Continuity: When The Bride is slashed on the upper back by O-Ren in their fight scene she collapses and lands on her back in the snow. After she gets up and the fight continues, there is no blood spot on the snow where she was lying.

Revealing: When Gogo is fighting the bride, misses and hits herself with the mace, as she falls backwards onto the table, you can see the stunt double's hairy legs.

Revealing: When the swordmaker writes "Bill" on the window, take a close look. The window has been wiped before (as happens at the end of the scene) and "re-steamed" - you can see the outlines of the wiping from earlier takes, with a clear contrast between that pane and the others. Submitted by Jon Sandys

Continuity: When Vernita Green takes her daughter's picture from the notice board in the kitchen she holds it at the top left corner when the camera is behind her. The shot changes to in front of her and she holds it by the bottom left corner, the shot moves behind her again and she holds it by the top left corner.

Continuity: When "The Bride" is first in Okinawa and talking in the bar to the sword maker, look at his headband. The black and white stripes change from shot to shot, obviously showing how each time the material was twisted by the costumier before shooting. Submitted by mandy gasson

Continuity: When O-Ren falls dead in the snow, only the snow by her feet is pushed up. In the next overhead shot there are big footprints/marks in the snow near her legs, and her samurai sword has also moved. Submitted by Hamster

Continuity: When O-Ren chops off boss Tanaka's head, the head falls in front of Sophie and another member. Then, when O-Ren finishes her speech, she holds up Tanaka's head. This can not be possible, because she has not moved from where she was standing during the speech.

Continuity: When Hatori Hanzo is talking to the bride, he calls for his assistant several times. At one point, he gets really mad and throws his knife unto the magnetic strips on the wall behind him and sticks on almost vertically. In the next few shots, the knife is positioned in different angles.

Continuity: When The Bride and Vernita are chatting in the kitchen after their knife fight, the sweat on The Bride's shirt changes. It is a small portion at the neckline of the shirt to covering most of the front of the shirt, to back to a smaller portion.

Continuity: After cutting off Boss Tanaka's head, O-Ren whips some of the blood on her sword onto another boss' face. He jerks his head back with specks of blood on his face, but just a split second later in a different shot his head is still and there is no blood at all.

Continuity: The table that Gogo falls on after hitting herself with the mace gets splintered into pieces, with debris underneath and all around where she lies on her back, especially in the area below her feet. Yet in the next shot when the Bride jumps down to resume her attack from above, there is no sign of the debris on the floor.

Revealing: When the Bride is fighting the General of the Crazy 88's he slashes at her lower torso and scores a hit, but the slash on the Bride's jacket is already there before he strikes (it is not there in the previous scenes and when he slashes it makes the sound of him cutting the material).

Continuity: In the scene where Vernita and The Bride are talking in the kitchen and Vernita shoots The Bride from the cereal box, you can see the bullet hole in the back wall of the kitchen, but then a little later that part of the wall doesn't have any bullet holes. Also, not only is the bullet hole not where you see it hit in the first place, it's on the other side of the bride's head, along with the splatter from the cereal box.

Factual error: When we see the closeup of the gun when Bill shoots "The Bride" it is obvious that it is a normal gun with rifling in the barrel, we even see the end of the grooves when the bullet comes straight out of the gun at the camera, but the bullet does not spin.

Continuity: When we see the Bride in the "House of Blue Leaves", her hair is considerably longer than when it was while she was walking through the Tokyo airport. Since we see from time to time in the movie, the notations "one month later," or "4 years later," and there was nothing like that in the sequence, it seems that the Brides' hair grew at least 4 inches from the time she left the airport until the time she gets to the restaurant.

Continuity: As The Bride writes her "Death List Five" on the plane, the handwriting of everything greatly changes between shots. Submitted by Hamster

Revealing: In the scene where The Bride is calling out O-Ren, Sofie Fatale has her arm on the building's beam. If you look at her arm, right where The Bride is about to cut, there is a visible seam in the sleeve.

Continuity: During the fight at Venita's house, she overturns a large shelving unit onto the Bride. A shot from the floor (behind the Bride's head) shows nothing on the floor to the right. As the shelving begins to fall, a basket of magazines suddenly appears and the left edge of the unit is seen falling to the outside of the basket. A moment later Venita bolts for the kitchen and the shot cuts back to the Bride. The basket is now outside the edge of the unit (and some of the shelves themselves have disappeared as well).

Continuity: During O-Ren's speech the blood on her forehead changes between shots. Submitted by Jacob La Cour

Continuity: O-Ren shot the dart from where she was sitting in the private dining room at the restaurant. Since we see the dart travelling in a straight line past the kneeling Bride's face, the dart somehow manages to stop at eye level when Go-Go retrieves it.