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Contact (1997) - 21 mistakes
Directed by Robert Zemeckis, starring David Morse, Jodie Foster, Matthew McConaughey, Tom Skerritt (add more)
Factual error: A big deal is made of the fact that no camera can be installed in the pod because of the high local magnetic field. This is idiotic. First, it is easy to shield a video camera from an electromagnetic field. Bog standard technology. Second, Super 8 film cameras could easily be used - they have no electronic parts worth worrying about and they're small enough to have multiple units installed - and if the electromagnetic field is strong enough to fog film, it is strong enough to kill any human being knocking about the place.
Factual error: In the zoom-out at the very beginning, we hear broadcasts going back in time as we zoom out through the solar system. However, we hear broadcasts going back through time roughly 40 years. Shouldn't we be 40 lightyears out from Earth to hear them, rather than just in the Oort Cloud beyond Pluto? Radio waves travel at the speed of light like any electromagnetic wave. EM waves should not be confused with sound waves, which move much slower than the speed of light.
Revealing: During the scene when Ellie is traveling through space, she unbuckles herself from the chair to retrieve the compass. The chair then breaks off from the violent movements of the space pod, and slams up against the ceiling. At this moment, Ellie is in deep space in a completely weightless environment. She is floating, suspended in the pod and the chair itself floats a bit before being slammed upwards by the force of the pod movement. But, some small parts of the chair (bolts, etc.) are seen falling directly down, towards us in obvious full gravity; revealing that the scene was actually shot in normal gravity. Oops.
Continuity: When Ellie arrives back from her travels, the capsule lands in a net supported from four pillars, and to decellerate effectively, both the net and capsule end up in the water. However, when we view the splashdown from a CCTV camera (Cam 03) when Ellie is in quarantine, neither the net nor the pillars are to be seen.
Factual error: The scene where Ellie and Palmer are looking at the stars next to the Arecibo observatory dish, they are looking at the constellation Cassiopeia. This constellation is visible to the North. However, judging from the parts of the antenna structure visible in the background, they are actually looking South. The suspended walkway/cable raceway connecting the control room and the antenna structure visible in this shot is on the North side of the dish. In real life, the control room and observation areas are on the North side of the dish. It is also not clear what time of the year this was but Cassiopeia is not visible from Puerto Rico during part of the year due to its low elevation above the horizon.
Revealing: After the space pod splashes down in the ocean, it floats on the surface. But when they show Ellie from inside the pod after landing; there is absolutely no movement of the pod, and it's obvious the space pod is not resting on water. Even if it were hanging suspended in the air in the rescue net, its motion would still have it rolling around slightly after impact. But the footage from inside the pod shows the pod to be completely still without any movement, as Ellie asks how long she's been gone.
Continuity: When the Machine is used for the second time (with Ellie in the pod) the large outer ring is set spinning. This brings the total number of spinning rings to three. However, when video of the pod falling through the machine is played back on the TV screen, the outer ring is fixed horizontally and not moving at all. Only the two inner rings are spinning.
Continuity: When Ellie drives back to the observatory after hearing the first audio transmission from space, there are several shots of her holding the steering wheel with her left hand while giving instructions to the other men. In one shot you see that the wrist-watch is turned upside down: the watch face is on the inside of the arm. In the following shot of her in the car the watch face is on the outside of the arm.
Continuity: During the scene in which Ellie is preparing to go in the pod through the alien machine built in Japan, she puts a small digital video camera on the side of her head (with a headphones-type headband holding it in place). During subsequent shots of her in the pod before it drops (and there are many from different angles), the camera's orientation changes noticeably from shot to shot.
Revealing: During the scene when Ellie has discovered the Signal, and is in the control room with the guys, she turns to one of them and says "Make me a liar". Right when she turns, you can see some bright, smaller, roundish white lights reflected in her eyeglass lens. These are probably camera lights, as their appearance wouldn't match the computer screens or natural lighting in the room.
Continuity: When they realize the signal's counting prime numbers, watch the man in the red shirt behind Ellie when 11's being counted off. He's counting on his fingers, fills up his right hand, and moves to his left. The angle then changes to a closer shot, and his left hand is now curled up, with no numbers counted off on it at all, and he continues on his right.
Plot hole: During the Congressional hearing, it is suggested that the alien signal could have been faked from a satellite - as Ellie only has her own experience to go on, it leaves her believing what happened, but still with an element of doubt. However, as a professional astronomer, Ellie would have immediately dismissed this since a simple parallax (triangulation) would have confirmed that source was at the distance of Vega - a distance far too great for any rocket to reach. (This is mentioned in the book).






