Continuity: Towards the end of the film, Mattie hands Jenna the dream house he made for her 13th birthday. There is hardly any "wishing dust" on the roof, and he even explains to her that she threw it at him which might make most of the dust come off. However, when she goes outside and sits on her front porch, there is plenty of wishing dust all over the roof of the toy house now.
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Wrong places at the wrong times - the man who is hit by Jenna's thrown shrimp tail early in the party is the same one whose drink receives her dropped pina colado fruit. See more...
13 Going On 30 (2004) - 39 mistakes
Directed by Gary Winick, starring Andy Serkis, Jennifer Garner (add more)
Continuity: In her apartment Jenna walks out into the hallway, looks at herself in the mirror and stumbles backwards over the shelf behind her. There is a short stack of magazines on that shelf, yet when Jenna looks at herself in the mirror the stack of magazines is at least three times as high in the reflection.
Continuity: When the six girls arrive for the party, in the first shot Tom-Tom tosses her blue jacket, then the second girl lays her red jacket and the third girl starts to put her pink jacket into Jenna's arms. Yet, at the start of the next shot facing Jenna, she holds only the blue jacket, since the red jacket is gone, the pink jacket is placed in Jenna's arms on top of the blue jacket and then the red jacket is thrown into her arms from off camera, before the rest of the girls dump their jackets into her arms. Then in Jenna's close-up, the jackets are positioned very differently in her arms.
Continuity: When Jenna first walks around after turning 30, the camera pans around the apartment and we get a good view of the small glass table in the lounge, and there is a remote control next to a magazine. When Jenna goes and sits on the yellow chair though, the remote is now on the magazine. Later when Jenna is throwing her letters, the remote has moved to its original place.
Continuity: When Jenna first sees herself in the mirror as 30 she falls over the side and then looks over it into the mirror. In a shot facing her, only her left arm is on the side. Then in the next behind shot now both her arms are on the side. When it cuts back to the previous angle only her left arm is on the side again.
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