When Mary and Norman go into Mother's room, before Mary turns on the light look at the shadow on the wall on the right. It is a silhouette of Alfred Hitchcock, the director of the original "Psycho" (1960).
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When Norman is painting the motel, he is distracted by someone looking out the curtains of his house and he drops the paintbrush straight. But in the next shot the paint brush has moved at a forty-five degree angle to how it landed. See more...
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When Mary and Norman go into Mother's room, before Mary turns on the light look at the shadow on the wall on the right. It is a silhouette of Alfred Hitchcock, the director of the original "Psycho" (1960).
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