Visible crew/equipment: After Barbossa is shot by Jack, Barbossa pulls apart his jacket to reveal the wound. In this close-up, behind Barbossa to his left, the blue cloth/mat is visible at the bottom of the screen lying on the treasure pile. It was obviously not there in the previous shots. (Though this is visible on the DVD, a better view is on the video.)

Continuity: After Elizabeth whacks Jacoby and tells him to try wearing a corset, she helps Will to his feet. In the close-up of Will smiling and looking at her, his hair is noticeably wet and very stringy. However when Elizabeth asks, "Whose side is Jack on?" Will's hair is no longer wet.

Continuity: Jack removes Anamaria's hat, in the front shot her hair falls down, and in the next back shot, her hair falls again. Also, the striped scarf around her forehead changes in the arrangement of the stripes in different shots. In the front shots the yellow stripe is on top, but in the side shots the grey stripe is on top.

Continuity: At Jack's hanging, as the official says, "Impersonating an officer in the Spanish Royal Navy," in this far shot, we see the scaffolding and the Marines walking on wall behind. In the next shot, he says, "Impersonating a cleric of the church of England," and we still see the Marines. Then in the next shot, a close-up of Jack, we also see the Marines. These are successive shots, yet the Marines are NOT in positions of continuous walking.

Continuity: As Will duels with the hangman he knocks Will's sword out of his hand. In that shot, Will is standing in front of Jack near the lever and the camera pans down as the sword hits the floor. Will doesn't move and in the next shot, Will is now standing to Jack's immediate left near the rope. This was either cut from a longer shot or set up in the second shot deliberately. This has nothing to do with the angle of the camera.

Continuity: At Jack's hanging, Will draws his sword and shouts, "Move!" The next shot is of the crowd in front of him parting and there is a clear view of the hanging scaffolding. Then in Will's next shot, we see the same crowd from the front, parting again as Will throws the sword into the falling trap door.

Continuity: Aboard Interceptor, Will and Elizabeth are below deck, and seen on the table are candles on a plate. The three candles and the melted wax on the plate to the right of Will's elbow, differ in the opening shot, when Will says, "Here let me," and when he has the medallion and slams it down onto the table. The candles do not melt so quickly, while they have this very short conversation.

Revealing: When Will opens the door to the blacksmith shop, behind him to his right is the sign for the silversmith across the courtyard. When the Royal Navy bursts in to capture Jack, behind the men is the same sign for the silversmith. The wall and silversmith sign in both of these background composites differ with each other in position, angle and dimension in relation to the door and the people standing in the doorway in both shots. This has nothing to do with the camera angle of the two shots.

Continuity: Aboard Dauntless, Governor Swann is talking to Elizabeth through the closed doors. As he says, "I couldn't be more proud of you," the table is shown being right next to the dresser and the table is devoid of any rolled papers. When Governor Swann is battling with the skeletal hand, Not only does the table have rolled white paper on it now, there are two large trunks, between the table and dresser now, and more rolled paper.

Continuity: When Will first sees the hammer it's lying on top of the anvil almost parallel with it. Right before Jack says, "You know what you're doing, I'll give you that," as Will sticks his sword towards Jack's legs, the hammer's seen to Jack's right, perpendicular to the anvil. In the next shot, when Jack actually says those words, the hammer's lying parallel to the anvil again. Jack says, "If I step here," and the hammer's perpendicular to the anvil again. Then in the next few shots, once again the hammer's parallel to the anvil. Even in the 'parallel' shots, the hammer's lying a bit differently.

Continuity: When Jack holds the chain to Elizabeth's neck, when he flees, while he is flying through the air, when he throws the chain over the rope, as he slides down and then runs away, the shackles go from being over the sleeves to being on his bare wrists with his sleeves pulled up, then back over the sleeves again repeatedly. Then when Jack approaches drunk Mr. Brown, the shackle is on his bare wrist as seen from the front of Jack, but in the shot from his side, the shackle is over the sleeve. This continues throughout this entire scene; Jack's left sleeve goes from under the shackle to rolled up to his elbow then back under the shackle.

Continuity: When Pintel and Ragetti go after Elizabeth in her home she knocks Pintel out cold and drops hot coals from the bed warmer on top of Ragetti's head. In the close-up as Ragetti yells, "No! No! It's hot!" he holds the flaming torch in his left hand. However, in the next shot as Pintel yells, "Come on!" the torch is gone, it is in neither of Ragetti's hands and of course when he leaps over the banister he has the torch again.

Factual error: Sir Charles Wheatstone, an English physicist (b.1802 - d.1875), invented the 'concertina' around the mid 1800's. The 'concertina' is a small musical instrument like an accordion, with bellows and keys. During the Moonlight Serenade scene, when Elizabeth walks out onto the deck, she sees the skeletal pirates for the first time, and Jacoby is seen playing the 'concertina', but it was not invented yet.

Revealing: At the dock in Port Royal, in the close-up as Jack makes his escape from the Marines, he is standing on the beam as he throws his shackle chain over the rope. The ledge to his left, just under the rope, has a metal support that is flush with the wood's edge. In the next wide shot as Jack starts his descent down the rope, the ledge and its metal support are not the same as in the close-up, they are obviously very different.

Revealing: Before Interceptor's explosion, in the close-up it's very apparent that it's not the real Interceptor. Some examples are, no rigging at the stern-most mast, at the railing there are no belaying pins with or without all the lines hanging from them, there are no cleats with or without lines and at least two of the swiveling mounts at the stern for the swivel cannons aren't there.

Revealing: In the close-up of Jack as he swims to get his gun, etc, his left sleeve is pushed up and it's very obvious that he's wearing something with short sleeves under his white shirt. This isn't part of his white shirt. He has nothing on under his white shirt at any other time. (The underwater close-up of Depp was filmed in a tank at Long Beach along with the close-ups rescuing Elizabeth earlier.)

Continuity: Before Jack says, "Ta," there's a close-up of their feet and there's a 2x4 edge on the cart. Later, Jack tosses the mallet at Will, who ducks down, the cart's seen and there are two strips of wood as the edge. When Jack flips a plank, it smacks Will in the face, he falls and that end of cart's seen and now there's no finished edge. When the barrels fall on the edge of the cart, we see the 2x4 edge again. In many shots throughout the scene the edge changes. Also, in a couple of shots the edge has a cut out in the corner, for the wire they used. (The wire can be seen on Disc 2.)

Revealing: During the sword fight in the blacksmith's shop, Will pulls a blade out of the fire. While fighting Jack, the heated blade sparks when their two swords clash. When Will blocks a hit from Jack, the impact is far BELOW the red/orange hot section of Will's sword, yet it sparks right at that spot. It also makes a kind of sound like electricity crackling. A heated blade would not make this noise, nor would it send out embers or sparks where it is not heated. Only the tip is heated, however the whole blade has an electrical current running through it, mentioned in another mistake.

Revealing: The clasp closure on the medallion's chain is NOT the sort that just comes apart when yanked on, evident in the many close-ups of the clasp throughout the film. Yet there are a number of scenes in which the chain is just pulled and it comes off easily: Elizabeth pulls it off aboard the Pearl, to barter with; Barbossa pulls it off, during her blood ritual; Elizabeth pulls it off to give to Will, aboard the Interceptor... The chain was secured to her neck with sellotape, in order for it to come off quickly for the shots.

Continuity: As Jack bids farewell, in his extreme close-ups, when he says, "Elizabeth. It would never have worked between us, darling. I'm sorry," the soldiers behind him are lined up differently in these shots than in the wide shot just before and after, when Jack starts to walk away.