Face/Off (1997) - 77 mistakes

Continuity: When Sean and Tito first drive the Hummer onto the runway, the jet is a mere short distance away, coming towards them. In the following shots, the distance between the Hummer and the jet has increased tremendously, for the ensuing drama to unfold.

Continuity: After Castor Troy is told they are being followed on the runway, there is a close-up of Sean Archer and Tito in the Hummer and the rear view mirror is gone. It is back in all the other shots.

Visible crew/equipment: On the runway, two shots after Castor Troy says, “This is a big gun. Fly the f*ing plane,” there is a side shot of the Hummer. As the camera pans in closer, the reflection of a crew member on the filming vehicle, which moves beside the Hummer, becomes visible at the Hummer’s back end, just before it cuts away.

Continuity: When Castor Troy opens the jet door, the wall behind the cockpit differs when he pushes Agent Winters onto the runway, and the rest of the shots.

Visible crew/equipment: When Sean gets into the chopper and takes off, next shot is of the chopper flying towards the camera and it is not Travolta flying it - the chopper pilot wears head gear and a mic.

Continuity: After the jet crashes into the hangar, Sean Archer runs up the back end of a police cruiser, whose three blue flashing lights are completely shattered. In the next shot facing him, when he reaches the car’s roof, two of the blue lights have repaired themselves.

Continuity: At the airport hangar, after Castor reloads, in the close-up Sean is kneeling beside a crate with a large black/white SCI air freight sticker. In the overhead shot, when Castor Troy aims the gun at Sean, the sticker is gone. Debris also disappears.

Continuity: At the hangar, when Castor Troy is blown backwards in the turbo tunnel he hits the wire gate, and the metal bar, about 3-4 ft long, breaks off and begins to fall with him. Next shot, he lands on the floor, but the long bar does not. It just disappears.

Continuity: At the airport hangar, when Castor hits the wire gate in the turbo chamber, the top of his head is well below the metal bar. But, when the emergency shut-off is pressed, his unconscious body has sat itself up, because now the bar is at shoulder level.

Visible crew/equipment: After Castor is captured at the airport hangar, when Sean pulls into his driveway the crew is reflected on the vehicle’s surface.

Continuity: At the office, when Sean is given the bottle of wine for a job well done, the way the bottle is held, first by the assistant and then by Sean, differs between shots.

Continuity: On his own computer, Sean looks up his son’s file, which states the boy died immediately and his date of death was September 9th, 1991. When Eve and Castor (as Sean Archer) are at the cemetery, the date of death on the headstone is September 24th, 1991.

Continuity: After Sean looks up his son’s file on the computer, and types “case closed” on Castor’s file, he rubs his head with his right hand in the close-up, but next shot he is rubbing his head with his left hand.

Visible crew/equipment: When Sean first visits the Walsh Institute, he, Dr. Miller and Dr. Walsh walk in front of the circular glass window to view the ear reconstruction. In the next shot facing them, the reflection of a boom operator holding the boom pole is visible on the glass in front of Dr. Miller and Sean.

Continuity: At their home, when Sean tells Eve that he has one last assignment we see his scar. At the Walsh Institute, before the surgery, there is another close-up of the scar, but it differs from the previous shot.

Visible crew/equipment: When Sean sees himself for the first time as Castor Troy, he takes the coat rack and slams it into the tri-fold mirror. The right side mirror is knocked back, and both the cameraman and camera are briefly visible in the reflection.

Continuity: After the surgery, when Sean (as Castor Troy) breaks the center mirror of the tri-fold mirror, what remains are the two side mirrors and white backing within the center frame. When Tito grabs him as he starts cursing, in these close-ups the reflections seen are as if all three sides are still intact.

Continuity: When Troy (as Archer) arrives home for the first time, he's walking around his wife. When he says her name, his right hand is held up. From a different angle as he moves to her right, his hands are by his side.

Continuity: When John Travolta's daughter slams her bedroom door in his face, from one shot it nearly closes, but in another shot he blocks it when it's still got a long way to go.

Continuity: When Troy (as Travolta) is about to defuse the bomb, watch the timer, it goes down too slowly for the time elapsed. It shows 1:14 and 28 seconds later it only shows 1:04, not 0:46 as it should.