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There are many stories on the internet claiming a cameraman was killed when the charger hits the camera during this chase. On the DVD extras, we see this scene from a different angle. The charger hits the camera and we see it break up, but there is no-one near the camera. Obviously the cameraman set the camera rolling, then retreated - smart guy. See more...
Bullitt (1968) - 30 mistakes
Directed by Peter Yates, starring Jacqueline Bisset, Robert Duvall, Robert Vaughn, Steve McQueen (add more)
Visible crew/equipment: As Eddy stands up to go out of Enrico's restaurant with Bullitt, look at the only window that is in the shot. A short male with black hair gets past the crowd-control policeman (in a white helmet) on the sidewalk. The cop reaches out to stop him, but it is too late. The walkie-talkie in the cop's hand has a long antenna. It's quick, subtle and quite humourous.
Revealing: When Bullitt is in the Coffee Contata restaurant, he called Delgetti at the grungy hotel. Bullitt didn't look at a note for the supposedly unfamiliar phone number, but it seems as if the number wouldn't take much to remember, either. The number Bullitt dials on the rotary phone sounds as if it is made up of only the digits 1, 2 and maybe a 3, to not slow down the sequence.
Other: When we get a front shot of the two cars jumping the hills, watch when the Mustang lands on all four wheels. It gives out a tremendous amount of smoke and steam from underneath. (Slow it down on DVD for the full effect.) This is because the car landed too heavily and shattered the sump (oil pan). The other Mustang had to be used while the mechanics repaired the damage.
Continuity: In the leadup to the chase, the Charger stops at the top of a hill and the occupants look left where we see a green car parked in front of a red car. As the Charger pulls away we get the same view. The red car is still there, but now has a blue car of a different model in front of it and in a different place.
Continuity: In the interior forward shot from inside the Charger as it goes down the hills and we see a white Saloon pull out from a side street and turn right and the charger passes this car. Then we cut to a view looking up the hills. We see the Mustang leap and the same white Saloon is again pulling out of a side street and turning right.






