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Quotes

Philip Marlowe: You've got a touch of class, but I don't know how far you can go.

Vivian Sternwood Rutledge: A lot depends on who's in the saddle.

Trivia

All of the main characters in this movie have a specific tic. Marlowe is always pulling on his right ear, Lauren Bacall plays with her ring and Carmen Sternwood picks at her teeth. See more...

Mistake pictures

Movie Mistakes blog

The Big Sleep (1946) - 204 mistakes

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Genres: Crime, Drama, Film-noir, Mystery, Thriller

Mistakes

Trivia

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Other: Marlowe fires several shots at Art Huck and Lash Canino but if you look at the chamber when he takes the gun out from under the dashboard, there are no bullets in it.

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Continuity: Marlowe sits in front of Joe Brody's apartment building, The Randall Arms. Later as he follows the gunman that shot Brody we see it from inside the car and the registration stickers are different.

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Continuity: In Art Huck's living room, after Pat Clark throws water into his face, we see the chair at Marlowe's feet. No one goes near it, but later in the scene it moves 45 degrees to the right and is facing Marlowe (1945 Version on DVD).

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Continuity: After driving Lauren Bacall home from Eddie Mars' place Marlowe walks into his apartment and we see the number 206 on the door. In the next shot from inside we see another door that doesn't have 206 on it.

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Continuity: The front door of the Sternwood's is in the first shot of the movie as Marlowe rings the door bell. The front of the door has just one indentation near the knocker, later we see the front door again as Marlowe brings Carmen home and now it has two indentations.

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Continuity: Earlier in the movie at Geiger's house, Marlowe calls Chief Insp. Bernie Ohls of the District Attorney's Office and the six digits of Bernie's phone number are 122-145. At the very end of the movie he's with Lauren Bacall at Geiger's house and again calls Bernie Ohls. This time he dials the same phone at the DA's office but leaves off one digit 12-145 and the call still goes threw.

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Continuity: In Art Huck's living room, Marlowe says to Lauren Bacall, "He'll beat my teeth out then kick me in my stomach for mumbling". The rope and knot tied around his chest change between shots (1945 Version on DVD).

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Continuity: Marlowe says to Bernie Ohls at the District Attorney's Office, "you, come up to 7244 Laverne Terrace". He's calling from Arthur Gwynn Geiger's house and we just saw the number on the mailbox when he came in and it's 460 Laverne Terrace.

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Continuity: When Marlowe walks over to the bar to get another drink the napkin on the liquor tray has been moved and is draped over the side of the tray differently even though no one went near it.

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Continuity: When Art Huck and Lash Canino get out of his car there are three stickers on the windshield. Marlowe and Lauren Bacall take this car but in the close-up of them driving there are only two stickers on the window.

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Continuity: When they meet up at Geiger's house at the end of the movie Eddie Mars says to Marlowe, "What are you gonna do about it?" as he leans back onto the couch. In the next shot he's sitting straight up facing him.

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Other: Marlowe calls Bernie Ohls at the District Attorney's Office who says to him, "That would come under the heading of police business". The close captioning is wrong here and just says "that's police business".

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Continuity: The papers Marlowe is holding in the close-up are different than the pile of papers that Gen. Sternwood handed him. In the close-up all the papers are flat but in the long shot one is folded.

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Visible crew/equipment: Marlowe, Joe Brody and Agnes sit talking in Joe's apartment, Carol Lundgren rings the buzzer and Joe Brody answers the door. A small explosive charge is packed in an indentation on Joe Brody's door before the spot is blown out by Lundgren's shot. The same indentation can be seen again a few moments later as a small explosive is detonated when Lundgren shoots at Marlowe in the lobby of the building.

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Continuity: There's a crooked sixth rail on Art Huck's porch that we see up close as he jumps over it when Marlowe shoots at him. Later when Marlowe says to Lauren Bacall ," we'll have to take his car" we see the railing again and it has been set straight.

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Continuity: As Marlowe gets up when Canino's car pulls in, the fruit in the fruit bowl behind the couch is entirely different than what we've seen throughout the entire scene.

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Continuity: As Marlowe sits tied up by the couch talking to Lauren Bacall, the hat on the couch moves several times between shots without anyone going near it (1945 Version on DVD).

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Continuity: As Mona Mars throws the water in Marlowe's face some of it splashes on the back of the couch, leaving a stain. In the next shot the pillow to the right of Marlowe's head moves and the couch is dry.

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Continuity: When we first see Harry Jones' body lying on the floor his shoulder is even with the split in the two cushions on the left of the couch. In the next shot we see him again lying there and his dead body has moved six inches to the right in relation to the cushions on the couch.

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Continuity: Marlowe sits down in a reclining chair as he speaks to Harry Jones and there's a book on the radiator below the window on the right. No one goes near this spot but later in the scene the book moves to the right.

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