Continuity: Right at the beginning when Tej is talking to Jimmy on the phone, there is an orange and white car in the background, but when he is walking out of the garage, the car is gone.

Continuity: When Brian is called to get to the race at the beginning, as he's getting into his Skyline, the blue neon light at the bottom of the car turns on, but as he's leaving the garage, the light turns on again.

Continuity: Just after Tej has called Brian, in one particular shot Suki is standing on the left side of her car, yet 2 seconds later, she's at the other side of the car gearing up her fellow ladies.

Continuity: In the very first racing scene, when they all go around the first turn and it shows them all struggling to hold their steering wheels through the turn, it shows an overview of the 4 cars. As you can see the pink Honda S2000, is in front, and to the left of the red Mazda RX-7. In the very next shot, the Honda S2000 is directly behind the RX-7.

Continuity: Throughout the opening race scene, you'll notice that Suki's car has neon lights around the rear license plate. However, in one shot, just after the second corner, there are no neons. One of the less detailed clone cars perhaps?

Continuity: Brian wears sneakers with white laces during the race. In the close-ups of his feet on the brakes, those laces are actually laced up differently through the eyelets.

Continuity: In the first race, the Supra crashes down after jumping the bridge, and a side shot shows that the Supra's rear wheels have changed from the expensive chrome items to the standard Supra wheels.

Continuity: At the end of the first race, Brian speeds over the finish line then stops in front of Tej, and when the camera cuts to a wider shot of Tej the crowd is a few feet away from Tej in all directions, but in the following closeup Tej is now surrounded with people.

Continuity: In the first race scene after the jump, the gold car crashes into the sign head on, yet the whole back of the car is demolished, not the front.

Continuity: When Brian is escaping from the police at the start, he drives past a building with a big face and an elephant on it. When the Skyline drives past the building, looking out from the driver's side window, the car is driving past the building again.

Continuity: At the beginning after the race, Brian is being chased by a cop and is shot on the right side of his car with that electric disabler. During the next shot, right before he hits the parking meter, the claw is nowhere to be found. After he hits it, it is back and sparking with electricity.

Continuity: After Brian's Skyline is shot with the electric thing, when he hits a parking meter it shatters into smithereens and there is no damage or dents on his car. In the next shot his hood is bent up and his car is totaled. This is because the original scene was of Brian hitting something much more solid, however, Paul Walker who was doing the stunt himself, lost control and hit the parking meter. They didn't bother to retake as it looked much cooler. (Slow motion is required. DVD Special Features.)

Continuity: When Brian is driving the Skyline to the first race, and during the race, the car has rubber pedals. But after his Skyline gets shot with the ESD and he tries to slam on the brakes, the pedals are the aftermarket Momo pedals.

Continuity: Just after Brian gets arrested at the beginning, they are telling Brian about Verone, in a close up shot of Brian he puts his hands down to the chair, yet in the overhead shot, he has his hands by his chin again, then back to the chair.

Continuity: Close to the beginning when Brian is fighting with Roman, the black cop in one shot just walks past them on the floor, in the following shot, he is a lot further away from them.

Continuity: During the drive and stare scene with Brian and Monica, watch Monica's bangs as the shot changes from inside the car to outside. When the camera is shooting from outside the car, Monica's bangs are blowing around from the wind, but from the camera shooting inside the car, her bangs are neatly in place.

Continuity: When Brian Monica and Roman are driving to Verone's house, at the end of the " stare and drive thing ", when Roman pulls up on the overhead shot he puts his full arm outside the car, yet when it cuts to a face shot from inside Brian's car, he just has his elbow on the door.

Continuity: When Brian and Roman are speeding down the highway to get to the boatyard, the camera cuts to inside police headquarters (I think). On the computer screen are two GPS signals (Brian and Roman), and it says 6th and 7th Street, but when it cuts to a wider angle it says 4th, 5th and 6th Street, indicating the screen has moved up instead of down. (Zoom is required.)

Revealing: When Brian is spinning his Evo around on the highway to pay Rome back, we can see at that one brief interior shot that there are no cars in the background. (Paul Walker did that spin for real on an empty freeway, but of course he did that with no cars around).

Continuity: When the Evolution smashes into the gate in the boatyard it should have made a really big dent in the front of the car or at least a scratch on the bodywork. Yet in the next scene when you see it come to a stop in front of the Ferrari, the car is in perfect condition with no dents or scratches.