Continuity mistake: When Goose crashes his motorbike, he lands on his front. The previous shot shows him falling back-first.
Continuity mistake: When Goose is ambushed by the bikers, one of them throws a brake drum through the windshield of his car, making Goose lose control and crash. As the car begins rolling down the hill, you can clearly see a silver-helmeted stunt driver falling across the front seat bench.
Other mistake: When Max's wife goes to get ice cream, you can see Max's black Interceptor in the driveway of one of the house, right before one of the bikers loses his hand.
Continuity mistake: When Max has stolen the Interceptor and is closing in on the bikers for the first time, there's a sequence of shots showing the bikers and the approaching Interceptor. They're on a two-lane road surrounded by trees. Cut to Max turning on the car's blower and shifting gears. Then we see him dive into the bikers; but the whole scenery has changed. The road is now narrow and there are no trees around.
Visible crew/equipment: In the widescreen edition DVD, when Max's wife tugs at the chain on the back of the car after they have escaped the gang members, before she sees the ripped-off hand tied to it, you can see a crew member's hand holding the chain.
Continuity mistake: In the opening chase sequence, the Nightrider is being chased by two Main Force Patrol (MFP) cars (the bright yellow, red and blue ones). In one scene the stolen car driven by the Nightrider and one of the pursuit cars are side by side (they past either side of a small child standing in the road. In the following shot there is a point of view shot of the road ahead which shows a yellow/red/blue car lying on its roof in the road in front the caravan. This vanishes in the next shot when the lead MFP car hits the telephone box and rolls but reappears seconds later as the second MFP car (with the smashed in nose) goes through the caravan.
Continuity mistake: When Goose is leaving for his final ride, he burns rubber, leaving a long, black mark on the road. As the shot changes to Johnny the Boy, Goose can be seen in the background, but the mark on the road has disappeared. It's the same street, same place, you can tell it by the details on the walls of the buildings in the scene.
Revealing mistake: When the motorcycles are chasing the guy and his girl in the red car, one of the motorcycle riders attacks the car with a machete. He first hits the side of the car, and then goes to hit the windshield. Notice the windshield is already cracked prior to the machete making contact.
Continuity mistake: After Max and his family reach Aunt May's house, Jessie decides to go down to the beach. As she walks toward Max, working on the Holden, she's wearing sandals. She walks around the van and is now wearing sheep skin boots. Yet, as she walks off, she is now wearing sandals again.
Plot hole: Near the end of the opening chase, the caravan and the pick up truck are completely blocking the road, making it impossible for the Night Rider to pass the way we see him do.
Continuity mistake: Towards the end of the opening chase, when the police car flips over, just before this you can see the stunt driver in the car and the passenger is missing, not even replaced by a dummy.
Plot hole: At the end when Max is chasing the Toecutter, he is right behind him. When the Toecutter hits the truck there is not enough time for Max to avoid the truck and reverse into the small side turning, as the collision was instantanous.
Continuity mistake: When the Toecutter is talking to Johnny The Boy at the beach, the man behind in the army style overcoat has his hand in and out of his pocket, depending on the angle.
Continuity mistake: When Max first gets in his car at the start, he listens to the chase on the radio and we see the reflection in his sunglasses showing the bonnet of the car, a yellow road sign, and what looks like a white single decker bus/coach (could be the film crew bus). When he pulls away, none of those things are there. He drives down the road and pulls up, waiting for the Nightrider to appear, and we see the same reflection in the close up to his sunglasses again - sign, bus/coach and bonnet, but the road in front is clear.