bone dry too.
Audio problem: When the deer are all grunting at Rachel and Aidan, the whistle of an elk can be heard despite the fact there are no elk in the scene.
Visible crew/equipment: When Rachel starts to climb out of the well water onto the well wall, in the closeup of her left side as she lifts herself out of the water, a long white cord/wire hangs straight down her left side from her shirt to her pants.
Continuity: When Rachel has the dream of Aidan telling her to kill him, there is a shot where Rachel looks as if she is about to stroke his face, and the next shot her hand is not on Aidan.
Continuity: Near the beginning, Hayden is sitting at the desk in his room and his shirt collar is wide open. His neck shows, but that's it. A moment later, when he leaves his room, and comes into the Kitchen, he wears a light grey t-shirt under the other shirt.
Continuity: When Rachel takes her first bite from the peanut butter and jelly sandwich, in the wideshot she is chewing her bite. Then it cuts to the closeup of her, the food is suddenly gone from her mouth.
Continuity: When Rachel is in the basement looking through the book and sees the newspaper article, if you pause the film when the article appears close up, you can read some of the article. This article has nothing to do with the title and photo caption above it, about the young girl in the bathtub, it appears to be about something political. The filmmakers assumed the article would flash by too fast for the viewer to read.
Continuity: When Rachel falls down into the well, she has her arms up on the wall and on her right hand there appears to be a leaf or large insect or some kind. The shot changes several times, and the object keeps disappearing and reappearing.
Continuity: As Rachel is preparing the peanut butter and jelly sandwiches, she
places the knife on top of the open PB jar in a closeup, yet in the
very next shot the knife has disappeared, the reappears again.
Continuity: As Rachel is trying to get Aidan to get in the bath at Max's house,
she removes the blue towel from him and throws it on the towel-
rack. Then during the rest of the bathroom scene, everytime we
see the blue towel in shot it is in a different position each time.
Continuity: When Rachel is trying to get Emily to speak to her at the police
station, near the end of her attempt the shots alternate from
closeups to wider views. In the closeups, Emily's hair is very
messy and tangled but in wider views it is much neater and
straightened.
Continuity: After Rachel pulls Aidan out of the bath near the end (before she face Samara) as she tries to wake him up, in one shot she places her hand on his face and shouts his name. In the next shot her hand is now on his neck.
Continuity: When Rachel begins to brake her car after seeing the deer on the
road, as the shots keep changing the markings on the road also
keep changing. In overhead shots the markings are a single
broken yellow line, but in closeups of the wheels, the markings
are solid double yellow lines.
Visible crew/equipment: In the shot of Rachel driving up the street with Aidan just before
they arrive at their new house, the car breaks right in front of the
camera for a few seconds. In this shot you can clearly see the
camera reflected in the left corner of the car.
Continuity: When Rachel pulls up to the old Morgan house she parks her vehicle on the gravel drive, angled into some tall grass. Yet when she leaves the house with the book, the vehicle is now parked halfway on the main road and is no longer angled (but is now much straighter) and is not facing any tall grass.
Continuity: When Rachel is talking to Aidan at dinner, the position of her hair
changes a few times and then in one shot she pushes her hair
behind her right ear, yet in the next shot her hair is pushed behind
her left ear instead.
Visible crew/equipment: When Rachel pulls up to the crime scene where Jake was killed,
as she gets out of the car you can see a grid of set lights reflected
in the car window door.
Continuity: Rachel climbs into the ambulance so that she can witness Jake's
dead body. When she unzips the bodybag, his face is angled
toward her (laying to his left.) In the next shot his face is facing
straight up to the ceiling.
Continuity: When Rachel is working in her office and Max comes in to talk to
her, during the scene the direction that the coffee mugs handle
faces (on Rachel's desk) keeps changing.
You may also like: The Ring | Constantine | Commando | Gone in 60 Seconds | The Rock
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