Continuity: When Rico stops at the farmhouse while taking Napoleon to get his prom date, watch the passenger-side outside mirror on the van. While driving, it is positioned at a normal angle to see straight back from the driver's vantage point. When Rico gets out at the farmhouse, the mirror has been turned substantially and now sticks straight out.

Continuity: When Uncle Rico tells Napoleon about the sale in Bemida the jar/ glass of milk was not lifted up before the shot of Rico putting it down. It doesn't seem like he had picked up the jar before then because we can see it in Napoleon's shots.

Continuity: During the opening scene on the school bus, they drive past a neighbor's barn as soon as they pull away from Napoleon's house. There was no gap in time because the dialogue is continuous, yet later when Napoleon walks out his front door to feed Tina, the closest neighbor in that direction is far off in the distance.

Continuity: When Napoleon and Pedro are sitting on the bleachers, between shots they move closer and then further apart from each other.

Continuity: In the scene where Napoleon, Kip, and Grandma are all talking in the kitchen, notice the bag of Tostitos next to the refrigerator. In the close-up shot of Napoleon, the bag's front is facing to where it can be read. Moments later, in the camera view from Kip's perspective, that same bag of chips is now backwards. Then in the next close-up shot of Napoleon, the front of the bag is facing forward again.

Continuity: In the scene where Kip goes to the bus station to meet LaFawnduh for the first time, you see LaFawhduh getting off the bus. But it is obvious that she is not the last person to be getting off the bus. As she's standing in the doorway of the vehicle, there is somebody standing directly behind her who's wearing a white shirt. The scene quickly changes to Kip & then back to LaFawnduh, but now there is no one standing behind her - and you are now able to see the bus driver seated there.

Continuity: When Kipp places the bowl by the tire, the tire is to the left of the bowl with the curb behind it. When a full shot of the van is shown, the view is now opposite with the curb in front of the bowl, but the tire is still to the left.

Continuity: In the scene where class president candidates present their program and perform some skit, there are several shots at students sitting in auditorium. Keep your eye on Deb. She sits in third row on the left side, but in the first and second shot she isn't there. Then she appears, disappears and finally reappears and changes her position by one seat.

Visible crew/equipment: In the scene where Napoleon is talking to Deb on the porch, when Napoleon says, "I made about infinity of those at scout camp," he looks off to the side a bit and you can see crewmembers and a reflector screen standing on the lawn reflected in Napoleon's glasses.

Continuity: In the scene where Napoleon tells Uncle Rico to leave, Uncle Rico is throwing footballs in front of the video camera. There are three footballs; two on the ground and one in his hand, yet he throws four.

Continuity: At the very end, when Napoleon asks Deb if she wants to play tetherball, the sprinkler system behind her disappears.

Continuity: After Pedro puts the cake down it moves closer to Summer's door and slides across her doorstep. The envelope under it also disappears and reappears.

Continuity: At the end of the movie when Napoleon is dancing for Pedro's campaign, you can see his boots have mud on them sometimes and sometimes they're clean.

Continuity: When Kip and Uncle Rico are first shown talking in the restaurant, the little brown cups by his cup are sometimes next to it and sometimes behind it.

Continuity: When Napoleon asks Don for a "Vote for Summer" button, there is a boy in a checkered blue shirt that walks by Don and off the screen. Then when Don hands Napoleon the button, the same boy is back, but now he is walking by Napoleon.

Continuity: When Uncle Rico is eating steak in the kitchen, the roll of paper towels changes before he takes one for a napkin.

Continuity: When Napoleon asks the woman if he can use her phone, the position of the phone's cord changes between shots.

Continuity: When Grandma is motorcycling at the dunes, the lines in the sand change dramatically between shots.

Continuity: When Napoleon shows Pedro the picture of his "old girlfriend", the position of his fingers on the picture changes between shots.

Continuity: When Uncle Rico gives the "Bust Must" demonstration to Starla, he picks up two pots. The bottom of the pot in his left hand is nice and silver, and the one in his right hand is slightly brown, as if it had been burned. In the next shot, the silver one is in his right hand, and the brown one is in his left hand.