Mulholland Drive

Factual error: After the hitman Joe shoots Ed in his office and is placing the gun in Ed's hand, it discharges and shoots a hole in the wall. The appearance of the wallpaper around the hole makes it look more like an exit hole than an entrance hole.

Factual error: When the two detectives are looking at the car wreck, one says "We found these in the back seat of the Caddy." The car is actually a Lincoln.

Factual error: The Taurus that crashes into the limo at the beginning of the movie is seen soaring down the road with lots of people in it, two of them hanging out of the sunroof. At the moment the crash is shown, there are no people out of the sunroof - as a matter of fact there is only one person in the car.

Continuity mistake: In the last shot of Adam beating the Castigliane brothers car with a golf club, we see a flock of birds fly from behind the car in a scare. It's impossible they've stayed there during the whole beating sequence and we don't see them land anywhere near the car during the sequence itself.

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Betty: Mulholland Drive?
Rita: That's where I was going.

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Question: I think I've finally figured this movie out, but there's still something I haven't quite explained. For the duration of Diane's "dream/fantasy", there seems to be a recurring theme of pink: Exaggerated pink make-up, pink clothes, pink paint, etc. What, if any, is the purpose of this? Is it simply to further highlight the idealism and innocence of Diane's dream and past respectively?

Answer: Pink colour is sometimes associated with same-sex relationships (eg. the pink stripe on the Bisexual Pride flag is for homosexualism), and lesbian love is one of the main themes in the film. Anyway, David Lynch's imagery is perhaps a little too subtle to be reducible to a code of symbols.

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