Will Turner: He roped a couple of sea turtles? What did he use for rope?
Jack Sparrow: Human hair. From my back.
Jack's pistol is the only authentic 18th century pistol in the movie. Director Gore Verbinski requested it especially because of the importance of the prop. The rest are made by a propmaster. See more...
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Pirates of the Caribbean: The Curse of the Black Pearl (2003) - 129 continuity errors
Aboard the Pearl, in the close-up of Elizabeth hiding the dinner knife in the napkin, the base of the decorative embossed silver knife handle (area of bolster, where the blade meets the handle) is flat all the way around. However, oddly enough, when she stabs Barbossa moments later, in the close-up of the knife protruding from Barbossa's chest there are two wide ridges circling the base - obviously a different knife.
When Jack sails toward Port Royal, he passes the skeletal remains of hanged pirates, to whom he pays a respectful bow. First, there are two wideshots of the skeletons, then in the close-up they are actually wearing more clothing, particularly the strapping middle guy, whose head position differs, and his straw hat is larger as well.
When Barbossa takes the sword out of his own chest, he then stabs Jack with that sword, and he stabs Jack right under the strap and buckle. As Jack walks backwards, into the moonlight, the skeletal Jack appears and now he has the sword over the strap and buckle, in his chest. The length of the sword between the guard and his chest differs greatly, as does the amount of sword that protrudes from his back.
When Jack jumps down from the mast yard arm on the Jolly Mon to bail water, in the far wide shot, the mast pennant lies still, yet blows wildly in the previous shots and the bottom left of the sail is caught up on line from the rigging, but in the following shots, it's not. Also, in the wide shot he starts to walk to the middle of the boat, and he puts his arms out as he's starting to pass to the right of the mast. In the next close-up of Jack, he's passing the mast on the other side.
When Elizabeth walks the Black Pearl's gangplank, we see that it is long and out of swords' reach. When it is Jack's turn to jump, the crew is up on him (with swords) because Jack is at the start of the plank. Barbossa then throws the gun into the water. Then, when Jack takes off after it, his dive is taken from the end of the plank without having moved there.
At the beginning, when young Elizabeth is holding the medallion and spots the Black Pearl, we can see part of the medallion's back. It's an Aztec design, not a skull. At Elizabeth's blood ritual, when the medallion is dropped into the chest and spins over itself, both sides of the medallion are the same Aztec skull.
A bit after Jack says, "You need to find yourself a girl mate," Jack tosses a mallet at Will. As Will ducks, in this shot the hose on both legs are rolled down to his ankles. Yet just after Jack says, "Or perhaps the reason you practice 3 hours a day...You're not a eunuch are you?" Will's hose are obviously pulled up properly. Orlando Bloom wore the hose rolled down during much of the shoot, when it was supposedly not visible onscreen. (This is ONLY visible on the video version.)
Will's facial hair darkens quite a bit in the time it takes him to walk from Elizabeth's house to his blacksmith shop. (The sword scene in the Governor's mansion was the first scene that was filmed with Orlando. His facial hair was not fully grown in because he had just arrived on set. On commentary.)
At Isla de Muerta, when Will's hands are bound, Jack tosses Will the sword. In the two shots facing Will, first as he catches it then as he pushes the bald pirate, Will's hose are rolled down, whereas in the previous and following shots his hose are on properly. Orlando Bloom preferred to have the hose down during much of the shoot, when it was supposedly not visible onscreen. (This is ONLY visible on VHS.)
Aboard the Pearl, after Elizabeth begins to eat the turkey leg, in the shot facing Barbossa as he pours her wine, there is a hunk of bread with a bite taken out of it on Elizabeth's plate which wasn't in the previous shots. Problem is that it's not until three shots later that Elizabeth actually takes bread from the platter and bites into it, before dropping it. (This is ONLY visible on VHS.)
At Port Royal, Jack attempts to escape by holding Elizabeth hostage. After she puts his hat on in the first shot, while their bodies are extremely close, her right arm reaches under his left arm to go around his back in order to put the strap with the buckle on. Yet, in the next close-up, they haven't moved but now her right arm is over his left shoulder. Quite impossible between shots.
Will walks through the crowd at the hanging and stands in front of the scaffolding looking at Jack, as the official reads the list of Jack's crimes. The rope wound around the beam is wound differently here than in the close-up shots. The rope that leads up to the noose is in front of the beam. In the next semi close-up of Jack, when he smiles at the hangman, the rope that leads to the noose is now on the opposite side of the beam.
Aboard the Black Pearl, Pintel and Ragetti load the cannon with the chain-link cannonballs. As the cannon fires, in this shot from outside the port hole, the rungs of the steps on the side of the ship are to the right of the port hole. This shot has been flipped. The rungs are really to the left of the port hole, as seen when they load the cannonballs into the cannon and other shots throughout the movie.
Cannon fire breaks a hole in the jail wall and inside the cell, the last pirate says, "You've no manner of luck at all," In the next shot from outside, escaping through the hole the pirate takes a huge leap forward and out to the right. After a close-up pan of Jack, in the next outside wide shot, that same pirate is still right beside the hole in the wall and is just starting to climb down the rocks below the hole.
Jack asks, "Where's dear William?" and Elizabeth runs over to the hatch that Will is trapped under. Tied to the hatch is a rope attached between two holes and lying on top is a piece of the broken mast and sail with more rope. In the wide shot of Elizabeth running towards the hatch and the following close-up, the ropes and twisted sail are either lying or tied differently on the hatch in both shots. This has nothing to do with the angle of the shot.