Other: In the scene where Lloyd is in the bar and he has just said "everything has to be perfect", he gives a big sigh and the camera is facing his front. Then the camera is facing the barman and he gives the same sigh. You can see from how his face changes from smiling to a frown.

Continuity: In the shot early in the movie when Lloyd gets his wallet trapped in the newspaper machine it shows his wallet, however in the very next shot you can see that his wallet is not there.

Continuity: Right before the officer on the bike calls Lloyd a "pumpkin-pie-haircut freak", Lloyd is sitting back, straight faced, then after the officer says it Lloyd is leaning forward smiling.

Continuity: When Lloyd drops Mary off at the airport, the interior of the car is different once Lloyd gets back in.

Revealing: In the scene where Harry and Lloyd are reading the newspaper about the International Preservation Society, the exact same paragraphs are repeated many times throughout the paper.

Continuity: When Lloyd is robbed by the old lady, it is night but when he gets back to the apartment, it is daytime.

Revealing: In the dream sequence where Jim Carrey is being beaten backwards by the chef, there is a shot of Mary as she watches. As they move past, watch her hand and eyes move down to the table; I think she knocked her glass or something on the table and was trying to correct it. Whatever it was, she momentarily loses complete interest in the fight in front of her.

Continuity: In the scene where Lloyd is making drinks for him and Harry, there is a half full bottle with something that looks like whisky in it. Then the cameras changes angle to Harry for 2 seconds, and then again back to Lloyd, but suddenly there isn't half as much "whisky" in the bottle as before. It is impossible that Lloyd could have poured so much "whisky" into the glasses in only 2 seconds.

Continuity: When Lloyd is peeing in the beer bottles, he hands them to Harry... it shows him holding the bottles... next shot, he isn't holding them, and the shot after that, he is holding them again.

Revealing: In the scene where Lloyd and Mary are going to the airport, you can see a white van out the rear window. The driver is turning the steering wheel, but he keeps going straight.

Continuity: Right after Lloyd runs into the jetway at the airport, the guy who witnesses his fall moves to the window to watch. He is grinning from ear to ear in his reflection, but immediately has a 'that had to hurt' look in the next shot.

Continuity: In the scene of the ski-lodge of the Swanson's, you can see snow on the rail of the balcony, but the mountains in the background are completely snowless.

Continuity: Right before Harry is telling Lloyd that he doesn't bet, they show an aerial shot of the van near a pond and a bridge, showing that they had already made it past this point. But then when Joe pretends to be a hitchhiker, he's in the same spot where the aerial shot was shown. Joe is being picked up by Harry and Lloyd at a place they have already passed.

Revealing: When Jim Carrey slides in the airport to pick up the briefcase, he stops at a strip of red tape which marks the place where he should stand up.

Continuity: After Mary removes Harry's tongue from the pole her ski out fit is blue when before that it was black.

Continuity: When the door to Harry and Loyd's apartment is shown from the inside of the apartment, it has an unpainted plywood patch over a missing panel. But when Mental and Shay are reading the "gas man" note, which was pinned to the outside of the same door, It has no panels missing.

Continuity: When Mary and Harry are talking about the "Bull-Shit" there is a shot of Mary close up where she is laughing and smiling. Look behind her and you will see a woman in a black and gold glittery dress walk past. Then when the shot changes to both Mary and Harry together the woman is instantly 3 or 4 feet in front of where she was and seems to be engaged in a conversation with someone else already - instantly.

Continuity: In the scene when Harry stops and says to Lloyd,"look at the butt on that", there is a man with a blue coat that walks behind them into a store. When Harry and Lloyd turn around to keep walking, you can see the blue coat man entering the store once again. You may have to freeze frame it to see the man the second time.

Continuity: When Harry, Joe, and Lloyd are at Dante's restaurant, notice the position of the brown pitcher sitting on the counter. It's almost in between Harry and Joe. When Joe moves the hot peppers, after Harry and Lloyd start gagging, the brown pitcher magically moves closer to the peppers.

Continuity: When Lloyd and Harry are in the restaurant notice Lloyd's fork. In the side shot there is no fork, but when it changes to a front shot the fork appears. This happens several times throughout the scene.