Other: When Sarah Michelle Gellar is on the bus with her boyfriend, she sees Kayako face looking at her in the window reflection and panics. When she looks back at the window she sees the normal reflection of her face. Trouble is, her reflection is turning her head and looking side to side, whilst Gellar herself is looking straight and not moving her head at all.
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The director of this movie (Toby Wilkins) used the same Japanese girl in almost all of his films, like The Grudge, The Ring, and Shutter. See more...
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Continuity: When Karen goes into the cupboard upstairs, prior to meeting Toshio, she picks up a book. In one shot she picks it up by the page side, then when it cuts she is holding the spine side.
Visible crew/equipment: When Susan enters the building's stairwell, in the overhead shot you can see the reflection of the crew or equipment on the banister. It can't be Susan's reflection because she is relatively still, yet the reflection is moving and it is above where she could cast a reflection.
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