Revealing: When John says, "You offend reason sir," Peter floats up. The large light fixture is hanging from the ceiling. However, in the next shot facing Peter when he says, "Just think happy thoughts," where is the light fixture? It's gone so Peter can fly around the ceiling, but it's back again in later shots.

Continuity: Unable to make his shadow stick Peter is upset and when Wendy surprises him he zooms up to the ceiling and bangs his head. In this shot the light fixture hangs flush with the ceiling under a decorative medallion around the base. Later, when Peter floats to the ceiling after John says, "You offend reason sir" the fixture now hangs way down on a very long chain.

Revealing: Aboard the Jolly Roger, in the very next shot after Smee jumps overboard, Peter twirls his sword in mid-air and catches the hilt. This is not the same sword he uses in the previous or following shots. This sword doesn't have the gold hand guard, so as to be able to catch it easily. The hilt on Peter's sword is in the shape of a leaf and the hand guard is the leaf stem.

Revealing: At the bank there is a close-up of Mr. Darling with Sir Edward Quiller Couch standing behind him to his right, just as Nana, et al. are about to collide with the bankers. The camera pans in for the extreme close-up of Mr. Darling, who makes a horrified face. Later, when the Darlings are at the party Nana bursts in. Sir Edward again stands to Mr. Darling's right. Mr. Darling puts his hands up in front of himself and the next close-up shot is the very same shot from the bank. Part of Sir Edward's hair is edited and the background is digitally augmented.

Continuity: In the scene right after Pan has fallen, the same pirate grabs Wendy twice, once right after Hook takes Pan by the throat and once after he hits Pan on the head with his hook.

Deliberate "mistake": The window in the nursery changes dramatically in these shots. After Peter says, "We can't both have her lady," he shuts the window from the outside and the bottom pane is placed on the OUTSIDE of the top stained glass pane. This is obviously done specifically for this shot so Peter would be able to shut the window and try to keep the Darlings from opening it. However, in the next shot as the Darlings succeed in opening the 'stuck' window, the bottom pane is on the INSIDE of the top stained glass pane.

Continuity: Tinker Bell comes in through the window, zips around the nursery and flies to the bookcase, knocking the two statue bookends and all of the books in between onto the floor leaving an empty shelf. Yet moments later Peter enters the nursery, follows Tink towards the hallway, passes the bookcase on the way and now there are other books on the top shelf.

Continuity: When Hook is telling Pan of Wendy leaving they look down at Wendy fighting with one hand on her hip and one holding the handle of the sword, the next shot in slow motion she is holding the handle with both hands.

Continuity: After Wendy says, "I should like to give you a kiss," and proceeds to give Peter the thimble, it is only now that Peter's 'kiss' for Wendy is on the garment he is wearing. It is not on his garment in all the previous shots of Peter.

Deliberate "mistake": Wendy gets a needle and thread, then shows Peter the needle. As she says, "This may hurt a little," she shows the sharp needle to him. When she does the light in the room becomes brighter at this point (not a deliberate pun) as compared to the dimly lit nursery until this moment. It stays brightly lit until they leave for Neverland.

Revealing: Coming back to look for his shadow, Peter flies into the nursery window and he steps onto the wood floor. In this close-up Peter moves his left foot and as he does Jeremy Sumpter's real shadow is seen under his foot. His shadow is also seen when he is in the hallway then motions for Tink to be quiet, his arm shadow moves across his chest.

Continuity: When Wendy awakens, she opens the door to find the Lost Boys standing there looking 'lovable'. The shots from the interior shows Wendy's hand on the door with her arm outstretched while she remains inside. Yet in the exterior shots she is standing outside the door frame.

Visible crew/equipment: Aboard the Jolly Roger after Smee jumps overboard, Peter flies up to catch his sword and a pirate who yells, "I got him!" grabs hold of Peter's ankle. When Peter flies off in the wide shot, as the pirate holds his leg, he passes the mast and not only are the four wires attached to Peter's backside pleasingly visible while he flies, the two wires at the pirate's shoulders are visible as well.

Continuity: When Wendy, John and Michael return home, in the wide shot as they look around the two swords in the toy chest, at the foot of Michael's bed, are visible. When they go to their beds Wendy places her Neverland sword into the toy chest, but the two originals' positions differ - the boys' Neverland swords are visible on their beds. When Aunt Millicent walks in with the Lost Boys, as the Darlings hug, the toy chest is visible and the swords are gone.

Deliberate "mistake": John yells, "I've got it! I've got it!" jumps onto his bed and we see the length of John's one blanket, mattress and bed frame near the other furniture. In the next two shots as John runs across his bed, the blanket at the foot of the bed is not only pulled all the way out, using what hung over the foot of the mattress in the previous shot, but another blanket is added for extra length. Most blatantly apparent is the span of this mattress and bed frame, to increase the running distance, in relation to the furniture around it.

Continuity: After Wendy admits to being Red Handed Jill, Peter walks towards her and begins to overwhelm Wendy with his blade and knocks her sword out of her hand. In the first couple of shots facing John, Michael and Lost Boys, they are positioned a certain way. Yet when Peter's blade is at Wendy's throat the boys are positioned very differently.

Continuity: While duelling on the Jolly Roger, Wendy and John back up into each other, turn their heads to look at one another and scream face to face. In the next shot Peter flies towards Hook and in the background on deck below, Wendy and John are standing apart and facing the same way. Then in the next shot they are still back to back while screaming face to face.