Continuity: The farmer's son hits Jake over the head with his crutch and as he falls to the ground the bandage around his right nostril has moved from earlier in the scene. Submitted by ????

Revealing: As Evelyn Mulwray drives Jake home after his altercation with the farmer look closely at the side window next to Jake. The car appears to be driving down the road but the reflection in the vent window is stationary. Submitted by ????

Continuity: A farmer shoots Jake's radiator, which spurts a steady stream of water and steam. In the next shot when the car crashes the radiator is not leaking. Submitted by ????

Continuity: At Hollis Mulwray's office look closely at the drapes behind his secretary as Jake first walks in. No one goes near them but by the time she gets back to her desk they've been rearranged. Submitted by ????

Continuity: As Jake and Noah Cross sit down to eat lunch the column holding up the roof of the building is on his left. He gets up to leave only to sit down again and now the column behind him is on his right. Submitted by ????

Continuity: Mulwray's Secretary and Jake have a conversation as he waits to talk to Russ Yelburton. They do an excellent job keeping things tidy on her desk between shots but the white flowers and Jake's hat move without anyone going near them. Submitted by ????

Continuity: At Hollis Mulwray's office, Jake holds up the same envelope that we saw as Evelyn Mulwray talked to him in the restaurant. The address is now different and the street number is smaller. Submitted by ????

Continuity: At Hollis Mulwray's office, Jake looks at the picture of Noah Cross on the wall. At first the shadow of his head falls on the picture but in the next close-up shot it's gone. Submitted by ????

Continuity: Jake and Noah Cross sit down to eat and the piece of lemon on Jake's plate moves between shots in the close-up. Submitted by ????

Continuity: When Jake and Noah Cross sit down to eat, their glasses are empty. In the next shot Jake's glass is filled with white wine. Later the waiter fills the empty glass again with white wine. Submitted by ????

Revealing: When Jake talks with a boy on a horse at the bottom of the LA River, in the distance you can see a television antenna on top of a house. There were no television antennas in Los Angeles in 1937. Submitted by ????

Revealing: When Roman Polanski cuts Jake's nose at the Oak Pass Reservoir, looking closely, his nose is fine and the blood is just on his cheek. Submitted by ????

Continuity: After leaving Evelyn Mulwray, Jake goes to the Oak Pass Reservoir to look for Hollis Mulwray. If you look at the design on his tie, it's obvious that it has been re-tied. Submitted by ????

Continuity: As Evelyn Mulwray and Jake talk at the restaurant, look closely at the seat behind him. In the long shots of Jake, both sides are lit up, but, in the close-ups, the left side is in the dark. Submitted by ????

Continuity: As Evelyn Mulwray stands in front of Jake at the table in the restaurant, look closely at the red chair behind them. When she first walks in, the seam is under the wood post in the center of the screen. In the next shot, it's been moved about two feet to the left. Submitted by ????

Continuity: When Evelyn Mulwray meets Jake at the restaurant, look closely at the table behind them in the center of the screen. Two men are eating there and the tablecloth and napkin in the man's lap are rearranged between shots. Submitted by ????

Continuity: When Evelyn Mulwray meets Jake at the restaurant, the maitre d' walks away from them. In the next shot, he's standing looking at them with the waiter by his side. Submitted by ????

Continuity: When Evelyn Mulwray meets Jake at the restaurant, the spots on her veil change between shots after we first see her. Submitted by ????

Visible crew/equipment: After having tea with Evelyn Mulwray Jake gets up and walks away. The shadow of the cameraman appears on the back of his jacket. Submitted by ????

Continuity: Jake says to Evelyn Mulwray, "Whoever set your husband up, set me up" and the shadow on the house behind her moves several feet to the left as the scene progresses. Submitted by ????