Breakfast at Tiffany's

Visible crew/equipment: Just before Paul sits down on the box in front of Holly to show her the book commission that he had just earned, a microphone flashes into view on the right side of the screen. (01:07:30)

Continuity mistake: Near the end of the movie, when George Peppard is talking to Audrey Hepburn in the alley and it's raining heavily, his hair switches between being combed back and combed to the side. Very obvious - this takes place several times.

More mistakes in Breakfast at Tiffany's

Paul Varjak: Holly, I'm in love with you.
Holly Golightly: So what?
Paul Varjak: So what? So plenty! I love you. You belong to me.
Holly Golightly: No. People don't belong to people.
Paul Varjak: Of course they do.
Holly Golightly: I'm not going to let anyone put me in a cage.
Paul Varjak: I don't want to put you in a cage. I want to love you.
Holly Golightly: It's the same thing.
Paul Varjak: No it's not. Holly...
Holly Golightly: I'm not Holly. I'm not Lula Mae, either. I don't know who I am! I'm like cat here, a couple of no-name slobs. We belong to nobody and nobody belongs to us. We don't even belong to each other.

More quotes from Breakfast at Tiffany's
More trivia for Breakfast at Tiffany's

Question: When Paul knocks on Holly's door and she isn't wearing anything, she says to him "would you turn around? Oh, never mind, it's such a silly line anyway - I'll turn around instead." What joke is she referring to?

Answer: Holly is referring to the fact that people often ask others in the room "Will you turn around?" when they are dressing or in the nude, so the person cannot see them naked. She is simply stating she thinks it is odd that the second person is always asked to turn around, when the person herself could turn around.

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